Split Infinitive Archives - North West End UK

A Caravan Named Desire – Shakespeare North Playhouse

31Jul

By Jan MellorNo Comments

North West

A Caravan Named Desire – Shakespeare North Playhouse

I am an avid SNP goer and am always intrigued by the unique plays that are on shown there whether in the main ‘globe like’ arena, the upstairs small studio or the outside ‘Sir Ken Dodd’ space, each performance is memorable, worth my 12-mile journey to see ‘what’s on offer’. I am never disappointed. I was hoping that tonight was no exception. Tonight, I entered the intimate studio to a scene that showed a messy area of clothes, tippled-over chairs and strewn bottles of water. A couple were in the space looking frantic and tense and the woman was constantly checking her phone. The couple were arguing about whether the show should go ahead as the main female cast member had not attended. The man stated that the female had to step in and although she initially refused, she played the ...

A Caravan Named Desire – Camden People’s Theatre

Split Infinitive presents the play 'A Caravan Named Desire'. The experimental piece is performed by married couple Alexander and Helen Millington. The play starts on the premise to curiously unpack the living experience of a sex worker but meanders into the personal journey of the writer/character's sexual exploration. 'A caravan named Desire' is the John Beecher Memorial Award winner for original, challenging work with high production value at the Buxton Fringe Festival. For time immemorial, men have lied and deceived women to share their stories and services. The play's premise's inherent deceit sits uncomfortably and is invisible in the room. Though the play's premise is attractive, the tension, curiosity and apprehension around sexual exploration falls flat in the latter h...

Three Way – Empty Space

Midlands-based theatre company Split Infinitive have rightly identified that the ‘B’ of LGBTQ+ is an oft-overlooked if not snubbed sexuality within the community. Their endeavour to address this comes in the form of Three Way, a trio of monologues centred around the love lives of three conflicted men. Though a focus on the experiences of bisexual males is deliberate, omitting a female narrative is certainly a missed opportunity since it would have offered a wider perspective on the prejudices faced by all those who are bi. The intention of this piece is sincere, but it often fans the flames of the stereotypes associated with bisexuality, rather than challenging them: arguably, one of the characters is not even bisexual, instead falling into the ‘bi now, gay later’ box that Three Ways...