Pleasance Theatre Archives - Page 2 of 2

15Oct

By Gemma PrinceNo Comments

London

SKANK – Pleasance Theatre

After a sellout Edinburgh Fringe run, The Times Critics Choice comedy drama SKANK returns to the stage at the Pleasance Theatre in London. Written and performed by Clementine Bogg-Hargroves and directed by Zoey Barnes, SKANK explores the life of Kate, a young woman just trying to get through life whilst battling anxiety and insecurities. The one-woman show explores sex, worries, job dissatisfaction and health concerns in a fifty-five-minute performance. Bogg-Hargroves truly commands the stage as Kate, as she struggles to make sense of the world around her. Feeling completely lost at her boring temp job with hopes of pursuing writing, Kate uses sex, partying and recycling to try and keep her worries at bay. The representation of the crippling impact that anxieties can have weaves through...

15Oct

By Gaurav SinghNo Comments

London

Screen 9 – The Pleasance Theatre

Making any artistic project that deals with someone’s lived experience is a challenging endeavour, especially when it touches upon trauma and hurt that one continues to live with every single day. Between remaining true to the testimonies that drive the story and holding a safe space for an audience to explore the subject area, it calls for a dramaturgy of care and empathy. Piccolo Theatre’s new verbatim show Screen 9 succeeds in doing precisely that. Based on the 2012 mass shooting incident that occurred in a movie theatre in Aurora, Colorado, the show uses the real-life testimonies and interviews of survivors to reconstruct the gruesome July night which left 12 dead and over 70 injured. Focusing on the life of these survivors in the years since the shooting and their attempts to deal wit...

7Oct

By Gaurav SinghNo Comments

London

Fritz & Matlock – The Pleasance Theatre

Fritz & Matlock is a new two-hander play by James Wallwork and Salvatore D'Aquilla that makes its way to the Pleasance Theatre’s autumn programming, after being written over Zoom during the pandemic. The show, produced by Part of the Main and directed by Jessica Millward, has been described as a contemporary 'Waiting for Godot’, an almost tongue-in-cheek reference to how its two titular characters find themselves trapped in a dingy basement, grappling with the consequences of an unfortunate incident, and are waiting to make their next move. These are childhood friends Carl Fritz (D'Aquilla) and Barry Matlock (Wallwork) whose vastly different outlooks on life are, perhaps, only exceeded by their considerably different approaches to the situation at hand. The story begins sometime mid...

Dumbledore Is So Gay – Pleasance Theatre

26Sep

By Gaurav SinghNo Comments

London

Dumbledore Is So Gay – Pleasance Theatre

After a sold out run at VAULT Festival 2020, Robert Holtom’s comedy that explores what it means to be gay returns at the Pleasance Theatre’s main house cabaret. Directed by Tom Wright and produced by Hannah Elsy Productions, the show is a nostalgic hug to coming of age, coming out, and growing up with Harry Potter. For Holtom, the story comes from a deeply personal place, inspired by real-life incidents that shaped their childhood. Recounting the script’s development process from early 2019 until its first run in February 2020, Holtom believes it serves as a testimony to the strength and resilience of the LGBTQ+ community. The story centres around the growing up years of Jack, a young boy whose fascination with J.K. Rowling’s Harry Potter series is perhaps exceeded only by his infatuati...

16Sep

By Gaurav SinghNo Comments

London

Catching Comets – Pleasance Theatre

Imagine that an extinction-level event that threatens the fate of humanity is unfolding right before your eyes. You there? Good, now imagine the heart wrenching moment where you know you have to break up with your partner. While it is unlikely that you’ve actually lived through both of these extraordinarily scenarios in the same lifetime, chances are your imagination is likely to associate a grandiose quality to the first scenario and a smaller, more contained quality to the second. In writer and director Piers Black’s play Catching Comets, audiences witness the interplay of these two scenarios – a disaster movie about the end of the world and a rom-com about falling in (and out of) love – each playing out at the same time. After an acclaimed run at the Edinburgh Fringe in 2019, this one-m...