National Theatre Archives - Page 2 of 4

28Jun

By Carole GordonNo Comments

London

Dear England – National Theatre

In 1996, Gareth Southgate stepped up to take the final kick in England's semi-final penalty shoot-out against Germany - and missed. That moment haunts Southgate, the team and the fans, exacerbating the "thirty years of hurt" and failure since England's World Cup win in 1966. James Graham's latest work explores the struggles of the England men's football team to turn failure to success, a metaphor for the plight of the country seen through the lens of football. Southgate, appointed manager of the England team in 2016, recognises that the team, while talented, are sabotaging their own efforts and brings in a psychologist to help them address their fears. One day, maybe, the nation would not be cowering behind the sofa in buttock-clenching terror every time an international match was de...

17Jun

By Jennifer LaishleyNo Comments

London

The Crucible – Gielgud Theatre

The National Theatre’s version of The Crucible is a play that is not to be missed. Both new audiences and fans of the original Arthur Miller play will enjoy. This talented cast use every moment to create drama and suspense and keep the audience entertained. The Crucible has recently transferred to the Gielgud Theatre after a successful run at the National Theatre last year. The show uses Arthur Miller’s original script under the direction of Lyndsey Turner. The story follows the town of Salem as they start to accuse the women of witchcraft. Singing is used throughout the play to add dramatic suspense. At the beginning this takes the form of haunting humming and by the end of the show this transforms into a haunted chorus of singing, showing that the girls have taken control. Photo...

The Ocean at the End of the Lane – The Alexandra, Birmingham

24May

By Annette NuttallNo Comments

West Midlands

The Ocean at the End of the Lane – The Alexandra, Birmingham

Based on the novel by Neil Gaiman, this stunning National Theatre production of The Ocean at the End of the Lane arrives in Birmingham this week. Returning to visit a place from his childhood, the unnamed man finds a familiar face. As he talks to Old Mrs Hempstock, he starts to remember long forgotten and buried memories. Along with him, you are transported into his world as a 12-year-old, a world that is as familiar as it is fantastical. There are strong performances throughout from the main characters and the ensemble. The ensemble is a large part of this production, they take the incidental roles, bring creatures to life, create the atmosphere with their movement and interaction with the lead characters and even move the pieces of set. Keith Ogikvy portrayed the confusion and d...

The Motive and the Cue – National Theatre

8May

By Khushboo ShahNo Comments

London

The Motive and the Cue – National Theatre

Celebrating Broadway’s famous actor-director duo of the 60s, The Motive and the Cue depicts the journey of Sir Arthur John Gielgud (Mark Gatiss) and Richard Burton (John Flynn) arriving at a Hamlet that is meaningful to both. And in this exciting journey, layer after layer is revealed as reflected in the brilliant set and design of the play. It is the story of two Hamlets, generations, and experiences apart, and when they face each other, one as a “classicist [director] wanting to be modern, and a modern [actor] wanting to be a classicist”, one can hear clashes between theatre v/s film, old v/s new, craft v/s showbiz. Sam Mendes exceptionally directs a stellar cast and production involving Jack Thorne’s words intermingled with excerpts from Shakespeare’s Hamlet. What truly connects the duo...

22Apr

By Alice RoseNo Comments

London

Dancing at Luhgnasa – National Theatre

Michael casts his memory back to Bellybag, Ireland in 1936 when living in an isolated cottage with his 4 aunts and mother on the summer his uncle returns from Africa. Michael, (Tom Vaughan-Lawlor) now mid 40s narrates what he remembers from that summer as his uncle slowly dying from malaria drifts in and out of a soft psychosis and the 5 sisters struggling to adapt to the introduction of the industrial revolution. The Mundy sisters, all unmarried and combined supporters of their family home are challenged by their individual unfulfilled dreams. Kate, the breadwinner and teacher is under pressure to keep the sisters afloat, but the school threatens her place on the teaching board. Maggie, a beautiful calming presence keeps everyone happy, but a deep depression overwhelms her at times when s...

National Theatre Live: Life of Pi – Altrincham Garrick Playhouse

5Apr

By Paul WilcoxNo Comments

North West

National Theatre Live: Life of Pi – Altrincham Garrick Playhouse

In the week that 'Standing at the Sky's Edge' deservedly won the Olivier award for Best New Musical, another show that started life at Sheffield's Crucible Theatre, then went on to win Olivier's galore and wow the West End and Broadway. premiered on the National Theatre's streaming service. If 'Edge' has half the success that this beautiful metaphorical production has so far achieved, the producers will be well rewarded for their risk. Based on the best selling novel by Yann Martel and adapted for the stage by Lolita Chakrabati, 'Life Of Pi' tells the extraordinary story of 17 year old Piscine Molitor (Hiran Abeysekera) and his survival for 227 days in the Pacific Ocean, after a shipwreck which killed his entire family and everyone on board. Following his rescue, he is questioned as to ...

21Mar

By Aditi DalalNo Comments

London

Hamlet – National Theatre

Shakespeare’s much-loved and much-performed tragedy is back with a neo classical adaptation for young audiences by Jude Christian, directed by Ellie Hurt. This energetic and funny show has the little ones completely enthralled, right from the pre-show crowd work that the actors employ to draw in the audience to the many moments of utter shock and surprise throughout the 65-minute performance. The audience is even asked to actively contribute to the play within the play by creating sounds and chanting ‘mur-der-er’ to shame and chase actors off stage. The play opens with a scene showing the funeral of Hamlet’s father; ‘dad’ and ‘king’ are spelt out in floral tribunals making the event very clear and this intentional clarity is evident throughout the play, making it easy for young audience...

22Feb

By Zoё MeeresNo Comments

London

Romeo and Julie – National Theatre

While any trip to the theatre is a joy and a privilege for me, occasionally something lifts the bar and the experience becomes “more than”. Those times when a production touches a place inside you and leaves you feeling full and empty at the same time, in line with your emotions being pulled to their extremities by characters that you’ll never meet again but somehow feel you know. Last night’s performance was definitely a “more than” event – truly great writing, brilliantly executed, phenomenal cast. As the title suggested, Romeo and Julie takes its inspiration from the Bard’s classic Romeo and Juliet. While this is well-trodden ground as a storyline, Romeo and Julie genuinely feels fresh and unique. Gary Owen’s Romeo (Callum Scott Howells) is a single dad on the breadline with no...

18Feb

By Riana HowarthNo Comments

London

Phaedra – The National Theatre

Simon Stone’s take on this Greek Tragedy finds itself in a domestic setting, ostensibly a quintessentially British family sitcom. It feels familiar, from the witty, jesting Dad (Paul Chahidi), to the moody teenage son (Archie Barnes), the uptight, activist daughter (Mackenzie Davis) and the quirky son-in-law (John MacMillan). But in spite of the sharp back-and-forths and intellectual masturbation, the mother, Helen’s cool, detached demeanour belies an unsettling tension. The family eagerly await their guest, Sofiane (Assaad Bouab), the son of Helen’s dead Moroccan lover Ashraf. His arrival creates a seismic wave over the family, as he seems to exude a profound peace, intrigue and wisdom. When it becomes clear that Helen and Sofiane hold different versions of Ashraf’s death, Sofiane rages b...

Standing At The Sky’s Edge – National Theatre

16Feb

By Chloe StallibrassNo Comments

London

Standing At The Sky’s Edge – National Theatre

Where to begin. Upon entering the theatre you're met with an ominous set of a building standing as tall as it can be, with the famous artwork of the "I Love You Will U Marry Me" sign, bringing you straight into the location of the show: Sheffield Park Hill. The musical follows three individual families living under the same roof throughout various timelines, telling the story of the occupants in the flat and covering family troubles and dilemmas. The music for this show fits in so perfectly. The music styles vary from soft and loving all the way to repressed and angry, without taking the audience aback the music had the power to knit the whole show together beautifully. A couple of songs really reached out to strike the hearts of the audience and received a very loud round of applause, ...