Sunday, May 5

Tag: Paul Keogan

King Lear – Wyndham’s Theatre
London

King Lear – Wyndham’s Theatre

Written in 1604, King Lear is sandwiched between Measure For Measure, Othello and Macbeth, a period in the bard’s writing dedicated to history and tragedy.  419 years later, and following many extraordinary performances, how can Kenneth Branagh and team bring something different to their production?  And here is where I feel that some modern productions fall foul, the need to modernise and bring today’s razzamatazz into the equation.  Call me old fashioned, call me a Shakespeare prude, but I want to see, hear, and feel the language, the small nuances that a blank stage can offer, and when I hear the words spoken, allow them to touch me, without the hinderance of external factors introduced by an over eager director wishing to put their own mark on Shakespeare’s work.  ...
Scandaltown – Lyric Hammersmith
London

Scandaltown – Lyric Hammersmith

Mike Bartlett's Scandaltown is contemporary London writ very large - big, crass, rollicking London as Restoration comedy. As Cromwell banned theatre in the 17th Century, and Covid managed to do the same in the 21st, both led to a restoration of theatre to (hopefully) their former glory.  In Scandaltown there are debauched parties, lies, social media manipulation and cancel culture putting the reputation and power of London's political and social elite at stake. So, it's just about as topical as it gets. The story centres on the thoroughly woke Phoebe Virtue who, when she hears news (on Instagram of course) that her twin brother Jack is up to no good in London, she heads to town to find and save him. In true comedy fashion, she disguises herself as a man and persuades Jenny, Freddie a...