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Angela – Royal Lyceum Theatre/Pitlochry Festival Theatre online

28Mar

By Paul DownhamNo Comments

Scotland

Angela – Royal Lyceum Theatre/Pitlochry Festival Theatre online

Mark Ravenhill has taken us to some dark places over the years but none more so than with this unflinching account of his beloved mother Angela’s final dementia journey. But this debut audio collaboration between the Royal Lyceum Theatre and Pitlochry Festival Theatre is as much about class, thwarted ambition and shared memories as it is about a condition that affects nearly a million people across the UK. From the moment the young Angela – subtly played by Matti Houghton – changes her name from the too ‘common’ Rita to Angela you sense this is an intelligent working class woman with artistic ambitions. Her short am dram career is cut short by marriage to engineer Ted, and any ambition to take it further disappears. A pertinent point when the acting profession is increasingly posh an...

Mark Ravenhill’s new play is the highlight of Sound Stage

Pitlochry Festival Theatre, The Royal Lyceum Theatre Edinburgh in collaboration with Naked Productions have created Sound Stage featuring a new play by Mark Ravenhill. This new immersive audio digital theatre experience has hit the jackpot with the world premiere of Ravenhill’s, Angela, as he offers his first autobiographical play exploring the way culture high and low impacted his mother’s life and that of his family. The season kicking off on 26th March will premiere eight new co-productions from Pitlochry Festival Theatre and Royal Lyceum Theatre Edinburgh written by Roy Williams, Timberlake Wertenbaker, and Tutti Frutti writer John Byrne. “The original idea came from my experience last year making the audio premiere of Adventures with the Painted People with David, Polly, and ...

Pride & Prejudice* (*sort of) – Royal Lyceum Theatre

For anyone who battled through Jane Austen’s ‘Pride & Prejudice’ at school - or university - this play is for YOU. If you spent those hours-you’ll-never-get-back watching one of the film or TV adaptations, hurling abuse and shouting increasingly colourful language into the mouths of the characters, this script is for YOU. To witness this irritating novel set about with such irreverent relish was a filthy pleasure. Never mind what legions of readers and viewers have wanted to tell Lady Catherine De Bourgh to do, this play - via The Best Ever Mr Darcy - finally does it. How? First off, we’re introduced, not to Mr and Mrs Bennet, but to six of Longbourn’s servants clad in white utility smocks and DM’s (Dear Young Team, that’s a brand of footwear, not a form of soshal meeja); the sto...