Lucy Carter Archives - North West End UK

Pop Off, Michelangelo! – The Other Palace

5Nov

By Olivia CoxNo Comments

London

Pop Off, Michelangelo! – The Other Palace

If you asked me to describe my dream show, I’d probably tell you it would be a musical, with stupidly clever comedy, and plenty of niche pop culture references. Luckily for me, The Other Palace is serving up a shining example of this with Dylan MarcAurele’s Pop Off, Michelangelo!, directed by Joe McNeice. An unashamedly untrue retelling of how Renaissance artists Michelangelo (Max Eade) and Leonardo Da Vinci (Aidan MacColl) became frenemies, this show introduces us to the pair as young pals who soon realise they have something in common: they’re both gay, but can’t live as their truest selves out of fear of punishment by the church. Figuring out their simplest route to divine forgiveness is to win over someone who has a direct line to the big man himself, the friends head to art scho...

Everybody’s Talking About Jamie – Wolverhampton Grand

Everybody’s Talking About Finton! Rarely do you get the chance to witness an understudy triumph in a role, but tonight at the Grand was once such moment. Finton Flynn slipped into the title role with big heels to fill which he did with aplomb. A joyous, buoyant comic performance tempered with a well judged dash of poignancy made this performance in equal parts outstanding and endearing. He exploded with assured confidence and squeezed every drop out of line and every lyric. Certainly, a performer to look out for. Elsewhere Rebecca McGinnis more than held her own as Jamie’s long-suffering mother nailing a beautiful ballad in act two. She forms a great comic partnership with Shobna Gulati whose comic heritage is well-known. And Talia Palamathanan is a total delight as Priti and nails o...

Woolf Works – The Royal Ballet at Royal Opera House

Wayne McGregor’s ballet triptych created in 2015 is inspired by the writings of Virginia Woolf and contains an original score by Max Richter – superbly performed by the Orchestra of the Royal Opera House conducted by Koen Kessels – with astounding lighting schemes from Lucy Carter and stunning set designs throughout. Woolf Works recreates the emotions, themes, and fluid style of three of Woolf’s novels beginning with ‘I Now, I Then’ inspired by Mrs Dalloway (1925); then ‘Becomings’ derived from Orlando (1928); concluding with ‘Tuesday’, which draws on The Waves (1931). The three pieces stand alone as distinctly as the works that inspire them although there is a chronology with underlying threads that seamlessly bring them together, most notably the central performance from 52-year old b...