Sunday, December 3

Tag: Scottish Storytelling Centre

Gie’s Peace – Scottish Storytelling Centre
Scotland

Gie’s Peace – Scottish Storytelling Centre

Morna Burdon’s journey through the world of women who have stood against war and made a peaceful difference is not shouting for space in a busy Edinburgh festival. Yet, on this, her first day, she has a full house. The George Mackay Brown Library in the Scottish Storytelling Centre is an apt venue. Burdon has done her research. And she has chosen a tender and funny collection of songs to illustrate the power of peaceful protest. She began with Nancy Nicolson’s Last Carol which alternates between a melancholy chorus of mushroom clouds and heavy water and jaunty verses with the words, merrily, merrily. I instantly warmed to her and to the subject matter. At the end, the audience spontaneously joined her for We Will Overcome. It was very moving. Early on she included a teenager fro...
Wee Seals and Selkies – Scottish Storytelling Centre
Scotland

Wee Seals and Selkies – Scottish Storytelling Centre

Wee Seals and Selkies is a magical warm hug from children’s author, Janis Mackay. Her velvet voice and adept physicality captures young imaginations from the outset. As we enter, she sits on the edge of the simple set while her musician companion, Donald Scott, warms the atmosphere with this fiddle. In this delightful family show, storytelling and music combine to create an enchanting performance, evoking the Scottish northern seashores. The Wee Seal is the true tale of a seal born in the storyteller’s garden, while The Selkie Girl is a retelling for children of the much-loved magical selkie myth. Based on two of Janis Mackay’s much-loved books; The Wee Seal, and The Selkie Girl (Floris Books), the sea and the seals are evoked both on stage and by the audience. The lighting, ...
Pibroch – Scottish Storytelling Centre
Scotland

Pibroch – Scottish Storytelling Centre

Pibroch is a multimedia theatre production exploring parallels between the 1988 Piper Alpha disaster and our current climate crisis. Bolland’s lyrical spoken word show deplores the sanitisation of traumatic events and the tragedy of disabled self-direction as, sheep-like, we follow the rules and meekly meet our death. The Piper Alpha tragedy caused 165 deaths because safety measures on paper did not translate to reality, just as in the Bhopal gas tragedy in 1984, and the Grenfell Tower in 2017: emergency services were tardy, safety standards were jeopardised and human flesh was sacrificed to balance the books and up the profit margin.  Public Inquiries simply create a sanitised record and a statistical translation of guttural human anguish and suffering - wretchedness which imp...