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From Japan to Leeds Playhouse – Jonathan Munby

28Nov

By Paul ClarkeNo Comments

Interviews

From Japan to Leeds Playhouse – Jonathan Munby

Peter Pan is one of our culture’s most enduring characters but a new festive production at Leeds Playhouse takes a fresh look at the boy who refuses to grow up. This time round in Wendy & Pan the endless child’s traditional sparring partner Wendy Darling takes centre stage in Ella Hickson’s adaption of JM Barrie’s classic, but you can still expect to see the dastardly Captain Hook, The Lost Boys, a pirate ship and a crocodile in the Playhouse’s festive spectacular. This production comes straight from a successful run in Tokyo during the Olympics, featuring input from Japanese creatives, and boasts a big cast who will fight and fly their way round the huge Quarry theatre. Jonathan Munby is co-directing Wendy and Peter, and in the first of a two part look at this show tells our...

Dianne Pilkington flies into Leeds Grand with Bedknobs and Broomsticks

28Nov

By Paul ClarkeNo Comments

Interviews

Dianne Pilkington flies into Leeds Grand with Bedknobs and Broomsticks

When families settle down for a festive film one of the perineal favourites is BedKnobs and Broomsticks starring musical legends Angela Lansbury and David Tomlinson. It’s a magical and often surreal tale of a trainee witch Eglantine Price who takes under her wing three orphans evacuated from the London blitz who fly an enchanted bed in a quest to find a spell helped by a dodgy professor of magic. The movie features some memorable songs from the pen of the Sherman Brothers and its cutting-edge animation combined with live action won the Disney team an Oscar for best Special Effects. Now it has been turned into a stage show with some new songs that comes to Leeds Grand from December 8th and plays into the new year. Dianne Pilkington plays the trainee witch on the show’s first UK to...

Nana-Kofi Kufour talks about his debut play My Voice Was Heard But It Was Ignored

18Nov

By Paul ClarkeNo Comments

Interviews

Nana-Kofi Kufour talks about his debut play My Voice Was Heard But It Was Ignored

Black people in this country are nine times more likely to be stopped and searched and that is what happens to Reece in Nana-Kofi Kurfour’s debut play. In My Voice Was Heard But It Was Ignored the teenager appeals to his black teacher Gillian for help but she refuses leading to a tense standoff in their classroom the next day. No one can accuse this new writer of picking an easy topic for this tense two hander, but it’s a subject that impacts on all of us in modern Britain one way or another. It’s no surprise it’s being produced by Leeds based radical theatre company Red Ladder, who have a long history of taking on subjects no-one else wants to touch. As My Voice Was Heard But It Was Ignored gets its World Premiere at Leeds Playhouse our Yorkshire editor Paul Clarke caught up Nan...

A new show aims to tackle Islamophobia….in a car park

18Sep

By Paul ClarkeNo Comments

Interviews

A new show aims to tackle Islamophobia….in a car park

Bradford based Common Wealth are a political theatre company who specialise in creating pieces in unusual spaces and this time they are using open sided multi story car parks to stage a new work challenging Islamophobia. Their artistic director Evie Manning co-directs Peaceophobia along with members of Speakers Corner, who are a political collective run by women and teenage girls in Bradford. It’s focused on the experiences of young British Pakistani men growing up in the shadow of the Bradford Riots, 9/11 and police harassment, and how their cars and faith become a sanctuary for them. &nb...

14Jun

By Paul DownhamNo Comments

REVIEWS

These Hills Are Ours – Clougha Pike

Daniel Bye and Boff Whalley were just about to set off a national of their new show, These Hills Are Ours, exploring through stories and song the relationship between art and the great outdoors, but then the virus struck. So in lieu of those live shows they’ve been releasing a short series of videos where they take a small choir on a hike to the top of a hill singing a specially composed song on their journey to the peak. This time they’ve taken a trip from the nippy shores of Morecambe Bay through town and up some rugged paths to the top of Clougha Pike. This is a more political video as the choir tramp past Do Not Trespass signs as they sing: ‘It’s mine, but I don’t own it/and it makes me sort of sad/to know this land is parcelled and exchanged.’ Once again, the singers are ...

Elizabeth Newman finds new ways of making work

2Jun

By Paul DownhamNo Comments

Interviews

Elizabeth Newman finds new ways of making work

In the second part of an interview with Pitlochry Festival Theatre Artistic Director Elizabeth Newman our Features Editor Paul Clarke hears about the innovative work her team are doing to stay connected to their audience and community. Like most artistic directors Elizabeth Newman was focused on staging her next season at Pitlochry Festival Theatre and then COVID-19 struck forcing her to abandon most of that work as the theatre closed its doors. That meant Newman and her team at the Perthshire venue had to quickly pivot away from the traditional way of making theatre into a very different way of connecting with their audience at the self-styled ‘theatre in the woods’. “As we entered lockdown we launched some really key initiatives,” recalls Elizabeth. “The first was PFT...

Investing in our theatres is not a handout

23May

By Paul DownhamNo Comments

Blogs

Investing in our theatres is not a handout

Our Yorkshire Editor Paul Clarke welcomes the theatre world asking for short term government support, not handouts. The news that Leicester Haymarket is the latest venue forced into liquidation, and a stark warning from legendary producer Sonia Friedman writing in the Telegraph that British theatre is on the ‘brink of total collapse’ has forced the industry to unite in calling for short term government support. Thankfully the narrative from the theatres is they’re not asking for a bailout, and instead calling for significant investment in a key part of our nation’s cultural offer that normally generates billions in tax revenues. Friedman points out that more than 1000 of our theatres of varying sizes may permanently close their doors as it may be this time next year before they c...

Streaming shows is no substitute for the real thing

20May

By Paul DownhamNo Comments

Blogs

Streaming shows is no substitute for the real thing

Our Yorkshire Editor Paul Clarke applauds the streaming of shows but decides it an unsatisfying experience compared to the real thing. As I sat in my home office watching the free steam of M6 Theatre Company’s A Tiger’s Tale it struck me that it was absolutely no substitute for the real thing. It makes total sense that companies have closed their doors rather than incubate the virus and are sharing their greatest hits online. They need to make some much needed cash, or just keep their work in the public consciousness, for when they return to the stage. I support streaming work as a concept, but watching three top class performers on my laptop got me thinking there’s a number of reasons that makes it such an unsatisfying experience, and here’s why: Anticipation There is some...