Friday, November 22

Tag: Liverpool Playhouse

Bumper Christmas Season at Liverpool Everyman & Playhouse
NEWS

Bumper Christmas Season at Liverpool Everyman & Playhouse

Christmas 2023 proved to be another bumper season at the Liverpool Everyman and Playhouse, with the annual Rock ‘n’ Roll panto Cinderella playing to full houses and standing ovations, while the West End hit The Woman in Black spooked audiences at the Playhouse. The theatres have already announced Rapunzel at the Everyman (16th November to 18th January), with Richard O’Brien’s global sensation Rocky Horror Show taking up residency for the festive season at the Liverpool Playhouse (3rd December to 4th January). Cinderella and The Woman in Black attracted a diverse audience of all ages, with performances enjoyed by over 45,000 people, a quarter of whom were children and young people attending as families, with schools and with youth groups. As the theatres share their plans for Christm...
The Tiger Who Came to Tea – Liverpool Playhouse
North West

The Tiger Who Came to Tea – Liverpool Playhouse

The Tiger Who Came to Tea, Judith Kerr’s classic tale of, well, a tiger who came tea, has been a bedtime classic for over 50 years. It was adapted by David Wood into a stage show, which is celebrating 12 years and several Olivier Award nominations. That said, (and I might be in the minority here), I just didn’t gel with this performance. I took my two sons, 5 and 2, to see this show, and I think we were a real spectrum of reviews between us. At one end, my 2-year-old, who joined in with such enthusiasm I’m tempted to ask for a cut of the profit. Although he seemed to enjoy the show, I have seen him more rapt in other shows (including Kerr’s Mog, the Forgetful Cat just last year) so it certainly wasn’t his favourite. My eldest son sat in the middle of the road. Very much a “meh” revie...
Casting announced for imitating the dog’s Frankenstein
NEWS

Casting announced for imitating the dog’s Frankenstein

imitating the dog’s two-handed version of Frankenstein will feature RSC actor Georgia-Mae Myers and Nedum Okonyia. This time Co-Artistic Directors Pete Brooks, Andrew Quick and Simon Wainwright offer their trademark multimedia exploration of Mary Shelley’s timeless classic novel as a psychological thriller asks the eternal question – what is it to be human?     In this version a couple confront their own fears about impending parenthood as they recreate a version of Frankenstein that erupts into life as everyday objects are transformed into glaciers, a ship at sea, a dissecting room, and a house on fire.        Set and Costume Designer Hayley Grindle has created a transformative space j housing the digital tricks and video-mapping t...
The Woman in Black – Liverpool Playhouse
North West

The Woman in Black – Liverpool Playhouse

I never thought I would laugh so much at a ghost story. I am definitely a fully-fledged all-singing, all-dancing and everyone lives happily ever after type of person when it comes to theatre, fear and but there is something about The Woman in Black that has always intrigued me. I never got to see the run at the Fortune Theatre in London, so jumped at the chance to experience the story on my doorstep. The book was written by Susan Hill in 1983, and whilst it is set in the 1950s (and 1920s) it does feel like a timeless piece. It could be set any time if the dates weren’t mentioned. However, there is definitely something about a Victorian ghost, that gives it authenticity and makes it spookier. With two actors in the cast, they needed to be at the top of their game, as neither spent...
Dracula: Mina’s Reckoning – Liverpool Playhouse
North West

Dracula: Mina’s Reckoning – Liverpool Playhouse

This play lends itself perfectly to the spooky season. Aberdeen Performing Arts and the National Theatre of Scotland have created a uniquely adapted tale from the late 19th Century. Dreamlike Scottish folk music swaddles you into the world of the play, where the audience held their breaths about what might happen. Scottish culture is not in the mainstream theatrical circuit, so it was educational as well as entertaining for the audience. The way that this production was adapted by Morna Pearson from Bram Stoker’s American story, with detail, humour and a real sense of world building, meant the audience really bought the world of Aberdeen’s hospital for women and the characters in it. Lighting (Aideen Malone) and sound (Fraser Mackie) were parts of the production that I really enjoyed...
Metamorphosis – Liverpool Playhouse
North West

Metamorphosis – Liverpool Playhouse

Originally written in 1915 as a novella Franz Kafka’s claustrophobic and deeply unsettling classic is brought to the stage by one of this country’s finest physical theatre companies, Frantic Assembly. Poet Lemn Sissay OBE has successfully adapted Kafka’s dark story of devilish transformation and its presented here in all its surreal and muscular glory. Kafka’s dark fairy tale is simple in its construct , telling the story of Gregor Samsa a travelling salesman who slowly turns into a gigantic insect much to the horror and distaste of his dysfunctional family. Given that the subject matter would be quite difficult to translate to either film or stage Frantic Assembly and Lemn Sissay have achieved some success in delivering an uncompromising and totally addictive piece of theatre. ...
TONY! [The Tony Blair Rock Opera] – Liverpool Playhouse
North West

TONY! [The Tony Blair Rock Opera] – Liverpool Playhouse

As calls for another general election loom and the Labour Party conference ongoing only a few miles away, this show couldn’t have come at a better time. A quirky, fresh and gutsy performance that can be followed by all, it is the story of how the pop Prime Minister rose and fall. Harry Hill and Steve Brown have concocted a truly original piece, one that spans decades and international conflict, but has been overseen by the keen eye of Peter Rowe so that the farcical can shine and the ‘piss-take’ attitude can successfully overshadow the turbulent geo-political events at the mercy of New Labour at the beginning of the millennium. Stand out aspects of the performance included the live music. Mr Brown’s lyrics and score are equally funny and intelligent. From a singing princess Di to a d...
I, Daniel Blake – Liverpool Playhouse
North West

I, Daniel Blake – Liverpool Playhouse

In 2016 Ken Loach’s groundbreaking film rocked the heart of the establishment, forcing politicians to speak of the issues it raised in parliament and for one to remark it was ‘a work of fiction’.  Daniel Blake may have been a fictional character, but the powerful story was anything but fiction.  People were trapped in the universal credit system and the poorest in our society were the ones who were forgotten and ignored. The actor who played Daniel, Dave Johns, has now adapted the screenplay for the stage and tiny dragon productions are touring it to appreciative audiences around the country.  This play is still relevant and whilst the cost-of-living crisis hits once again the poorest in our society, the message that Daniel Blake is a human being who deserves respect reso...
Alice in Wonderland – Liverpool Playhouse
North West

Alice in Wonderland – Liverpool Playhouse

Last night, at the Liverpool Playhouse Theatre, I was invited to watch Alice in Wonderland. A short synopsis of the story is that we (as audience members) were transported back to the old ages, specifically the 1990s (which at that point, I felt old knowing it was 30 years ago). Where stereos played cassettes. Alice (Paislie Reid) was fixing her stereo player, as it had stopped working. She wanted to hear the song her dad Simon would sing to her before he sadly wasn't around anymore. In came her brother Lewis (Zweyla Mitchell Dos Santos) with a birthday cake for Alice. Like most brothers, Lewis got on Alice's nerves. Alice wouldn't let Lewis interfere with the stereo in case she made things worse. After a few more tweaks to the stereo, she was transported to a wonderland within the cassett...
Macbeth – Liverpool Playhouse
North West

Macbeth – Liverpool Playhouse

An explosive fusion of live action and multimedia technology pops off the stage and saturates the senses, with this self-described ‘neon noir thriller’ styled interpretation of the Bard’s ‘Scottish Play’.   Technical theatrical ground breakers, Andrew Quick, Pete Brooks and Simon Wainwright, otherwise known as Imitating the Dog, produce and direct this postmodernist retelling of Shakespeare’s “Wonder Boy”, Macbeth, brilliantly portrayed by Benjamin Westerby. The multiple layers of this clever production really do test the senses with various points of action taking place simultaneously, taking us on a rapid adventure through this tragic tale of the psychological and physical effects that come with the pursuit of power.  If you’re familiar with the aesthetic of DC’s Got...