National Theatre Archives - North West End UK

21Dec

By Maani WayNo Comments

London

Ballet Shoes – National Theatre

Based on the well-loved novel by Noel Streatfeild, Ballet Shoes is the heartwarming story of three orphans who, in twists of fate, find themselves as sisters with the unlikely but chosen surname of “Fossil”. Pauline, Petrova and Posy make a vow to put their name in the history books and make a living to support their unconventional but loving family. Before we meet the Fossils, we are told of Sylvia (Pearl Mackie), who finds herself orphaned and taken to live with her only living relative, Great Uncle Matthew (Philip Labey), or more affectionately known as “GUM”. GUM is a collector of fossils and a devoted geologist, who adventures around the world looking for the next gem. The three treasures he happens to bring home are the three orphan sisters, much to the dismay of Sylvia’s Nana (Je...

20Nov

By Hannah EsnoufNo Comments

North West

An Inspector Calls – Liverpool Empire

With the size and grandeur of the Empire stage, any play has a feat to reach the farthest eyes and ears in the audience. Especially a play that has such a wide and respecting reputation, not to mention a sell-out run to precede it. I didn't watch that initial tour of this production, so I have no comparison. That said, I was keen to see the calibre of the National Theatre re-produced, albeit with a hint of apprehension as to whether it would feel big enough for a space so different to the intimate Littleton. However, sat way back in the stalls I was pleased to feel so much life from the distant stage. The characters were bold and worked very hard to keep us in that world of tailcoats and silk gloves. Sheila Birling (Leona Allan) had humility, and a subtlety needed to counteract Mr an...

1Aug

By Dave SmithNo Comments

London

The Grapes Of Wrath – National Theatre

For a novel written almost 100 years ago, the parallels with today are striking. A family of overcrowded refugees trying to make their way to safety, to employment and a home. Yet along the way people won’t even recognise them as human and are happy to cheat them, underpay them and generally take advantage of them. The systemic exploitation of the desperate hasn’t changed from the 1930s until today. Inevitably adaptations sacrifice depth for brevity. Frank Galati’s 1990 adaptation making its London debut under director Carrie Cracknell suffers from this, particularly in character development leading to less impact when some characters don’t make it to the end of the long drive. We are told about Tom’s great relationship with his grandpa but spend so little time in it that it does n...

24Jul

By Kira DanielsNo Comments

London

The Hot Wing King – National Theatre

Directed by Roy Alexander Weise, Katori Hall’s Pulitzer Prize winning comedy makes its London debut in the relatively modest Dorfman Theatre. Set in Memphis, Tennessee and playing out in the interior of a particularly well-endowed suburban home expertly designed for the stage by Rajha Shakiry, this is no minimalistic kitchen sink drama. With running water coming from the taps, steam rising from the pots, and marinade dripping from big wooden stirring spoons, this is a theatrical experience with all the trimmings. Head chef and hopeful hot wing competition champion, Cordell (Kadiff Kirwan), plates up scrumptious chicken and sizzling drama in his boyfriend Dwayne’s (Simon-Anthony Rhoden) illustriously decorated middle-class kitchen. Circumnavigating the colossal counter island where Co...

20Feb

By Eleanor HallNo Comments

London

Dear Octopus – National Theatre

This was a tender play about family dynamics which takes its title from a speech in the second act that praises the family unit as a ‘dear octopus from whose tentacles we never quite escape’. On the eve of World War Two, we bear witness to the reunion of the Randolph family, which forces them and their servants to confront the elements of romance, hatred, jealousy and shame that underscore their interactions. I enjoyed the wit that laced through the piece, as is characteristic of Dodie Smith’s writing. This was present in the conversation of the family quarrels, but also in repeated motifs, i.e. the fact that each character is aware of Fenny’s love for Nicholas, which added a comical touch to the action. A primary issue was the play’s dated narrative; for instance, the reason for Cynthi...

28Nov

By Khushboo ShahNo Comments

London

The Witches – National Theatre

If there was a list of children’s shows where the adults laughed perhaps more than children, The Witches would top the game. Bold, fierce, and oh, so hilarious! The Witches consumes you into its world with reverberating movement, savage one-liners, hit songs and theatrical design. Book and lyrics by Lucy Kirkwood, lyrics and music by Dave Malloy and directed by Lyndsey Turner, the play is adapted from Roald Dahl’s 1983 dark fantasy novel The Witches. It opens with a dark, mysterious animation of a terrified young person encountering a witch. The screen is surrounded by an even darker, iconic backdrop of violet and black-hued witch claws. The Witches ensemble enters with the first number, “A Note about Witches”, and transform from innocent middle-aged worki...

The Ocean at the End of the Lane – Regent Theatre, Stoke on Trent

13Sep

By Angela KellyNo Comments

North West

The Ocean at the End of the Lane – Regent Theatre, Stoke on Trent

The award-winning fantasy novel, ‘The Ocean at the end of the Lane’ written by Neil Gaiman has now been adapted by Joel Horwood for stage and is performed at The Regent Theatre in Stoke on Trent this week. With its sold-out debut at the National Theatre and having received several Olivier Award nominations, it was intriguing to see the translation from book to stage. Directed by Katie Rudd the story centres around a man who is transported back to the time of his 12th birthday. Gaiman himself wrote it as a short story for his wife to share aspects of his childhood with her and stated that he was keen for it to contain ‘emotion’ as this is what she loved. It certainly delivers on what Gaiman intended, as from the opening scene it was clear that the story was taking us in a magical and myt...

28Jun

By Carole GordonNo Comments

London

Dear England – National Theatre

In 1996, Gareth Southgate stepped up to take the final kick in England's semi-final penalty shoot-out against Germany - and missed. That moment haunts Southgate, the team and the fans, exacerbating the "thirty years of hurt" and failure since England's World Cup win in 1966. James Graham's latest work explores the struggles of the England men's football team to turn failure to success, a metaphor for the plight of the country seen through the lens of football. Southgate, appointed manager of the England team in 2016, recognises that the team, while talented, are sabotaging their own efforts and brings in a psychologist to help them address their fears. One day, maybe, the nation would not be cowering behind the sofa in buttock-clenching terror every time an international match was de...

17Jun

By Jennifer LaishleyNo Comments

London

The Crucible – Gielgud Theatre

The National Theatre’s version of The Crucible is a play that is not to be missed. Both new audiences and fans of the original Arthur Miller play will enjoy. This talented cast use every moment to create drama and suspense and keep the audience entertained. The Crucible has recently transferred to the Gielgud Theatre after a successful run at the National Theatre last year. The show uses Arthur Miller’s original script under the direction of Lyndsey Turner. The story follows the town of Salem as they start to accuse the women of witchcraft. Singing is used throughout the play to add dramatic suspense. At the beginning this takes the form of haunting humming and by the end of the show this transforms into a haunted chorus of singing, showing that the girls have taken control. Photo...

The Ocean at the End of the Lane – The Alexandra, Birmingham

24May

By Annette NuttallNo Comments

West Midlands

The Ocean at the End of the Lane – The Alexandra, Birmingham

Based on the novel by Neil Gaiman, this stunning National Theatre production of The Ocean at the End of the Lane arrives in Birmingham this week. Returning to visit a place from his childhood, the unnamed man finds a familiar face. As he talks to Old Mrs Hempstock, he starts to remember long forgotten and buried memories. Along with him, you are transported into his world as a 12-year-old, a world that is as familiar as it is fantastical. There are strong performances throughout from the main characters and the ensemble. The ensemble is a large part of this production, they take the incidental roles, bring creatures to life, create the atmosphere with their movement and interaction with the lead characters and even move the pieces of set. Keith Ogikvy portrayed the confusion and d...