Ntombizodwa Ndlovu Archives - North West End UK

10May

By Michelle KnightNo Comments

London

Marie & Rosetta – Rose Theatre Kingston

The story of sister Rosetta Tharpe and Marie Knight is not a well-known one. Rosetta played by Beverley Knight was known as the ‘Godmother of Rock and Roll’ in the 1930’s and 40’s taking Gospel music to a whole new level. Donned with an electric guitar she moved with swing and soul influencing artists like Chuck Berry, Little Richard and well before the uprising of Elvis, Hendrix and other rock roll greats. Rosetta’s drive was to be true to herself with her music creating a fusion of her faith and soulful blues rock. Ntombizodwa Ndlovu debuts as Marie Knight a young woman married to a preacher man with two children who teams up with Rosetta to create a partnership that would prove to be more than just creating music. The women become aligned to each other’s strengths,...

Blithe Spirit – Hope Mill Theatre

Director Hannah Ellis Ryan of Her Productions illuminated Hope Mill Theatre with her production of Blithe Spirit. Ellis Ryan has had some fabulous successes in her previous direction of ‘Vignettes’ and ‘Taming of the Shrew’ at Hope Mill, so I was thrilled to be asked to review her latest masterpiece. Blithe Spirit is a High-Spirited Comedy by the Masterful Noël Coward, the play was first seen in the West End in 1941 and ran for 1,997 performances, which was a new record for a non-musical play in London. It also did well on Broadway later that year, running for 657 performances. The play was adapted for the cinema in 1945; a second film version followed in 2020. The plot relates to Charles Condomine (Peter Stone) a novelist, and his wife Ruth (Ntombizodwa Ndlovu), who have invited the...

The Mountaintop – Royal Exchange, Manchester

In 2009, the Memphis born playwright Katori Hall was unable to secure a venue in the United States for her new play 'The Mountaintop'. Instead, she brought it to London, where it received huge acclaim for the portrayal of Dr Martin Luther King on the eve of his assassination in April 1968. Now Roy Alexander Weise, the new Artistic Director of the Royal Exchange, has chosen this blisteringly funny and timely play for his debut here, and launches the Autumn season with an absolutely stunning production. The difficulty Hall had with this play in the US, centres around her portrayal of Dr King; rather than the hagiographic figure of grainy newsreel footage, we see King as a fully rounded human being with all the faults and foibles that entails. He smokes constantly, is unfaithful to his wif...