Stuart Stratford Archives - North West End UK

Scottish Opera: The Strauss Collection – Usher Hall

9Mar

By Jessie MartinNo Comments

Scotland

Scottish Opera: The Strauss Collection – Usher Hall

Delivering once again a powerful and meticulous performance, Scottish Opera presented a collection of Richard Strauss’ finest works at the Usher Hall. Led by musical director Stuart Stratford, we were taken on a journey filled with melodrama and sly wit that still translates to the modern-day audience. To begin the concert we were presented with the Prologue of Ariadne auf Naxos - a surprisingly self-referential piece where we see an opera take place within the opera - very meta (mise en abyme if you’re fancy). Helena Dix takes the role of Prima Donna by storm with sass and self-assurance, reminding us that opera is not all doom and gloom. Hanna Hipp and Rhian Lois made for a dynamic duo, both with a stunning clarity to their voices. The contrasting roles H...

Scottish Opera’s The Puccini Collection – Usher Hall

25Nov

By Nazaret RaneaNo Comments

Scotland

Scottish Opera’s The Puccini Collection – Usher Hall

As a lifelong Puccini fan, there’s nothing quite like hearing his music live, and Scottish Opera’s The Puccini Collection at the Usher Hall did not disappoint. This was a moving and celebratory tribute to mark the centenary of Puccini’s death, with Stuart Stratford conducting the Orchestra of Scottish Opera and a stellar line-up of soloists. The programme was brilliantly chosen. Alongside famous excerpts from Tosca, La Bohème, and Turandot, we were treated to earlier works like Le Villi and Edgar—pieces that are seldom performed but give insight into Puccini’s evolution as a composer. The decision to include extended scenes, not just standalone arias, made the performance feel more immersive, as though we were being drawn into the emotional worlds of the operas themselves. Stuart Str...

12Nov

By Kathleen MansfieldNo Comments

Scotland

Don Pasquale – Festival Theatre

General Director, Alex Reedijk, has spent the last nineteen years building Scottish Opera into a force to be reckoned with. This latest production is a reprisal of a 2014 creation by Renaud Doucet and André Barbe of Donizetti’s Don Pasquale. It is a frivolous affair, thankfully without the tra-la-las of which Mozart was so fond. The concept is bright, clever and amusing, giving the production so much more than the score and libretto. For that reason, this particular creation has been touring successfully in Italy, Canada and the United States. Guy Simard’s lighting supports the comedic storyline and the characters. His choice of colours and detail are spot on. A prolific force, Simard has collaborated with Doucet and Barbe for the last twenty five years. I particularly enjo...

Don Giovanni – Festival Theatre, Edinburgh

7Jun

By Melissa JonesNo Comments

Scotland

Don Giovanni – Festival Theatre, Edinburgh

‘Hurry hurry’ one character sings to another. ‘I can’t’ the other character replies. This is Mozart after all and the composer has never been known to keep things short and to the point. Don Giovanni doesn’t drag like the final acts of Figaro, but you do have to buckle yourself in for a lengthy ride. For those who don’t know the storyline of one of the greatest operas in the canon, the titular character of the opera, Don Giovanni, is more than just a philandering womanizing rake. He’s a liar, a rapist and a murderer. This is all apparent in the first 10 minutes when he’s already a committed a murder. As the opera progresses there are a series of characters baying for his blood, all wronged by his actions. When it seems he has achieved the impossible and dodged his demise he meets his en...

20Dec

By Paul DownhamNo Comments

Scotland

Cosi fan Tutte – Scottish Opera

Mozart’s Cosi fan Tutte is an ideal opera to be performed in today’s climate. A small leading cast, and a relatively light-hearted plot, Scottish Opera’s production, directed by Roxana Haines with musical direction by Stuart Stratford, brings the comedy into the modern world in a socially distanced performance exploiting the world of reality TV. The piece opens with exuberant music played by a masked orchestra behind screens, as the Chorus sit in the theatre’s boxes, making up the various audience members of the reality show which our couples find themselves competing in. The Chorus revel in their roles throughout the piece, creating some excellent emotional reactions from wistfulness, to excitement, to boredom, creating a real sense of a live studio audience to the television show we a...