Friday, December 5

Tag: Royal Lyceum Theatre

Cinderella: A Fairytale – Royal Lyceum Theatre
Scotland

Cinderella: A Fairytale – Royal Lyceum Theatre

Deck those halls as it’s Christmas time once again in Edinburgh with Royal Lyceum Theatre’s annual festive show, this year Sally Cookson’s and Adam Peck’s Cinderella: A Fairytale. A classic story known and loved by many, holding on to its original charm alongside modernisation, making this play a stand-out for family festive fun. We follow Ella (Olivia Hemmati), recently orphaned and ‘looked after’ by her stepmother (Nicole Cooper) and tormented by her wicked stepsiblings (Christina Gordon and Matthew Forbes). In this production, Ella has a deep connection with birds and, when finding some needed solace from her awful living conditions, she meets a fellow bird enthusiast (Sam Stopford), who just so happens to be a prince. As the story goes, Ella is invited to a royal ball but will every...
The Mountaintop – The Royal Lyceum Theatre
Scotland

The Mountaintop – The Royal Lyceum Theatre

Katori Hall’s magnificent, beautifully written play is set the night before the assassination of the American civil rights leader, Dr Martin Luther King jnr, in 1968. The production is directed powerfully and vibrantly by Rikki Henry. Occasionally the actors were in danger of being upstaged by the fabulous set and sound effects. And the pace in the first half of the play was at times a little too frantic. But this was a breathtakingly inspiring production by Henry. The play takes place in a motel room in Memphis shortly after King had made his last speech, ‘I’ve been to the Mountaintop’ in which he declared: “I just want to do God’s will. And He’s allowed me to go up to the mountain. And I’ve looked over. And I’ve seen the Promised Land. I may not get there with you. But I want you t...
Keli – Royal Lyceum Theatre
Scotland

Keli – Royal Lyceum Theatre

Keli is writer and composer, Martin Green’s response to his adopted community and its music. The writer moved to a small mining town in the South of Scotland and became fascinated by the relationship between the brass band and the pit. The mines were of course long gone, but the music remained and had become an emblem of continuity and resilience, where ‘the band is the toon, and the toon is the band’. At the centre of life Green’s a fictitious small mining town is Keli, a troubled and foul-mouthed young lady with few prospects, an anxiety-ridden mother and a dead-end job stacking shelves. The one good thing in her life is the band, and when she picks up the tenor horn, she becomes a different person, somehow empowered and necessary. When she blows those few inches of air it is the one ...
Wild Rose – Royal Lyceum Theatre
Scotland

Wild Rose – Royal Lyceum Theatre

Rose-Lynn Harlan loves country music and is pretty good at singing it too.  Her burning ambition is to sing at The Grand Ole Opry in Nashville.  The trouble is, she’s just been released from prison and has a tag on her ankle.  Whilst Rose-Lynn was incarcerated, her mother has been looking after her two children and now thinks her family deserve her presence and attention.   Set in Glasgow, it turns out that Glasgow has its own Grand Ole Opry, (who knew?) and Rose-Lynn gets a job as a cleaner.   The rest is fairly standard and predictable.  Mother give Rose-Lynn the money to go to Nashville, Rose-Lynn realises what’s really important and the final song, “Glasgow (no place like home)” says it all. But this show isn’t about the narrative, it’s about the music, and if you like country m...
The Merchant of Venice – Royal Lyceum Theatre
Scotland

The Merchant of Venice – Royal Lyceum Theatre

The Theatre for a New Audience production of William Shakespeare's The Merchant of Venice is, of course, not set in Venice. Instead, we are in an American city in the near future, though the play's fidelity to Shakespeare's script largely confines this setting to its physical set, designed by Riccardo Hernandez (a brutalist concrete set of steps before two rectangular doors and a circular window), the presence of costume designer Emily Rebholz' suits and mobile phones and, of course, the Jewish characters being portrayed by Black actors (the link between two different intolerances aided by the fact the play has racist as well as antisemitic portions). This limits what the play can do to what Shakespeare did with it and, unfortunately, Shakespeare by today's standards is an antisemite. I...
Hamlet – Royal Lyceum Theatre
Scotland

Hamlet – Royal Lyceum Theatre

An international festival ought to end in carnival fashion, and this blended version of Hamlet did just that. It was an explosion of success, rejoicing, a knees-up and warm audience participation. Teatro La Plaza from Lima, Peru, has created a feast of a show using back projection (Lucho Soldevilla), music, thoughtful lighting (Jesūs Reyes), a simple set and a fabulous cast of Downs Syndrome adults. This adaptation of Hamlet is both funny in itself and wonderful as a piece of art for showcasing the unquestionable talents of a marginalised sector of society. Written and directed by Chela De Farrari, a founder of the company, the intention is to entertain as you ask questions which help us better understand the contemporary world and, in this instance, the world of the Downs person in...
The Outrun – Church Hill Theatre
Scotland

The Outrun – Church Hill Theatre

Amy Liptrot's 2015 memoir of a generation lost to trivia and over-consumption certainly struck a chord. A film of the book is released this year plus this co-production between Edinburgh International Festival and Royal Lyceum Theatre Edinburgh. The Outrun is beautifully staged. Milla Clarke works some artistic magic, along with a collection of talented creatives from Lewis den Hertog on video (superb), Lizzie Powell on lighting, Michael Henry and Kev Murray on music and sound. The piece is cleanly directed by Vicky Featherstone. Vicki Manderson’s chorus opening as waves is very atmospheric and intriguing. Set partially in Orkney, waves are relevant. Additionally, a wave can knock us off our feet and fighting a wave can prove fruitless. Metaphorically, the waves work for this pie...
Penthesilea – The Royal Lyceum Theatre
Scotland

Penthesilea – The Royal Lyceum Theatre

This passionate fictional play set at the gates of Troy, was written in 1807 by Heinrich Von Kleist, who four years later would commit suicide with his married lover aged only thirty-four.  This may be an indication of his passionate nature, and why at age thirty, he could write such a romantic, but also violent play. Part of the Edinburgh International Festival, the ITA Ensemble who are the in-house team at the Internationaal Theater Amsterdam, are behind this bold production which is part rock concert, and part classical play.  The director Eline Arbo, who achieved great success with ‘Weg Met Eddy Bellegueule’ winning a director’s award in 2020, is working with Thijs Van Vuure who created the music which acts as the beat for the play.  Staged at the wonderful Royal Lyce...
Shirley Valentine – Royal Lyceum Theatre
Scotland

Shirley Valentine – Royal Lyceum Theatre

It’s easy to get stuck in life's daily routine, to lose all excitement in life due to duty and obligation. Shirley is a mother whose kids have grown up and left home, a wife to a man who still requires babying and all in all a shell of her former lively self. For Shirely life's about making her husband’s dinner and talking to the kitchen wall, a life unsatisfied and without risk or excitement, that is until her friend hands her a ticket to Greece. 2 Weeks abroad without the husband or kids… or at least that was the plan, now she’s met a man and discovered the true Shirley Valentine once more. Shirley Valentine is a brilliantly written one woman play that really makes you think about life and how it shapes us. It makes you think about who you are, how you got to where you are and reminds...
Sunset Song – Royal Lyceum Theatre
Scotland

Sunset Song – Royal Lyceum Theatre

Dundee Rep in a major co-production with the Royal Lyceum Theatre bring a contemporary reworking of a piece of classic Scottish fiction for the next ten days, marking the end of an East coast tour through Dundee, Aberdeen and Inverness. It is not surprising that the tour has stayed in sight of the North Sea given that almost the entire dialogue is performed in the Doric language native to the North East coast of Scotland. A script that would have had my sadly departed Mother-In-Law, Isobel, chortling away and no doubt reminiscing on her Invergorden crofting roots. Much of the setting of Lewis Grassic Gibbon’s Sunset Song would have been familiar to Isobel; the chains that bind you to the land, to family and hardship. The tears, the toil, the unending bleakness and the stoic endurance...