Summerhall Archives - Page 2 of 5

8Aug

By Greg HolsteadNo Comments

Scotland

Troubled – Summerhall

Troubled unfolds in the Anatomy Lecture Theatre, a space that retains its old-world charm with curved tiers and a sense of stillness that feels well-suited to intimate solo work. The architecture holds the performer in an elegant kind of embrace, lending a solemn dignity to a story that’s both fragile and fragmented. Suzy Crothers brings us into the inner world of Alice – a woman navigating a complex relationship with her past, her mental health, and the ghosts of Belfast’s troubles, whilst seeking love in the debris. What elevates the piece is Crothers’ vocal dexterity. She moves fluidly between characters, especially the internal voices of Big Red and Little Red - echoes of Ian Paisley and Gerry Adams - whose interventions veer from humorous to unsettling. Various other demons voi...

8Aug

By Greg HolsteadNo Comments

Scotland

Painkillers – Summerhall

Mamoru Iriguchi has long been a curious fixture of the Edinburgh Fringe — a darling of those who admire eccentricity for its own sake. Their latest work, PAINKILLERS, billed as a playfully profound meditation on identity, gender, and perception, might well leave audiences wondering whether they've missed something — or if indeed, there's anything to miss at all.Clad in a thick, full-body knitted woman’s suit — presumably both metaphor and misdirection — Iriguchi emerges as Anastasia, a magician’s assistant who might also be Mari, or Alessandro, or Mamoru, or all of them at once. These blurred lines between character and creator are supposedly the crux of the piece, but in practice, they feel like a muddle rather than a mirror.Despite flashes of visual interest and the occasional flicker of...

8Aug

By Greg HolsteadNo Comments

Scotland

Baby In The Mirror – Summerhall

Baby in the Mirror is one of those rare Fringe shows that lands with total emotional clarity. Presented by the new company Second Adolescence, from Stella Marie Sophie (also acting the part of Lena) and Sammy J Glover (writer/director), this is a visceral, intelligent, and deeply personal piece of theatre that explores queer parenthood, gender, sexuality, and the complexity of forming a family outside the traditional mould.Set in an intimate black-box space at Summerhall, the production follows three characters—Lena, Joey, and Ollie—each caught in the messy, beautiful and often contradictory realities of trying to build a life and family together. It opens amid a mess of boxes, Len and Jo have moved in together, their identities carefully packaged and labelled like the boxes that surround ...

6Aug

By Greg HolsteadNo Comments

Scotland

Waxen Figures – Summerhall

Muto Major are described as an Audio-visual duo but there are a quartet of performers here, who provide a powerful and contemplative feast for the senses in this primal view through the lens of Scottish folklore. Their show features electronic trance music intermixed with some very beautiful live Gaelic singing, contemporary dance, laser projection bringing Pictish carvings to life and micro-filming of wax and clay figures. In truth it is not clear what messages are being conveyed, and the slow rhythmic vibe, incense filled atmosphere does have a soporific effect, on me at least. It’s reminiscent of a Body Balance routine. As if to wake us from our 21st Century sleepwalk, a dancer stops and shouts; You’ve forgotten your mother tongue You’ve forgotten your stories You’ve ...

6Aug

By Roger JacobsNo Comments

Scotland

Miles – Summerhall TechCube

Recorded in March 1959 and released in August the same year, Kind of Blue consists of five tracks, totaling 45 minutes and 45 seconds of what is often considered the most important jazz ever recorded. It fuelled the progression not just of jazz, but also of soul, funk, hip-hop, and even mainstream popular music—impacting the likes of James Brown, Stevie Wonder, Prince, and beyond. And yet, Miles Davis himself dismissed the label “jazz,” remarking that “it’s just what white folks call our music.” How did he create, orchestrate, and supervise the album Kind of Blue? While no one would accuse Miles of false modesty, his explanation was disarmingly simple: they assembled the best—or most appropriate—musicians for the task. The album marked a leap from the Bebop structures of the time in...

6Aug

By Greg HolsteadNo Comments

Scotland

Chopin’s Nocturne – Summerhall

“10:15am — WTF?!” is Aidan Jones’s opening exclamation, and a fair one. It’s not often you’re asked to laugh — and think — before your second coffee. But by the end of his 50-minute set, this Australian comedian and pianist has the audience fully on board, combining comedy and classical music with irreverence, warmth, and surprising emotional depth.Chopin’s Nocturne is built around Frédéric Chopin’s much-loved Nocturne in E-flat major, Op. 9, No. 2 — a piece that, for many in the audience, will stir up memories. For me, it resonated deeply. My late father used to play the Nocturne when I was very young, and hearing it live again, laced with Jones’s affection and analysis, was unexpectedly moving. While the show is pitched as comedy, for me it was not funny in the conventional sense — or ra...

Tomatoes Tried to Kill Me, but Banjos Saved My Life – Summerhall

6Aug

By Greg HolsteadNo Comments

Scotland

Tomatoes Tried to Kill Me, but Banjos Saved My Life – Summerhall

Tomatoes, the staple foodstuff of his Italian upbringing on the Canada/America border, were almost the undoing of Keith Alessi. They caused acid reflux his whole life, which led to his Oesophageal Cancer diagnosis in his early sixties and a 50/50 chance of living more than one year. Fortunately, he was one of the lucky ones who responded well to treatment, he lasted the year and here he is on the Summerhall stage over 9 years later. Like Lazarus resurrected, his brush with death set him free. Keith only began to play the banjo seriously after his cancer diagnosis, turning his back on his previous jobs as a certified accountant, major public company CEO and College Professor. Since then, he has created this show and gigged his way around the world, donating 100% of the profits, over ...

The Cadaver Palaver– Summerhall, Anatomy Lecture Theatre

5Aug

By Greg HolsteadNo Comments

Scotland

The Cadaver Palaver– Summerhall, Anatomy Lecture Theatre

Clad in fine tweed and leather brogues, one man band, writer, director and performer Bennett Cooper Sullivan certainly looks and sounds the part of the Victorian gentleman adventurer. In this supremely well-crafted piece, narrated by a highly skilled storyteller, we follow our rakish raconteur as he travels from the bazaars of Afghanistan, via London to the foggy streets of 19th Century Edinburgh. As Egyptomania sweeps over the UK our hero becomes embroiled following the strange disappearance of a good friend with a pile of mummies hidden in his basement. Sullivan manages an impressive turn of hand, foot and mouth along the way, bowling maidens as he goes. An impressive looping storyline has the audience leaning into this and willing our hero to get his man, and his woman! But...

5Aug

By Greg HolsteadNo Comments

Scotland

Darkfield: Eulogy – Summerhall

Set in a shipping container outside of Summerhall this liminal experiment uses binaural sound and haptic feedback to provide an experience unlike many at the Fringe. This year, Darkfield have also introduced speech recognition technology into the mix, and a series of questions are asked at the outset to allow the algorithm to curate a more individual experience. They are pushing the boundaries, and with the powerful tools they have, they are closing in on their goal of ‘participation theatre’ but are not there yet. The storyline is set in a strange hotel, where you are transported to different levels by a lift, which you can feel and hear moving. Air movement across your face adds to the virtual reality. You also have a guide, in my case a young woman who whispers in my ear, whic...

Mr Chonkers – Summerhall, Anatomy Lecture Theatre

5Aug

By Greg HolsteadNo Comments

Scotland

Mr Chonkers – Summerhall, Anatomy Lecture Theatre

This unlikely named clown creation, Mr Chonkers, from American comedian, John Norris, is a Grade-A, nonsense-filled, gold-plated, home run, hit. It is just brilliantly silly and the bevvy-filled youthful audience that cram into the tiny semi-circular Anatomy Theatre auditorium are screaming with glee and pounding the wooden lecterns by the close! From the Gregorian Monk opening to the magic trick climax, the pacing, comic, timing and audience interaction are all perfectly aligned within the perfect space at the perfect time. All of his stars have lined up, as have mine! Like all great comic turns that have you laughing out loud for no apparent reason, I just wish I could record it, pull it apart, study it and understand it. But even then, Norris introduces enough variables into t...