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Saturday, March 29

Tag: Omnibus Theatre

A Family Business – Omnibus Theatre
London

A Family Business – Omnibus Theatre

A show about how not to blow up the planet, a show about friendship, a show about diplomacy, and a show about what we all owe to each other as individuals and as nations, A Family Business is a genuinely thrilling and intensely educational experience. Written, performed, and introduced by the affable and erudite Chris Thorpe, watching this play feels like making a new friend. Clearly something Thorpe takes quite seriously, friendship is the foundation of this work, and his efforts to befriend experts and ignorant audiences alike are well worth their while. With a severe urgency befitting the play’s subject matter, director Claire O’Reilly weaves audiences confidently through Thorpe’s dense syllabus with more than a little hand holding. Photo: Andreas J. Etter With much the same ef...
Indestructible – Omnibus Theatre
London

Indestructible – Omnibus Theatre

Okay or not okay? Michael Jackson, Pablo Picasso, Kanye West… Who do we hold accountable? And how? Who even actually has this power that we’re supposed to be speaking truth to anyway? This ballsy production not only asks but demands answers to these questions. Written and directed by Proteus’s Artistic Director, Mary Swan, Indestructible is an unflinching examination of nauseatingly complex, and just plain nauseating, interplay between gender and power in the contemporary art world. Richly situated in a digital world built by the production team and multi-disciplinary artist Paula Varjack contextualizing all of the plays' imagined characters in an all too familiarly problematic alternate reality, this show offers audiences a non-traditionally immersive theatrical experience. The plot fo...
Compositor E – Omnibus Theatre
North West

Compositor E – Omnibus Theatre

The play is placed in 1623 depicting the compositor’s battle with their own demons, aspirations, alongside the morality of meanings and desires to leave their own fingerprint (stamp) within the Folio book. The printing ‘shop’ scene is set by crazed printers obsessed with fingerprints and rewriting history based on their own experiences. Dupre’s focus here appears to highlight the importance and reference of this book, as the First Folio collection edition of Shakespeare’s dramatic texts, has its 400th anniversary in 2023. To mark the occasion Dupre’ showcases a retelling of events, in a Macbeth style,  drawing on the influences of language and events in the print shop at the time the original Folio was produced.  The scenes are tense fraught with egos and desperation. The scri...
The Woman Who Turned into A Tree – The Omnibus Theatre
London

The Woman Who Turned into A Tree – The Omnibus Theatre

Presented by Omnibus Theatre and Collide Theatre, The Woman Who Turned into a Tree is an examination into external validation and the pressures placed on a young woman in today’s age. As a woman rhythmically sways in a dark, grungy club, an identically dressed woman enters the stage and the two watch each other intently. Daphne, as she introduces herself, is an ambitious event organiser fuelled by a need to fulfil this fantastical self-idealisation she constructed. Gradually, a force takes over and guides her towards freedom and finding peace in herself, as she metaphorically transforms into a tree. Her battle between different self-concepts is visually represented through the two versions of Daphne. Bathsheba Piepe conveys Daphne’s wide-eyed furious desperation, sinuously moving betwee...
Swim – Omnibus Theatre
London

Swim – Omnibus Theatre

Swim is a warm, tender, and humbling story, based on true events, written and performed by Liz Richardson. In an hour-long performance, she encapsulates her journey of moving out of London’s anonymity with her family and settling into a village up north amidst nature and within a community where everyone knows everyone’s business. Of course, at the centre of it, is the experience of swimming in natural water bodies, like she did in her childhood, and how it affects this community at different phases in their lives, particularly her best friend whose sisters have lost their children. The metallic backdrop and oval flooring with blurry visuals shifting in tandem with the story, invite the audience to experience this tale which opens casually with Richardson talking about why she wanted to...
Live to Tell (a Proposal for) The Madonna Jukebox Musical – Omnibus Theatre
London

Live to Tell (a Proposal for) The Madonna Jukebox Musical – Omnibus Theatre

You may have noticed that Madonna is having a moment. Again. She’s announced a tour that’s seen a demented scramble for tickets. Her appearance, following surgical face-tuning is hotly debated on TV, TikTok and the 77 bus to Tooting. The 64-year-old appears to be getting high and hanging out with hip-hop dons and trans stars, while sharing her exploits on Insta like a gobby teen. This showbizzy noise almost drowns out her musical back catalogue and it’s all a stark contrast to her revolutionary HIV/AIDS activism in the ‘80s and ‘90s.  Madonna bigged up safe sex, challenged HIV stigma and supported the American Foundation for AIDS Research (amfAR) on her 1987 tour. She delivered this advocacy loudly, when it was controversial and potentially damaging to her career. Madonna released ...
Fiji – Pleasance Upstairs at the Pleasance Courtyard
Scotland

Fiji – Pleasance Upstairs at the Pleasance Courtyard

After reading the press release, this is one of those plays that you walk-in to the theatre, not knowing what to expect. Co-written by Eddie Loodmer-Elliott, Pedro Leandro and Evan Lordan, the inspiration of the play (scarily), came from real-life events. Omnibus Theatre have joined forces with Clay Party and Conflicted Theatre to produce an alarming, disturbing play that revolves around the theme of cannibalism. For most of us, (hopefully), this will be a subject that does not feature in your daily life, and one wonders what inspired this delving into the culinary skills of a cannibal. The play begins with Sam (Sam Henderson) arriving at Nick’s place (Eddie Loodmer-Elliott) with his suitcase. Sam is nervous and it becomes clear that Sam and Nick have never met before but have chatte...
Dreamers – Omnibus Theatre
London

Dreamers – Omnibus Theatre

Papergang theatre are presenting their stories on the Hong Kong Protests in 2019 through an interactive, high-energy piece in which the audience are listening upon different retellings of loss, courage and hope for better future. Still to this day, members of the community live in fear of being caught out, aware that someone may always be listening. It is a form of protest that this group decided to put on this piece and share it with an audience who mostly have moved on from this event, who much like myself had no idea the devastating affects it had on the community. Upon arrival they ask you to participate with the piece using the app Telegram which is incorporated into the piece as it was a vital form of communication during the protests. Once in a group chat, you can decide how acti...
24, 23, 22 – Omnibus Theatre
London

24, 23, 22 – Omnibus Theatre

24, 23, 22 presented by Chronic Insanity is a clash of characters, one travelling in reverse whilst the other chronological. Two strangers introduce themselves through abstract writing that occasionally rhymes with an underlying consistent beat from the DJ who stands in the middle narrating the two different lives with different theme music. Previously performed on zoom, the live version was underwhelming and confusing as to what the message of the piece was. From what I believe, we are made to question how often we check up on people with reference to mental health and feeling invisible to the crowds around us. However, once learning that he had seriously injured his ex-girlfriend’s father and attempted to rob the woman next to him I had a lack of sympathy for the choices he was making...
Nothing in a Butterfly – Omnibus Theatre
London

Nothing in a Butterfly – Omnibus Theatre

Omnibus Theatre and Dorty Mooth Theatre jointly present this play supported by the Synergy Theatre Project. The Synergy Theatre Project works with prisoners, ex-prisoners, and young people at risk of offending with a belief that theatre can be transformative and challenges the perceptions of both prisoners and society.  The writer and performer Ric Renson has benefitted from this project and has previously performed in The Invitation at the Secret Theatre, and Blackout for the Synergy Project. This time Renton has turned his hand to writing this, his first play. Nothing in a Butterfly is an auto-biographical play about Renton’s own life, set in Tyneside. Renton plays himself in this hard-hitting play, leading the audience along the path of his life beginning with him almost jumping...