The Lowry Archives - Page 10 of 15

28Jul

By Max EdenNo Comments

North West

Message In a Bottle – The Lowry

Based on the songs of Sting; Message in a Bottle is a breathtaking dance production that immerses its audience in a captivating narrative of hope, resilience, and human connection. It is really quite incredible! From the opening scene to the final curtain call, this show delivers an emotional rollercoaster that will leave your heart so full, following the story of one family and their three teenage children as they are uprooted and displaced by civil war and go through the harsh reality of fleeing for safety. The choreography by Kate Prince is nothing short of extraordinary. Every movement, every gesture, and every leap conveys a profound story, captivating the audience and creating a powerful visual spectacle. The dance sequences are executed flawlessly, blending contemporary ...

5Jul

By Jo TillotsonNo Comments

North West

Titanic the Musical – The Lowry

The RMS Titanic. Owner J. Bruce Ismay wanted to create a legend – it was the largest moving object in the world when it was built. Sadly, the legend of the Titanic we know today is not the one he wanted. In one of the worst tragedies of the 20th Century, 1517 people died when the ship sank on 14 April 1912. This production tells the story of the maiden voyage of the Titanic, and it does so with an extremely high production value. The set and costumes designed by David Woodhead are as epic as the ship itself, and are used to the maximum to indicate at every point where the action is taking place on the ship and which class the passengers are from. The lighting (Howard Hudson) and sound (Andrew Johnson) designs are clever and intricate, used to particularly excellent effect in the Act I f...

27Jun

By Katie LeicesterNo Comments

North West

Strictly Ballroom – The Lowry

Baz-Luhrmann’s Strictly Ballroom first ever UK tour hit Manchester’s beautiful Lowry Theatre, full of glitz and glamour this visually stunning adaptation of the 1992 film by Luhrmann and Craig Pearce revolves around a rebellious Australian dancer Scott Hastings (Kevin Clifton). Directed and Co-Choreographed by Craig Revel Horwood with Co-Choreographer Jason Gilkison the coupling has created a masterpiece of dance, glamour, passion, and excitement. Unfortunately, on press night after the opening number the creative team ran into technical difficulties resulting in the show being halted for approximately 10-15 minutes, which must have been very frustrating for them, and the audience did get a little fidgety by the lengthy delay. After the initial hiccup the show went on, telling the...

21Jun

By Jo TillotsonNo Comments

North West

Julius Caesar – The Lowry

‘Friends, Romans, Countrymen; lend me your ears!’ Julius Caesar contains some of William Shakespeare’s most quoted lines, and in fact this play begins with Caesar celebrating the height of his power and influence and being faced with a stark warning to ‘Beware the Ides of March’. What follows is a dramatic exposition of the struggles of power, that is equally relevant today in 2023 as it was when it was published in 1599. This play calls on us to consider whether our actions can be justified on the basis of their goal, and whether it is a right or a duty to speak truth to those in authority. The design of the production (Rosanna Vize) is for the most part outstanding. The creeping introduction of colour into a monochrome space was really powerful, and really made me think; why is it ...

Carrie Hope Fletcher: An Open Book – The Lowry

30May

By Helen JonesNo Comments

North West

Carrie Hope Fletcher: An Open Book – The Lowry

Carrie Hope Fletcher started her career in musical theatre at the grand old age of nine, playing the young Eponine in Les Misérables. Since then she has played a large number of roles in various musicals including the adult Eponine and Fantine and the first UK Veronica in Heathers The Musical. Here in An Open Book she takes a retrospective look at her career and her life through anecdote and song. Taking the order of story and song seemingly from an online source, for each anecdote she ‘reads’ from a different book. Stories of her childhood, adulthood and from various shows are followed by a relevant track. After her opening song Another Chapter, she goes into There Are Worse Things I Could Do from Grease. Her songs range from Les Misérables, He...

24May

By Peter RuddickNo Comments

North West

Wish You Were Dead – The Lowry

The line between amateur and professional theatre is a lot finer than many people realise. Sometimes it is the best am dram performances that remind one of this fact. Other times it is pro productions that feel second best. Wish You Were Dead is, sadly, an example of the latter. This isn't the first of Peter James' bestselling Roy Grace stories to be adapted for the stage but, if the formula has worked well previously, it doesn't quite deliver here. The show is very heavy on exposition, very light on character development. There are a fair few plot points and devices which would have probably been given ample time to develop in a novel but which feel thrown away, redundant or downright confusing in a two hour stage production. These problems are then compounded by some lower grade...

23May

By Brian MaddenNo Comments

North West

The Way Old Friends Do – The Lowry

"The Way Old Friends Do," written by Ian Hallard, is an engaging, light-hearted comedy that playfully straddles the line between homage to iconic pop band ABBA and an exploration of significant societal themes. Balancing the frivolity of a tribute band with weightier undertones of male friendship, homophobia, and familial relationships, the play invites audiences to a narrative filled with laughter and introspection. The story pivots around Peter (played by the writer; Ian Hallard), a middle-aged former librarian and ABBA superfan who reunites with his old school friend, Edward (James Bradshaw). Their coincidental reunion leads them to form half of a gender-reversed ABBA tribute show, alongside the prim Mrs. Campbell (Triyé Peterside) and the endearingly anxious Jodie (Rose Shalloo). Th...

10May

By Mark DavorenNo Comments

North West

Maria – Unity Theatre

Commissioned by Unity Theatre and Culture Liverpool as part of the Eurovision Cultural Festival 2023, and supported by The Lowry in Salford, Yurii Radionov and Shorena Shoniia’s world-premiere production of Ulas Samchuk’s 1934 novel, follows the life of a young woman through the history of Ukrainian upheaval from the 1861 emancipation of serfs in the Russian Empire under the Tsars through to Holodomor: the communist-regime’s induced mass starvation in Soviet Ukraine in the early 1930’s. As well as marking the 90th anniversary of this horrific and unimaginable event, it is a timely parallel to the events that continue in Ukraine following the attempted invasion by Russia in 2022, echoed by its performance from a cast of seven Ukrainian refugee actors currently living in the UK as a resul...

4May

By Katie LeicesterNo Comments

North West

Unexpected Twist – The Lowry

Michael Rosen is a British children's author, poet, presenter, political columnist, broadcaster, and activist who has written 140 books. Rosen wrote ‘Unexpected Twist’ in 2018 which is the re-telling of the Charles Dickens classic ‘Oliver Twist’ - Michael Rosen has combined the two stories into one, with his modern story ‘Unexpected Twist’ and the 1838 Dickens classic that he states inspired it. The two stories allegedly twist together unexpectedly, set in modern-day, teenager Shona (Drew Hylton) lives with her single dad (Thomas Vernal) and relies on benefits to survive. They have been forced to move due to a familiar cycle of debt of her unemployed father following the death of her beloved mother - moving means yet another school to attend an all too cyclic event f...

3May

By Louise KershawNo Comments

North West

Sucker Punch – The Lowry

Set in London during the 1980s Sucker Punch follows the relationship of Leon and Troy, two young black men who have been caught breaking into a local boxing gym and are now paying penance to, gym owner, Charlie (Liam Smith) in exchange for him not involving the police in their misdemeanors. Why these two young men break into the gym in the first place was not clear, it does not matter. What does matter is that the middle-aged Charlie is white, racist, sexist and homophobic and these two young men are at his mercy. On entering the theatre it is 1981. Ska music plays. Charlie and protégé Tommy (John Rogers) are warming up and then training in the ring as the audience settle. Sandra Falase’s set very successfully creates the back street gym typified in the East End of London; the boxing...