Friday, April 19

Tag: Stephen Smith

Fire Embers Ash – Barons Court Theatre
London

Fire Embers Ash – Barons Court Theatre

This play by Hailey Mashburn tells the little-known story of the establishment by the Soviet Union of the first all-female aviation regiment to fight against the Nazis in the Second World War.  Apparently, the regiments were created by Stalin after pressure from one of the early aviators Marina Raskova, portrayed in this play by Henrietta Laursen in the role of commander.  The establishment of the unit was controversial and looked down upon by many of their male colleagues.  They were only allocated old and decrepit planes and had to wear ill-fitting male uniforms.  Nevertheless, they distinguished themselves, and were nicknamed by the Nazis as the " Night Witches". The title which they adopted themselves with pride.  To overcome the deficiencies of their equipmen...
One Man Poe – Lauriston Castle, Edinburgh
Scotland

One Man Poe – Lauriston Castle, Edinburgh

As Part of the Edinburgh Horror Festival, at the historic Lauriston Castle overlooking the Firth of Forth, One Man Poe draws a sell-out, expectant audience of barely twenty souls to the Drawing Room for an intimate and spellbinding performance by Stephen Smith of Threedumb Theatre.  Smith, nearing the end of his one-month tour of the UK, channelling the high priest of horror, Edgar Allan Poe is very much ‘in the groove’ and barely puts a foot wrong in a precise and electrifying monologue of two of Poe’s finest works. Such is the electricity in the tiny room that we all barely dare to breath, lest we upset Smith’s mesmerising, metronomic delivery. Clever lighting and make up, (self-applied by Smith at half time) and some wonderful sound effects and soundtrack, by Joseph Furey and...
Dog/Actor – Hope Street Theatre
North West

Dog/Actor – Hope Street Theatre

Steven Berkoff’s eloquent and evocative double bill performance of Dog / Actor is brought to the stage by Threedumb Theatre, and I have to say it is truly a masterclass in both physical and comedic theatre. Stephen Smith, who is also the artistic director for Threedumb, is the solo performer of this back-to-back double bill and he really excels in this challenging piece. In Dog, Smith portrays a racist foul-mouthed football hooligan with his companion pit bull Roy. Smith uses every part of the studio space to significant effect and provides the audience with a strong and ever-increasing sense of rage. It is without question an uncompromising and difficult piece for any actor to perform but Smith finds the right tempo throughout. Excellent lighting also adds texture to Dog. ...
One Man Poe Livestream – The Space Online
London

One Man Poe Livestream – The Space Online

Written in the 1840’s by Edgar Allan Poe, this quartet of short stories and a poem show off to best effect Poe’s interest in the dark side of human nature. Many writers have been inspired by the works of Poe, who pioneered the genre of ‘horror’, and his work is still as popular today. Artistic Director of Threedumb Theatre, Stephen Smith has taken his passion for gothic horror and the original works of Poe and created a one-person show using an unknown narrator to deliver these authentic Poe tales. Smith is directing and performing all the roles himself. First off is ‘The Tell-Tale Heart’, a disturbing look inside the mind of an unnamed narrator who is believed to be insane, but he will try to convince the audience that he is sane, by describing the events that led up to a brutal murde...
Spend, Spend, Spend – Guilford School of Acting
REVIEWS

Spend, Spend, Spend – Guilford School of Acting

Upon winning a fortune of £152,000 (today’s equivalent of 3.3m) on the football pools in 1961, Viv Nicholson told the press she was going to "spend, spend, spend." Her true life rags to riches story and its decline back to rags is chronicled in this musical with book and lyrics by Steve Brown and Justin Greene based on the original book by Viv Nicholson herself and Stephen Smith. The story both starts and ends in present day, with Viv working in a Hairdressers in Castleford, West Yorkshire. We are transported back to the young, 16-year-old Viv as the story unfurls of her abusive father, poverty to a pools win, five unconventional marriages, fast cars, Fur coats, lots of alcohol and parties and a desperate need to be loved. Spend, Spend Spend does not make Viv as happy as she first thin...
The Black Cat – Threedumb Theatre @ the Space
REVIEWS

The Black Cat – Threedumb Theatre @ the Space

Edgar Allen Poe’s macabre short story written in 1843 is one of the finest examples of gothic horror ever written. The story explores the psychology of guilt and the consequences of a grim and unspeakable crime. It is also a story about revenge and retribution but to go any further in its description would spoil all the fun. Suffice to say, after The Tell Tale Heart this is probably one of Poe’s most accessible and memorable stories and Threedumb Theatre using their now familiar live-stream one take promenade approach gives us a richly dark and quite chilling rendition of this strange story. Stephen Smith (who also directs this piece) plays the haunted yet totally unsympathetic narrator whist Michaela Bennison plays the narrators wife. Both actors exude great energy throughout but i...
Within – Threedumb Theatre Live
REVIEWS

Within – Threedumb Theatre Live

Joseph Furey’s one man play tells the story of an isolated and lonely young man who downloads a creepy AI app which promises to show him the meaning of life. Even though the sci-fi element is strangely familiar, Furey’s script is interesting and quite poignant in parts. Stephen Smith (who also directs this piece) plays the young man with a great deal of energy throughout his AI torture with the mysterious and at times rather annoying AI voice S.U.E (voiced by Millie Webber). This is a play that explores isolation (quite apt for the times that we live in) and it also looks at vulnerability and how easy it is to be attacked from malevolent forces hiding in plain sight. Smith’s character is intense and just a fraction overstated and I felt that the play was a touch overlong (may...