King’s Head Theatre Archives

6Feb

By Eleanor HallNo Comments

London

FutureQueer – King’s Head Theatre

Alexis Gregory’s one-man show did exactly what it said on the tin: it facilitated a co-imagining of future in which queerness is ubiquitous. Gregory’s ironic repetition of right-wing frenzied slogans (‘it’s woke gone mad!’) to open the show provided us with an effective comic introduction. The rest of the piece featured an enjoyable mix of contemporary journalistic articles and queer scholarship, notably the literature of Esteban Muñoz, as well as the presentation of imagined characters from the late 21st Century. For example, Gregory interpreted the role of ‘Futura’, an A.I. drag queen, who invited us into the possibilities of ‘alternative intelligence’, all the while serving us ‘deepfake realness’ and (garnering audience laughter along the way!). We journeyed through the ‘speculative...

12Jan

By Stewart Who?No Comments

London

Exhibitionists – King’s Head Theatre

The King’s Head Theatre holds a special place in my heart, as it was the scene of my first ever written review. In 1986, as coursework for my Drama ‘O’ Level, I travelled from the depths of sleepy Surrey to lively Islington for an experimental interpretation of Jean-Paul Sartre’s No Exit. The production was less memorable than the concept of being squidged in a room at the back of a pub with an audience brought together by existential angst. I’d not only found my people, but learned that theatre could be uncomfortably intimate, messy and weird. In 2015, I played a sexual health and drugs counsellor, in a production of The Clinic at The King’s Head. My character was based on renowned ‘chemsex’ expert David Stuart (RIP) who was also one of the show’s producers. It was a thrill to perform...

29Mar

By Paul AckroydNo Comments

London

One Minute – King’s Head Theatre

The Working Actors Studio have revived Simon Stephens 2003 play One Minute at the King's Head Theatre. 'One minute' refers to the time it takes 11-year-old Daisy Schults to vanish, and the play depicts five characters impacted by her disappearance. In part this is a police drama, with the two detectives, played by Frederick Lysegaard and Lee Lomas, leading the investigation into her disappearance, but later being left on their own as other resources are taken away due to their lack of success. But it is much more an emotional study of the interaction of the five characters. The story unfolds slowly through numerous short scenes, many of which are only tangentially linked to the actual events of the disappearance. For example, the two characters of Mary Louise and Catherine, played by I...

19Feb

By Zara OdetundeNo Comments

London

Text & Delete – King’s Head Theatre

We’ve all had a flatmate we’ve hated right? Two women who are each other’s complete opposites attempt to coexist in a flat share, and after deeply hidden secret is revealed, we explore the continuum from enemies to budding friends. A fantastic new show, from In Her Element theatre production bringing together drama and comedy for a one act production full of laughs and unexpected comfort. The staging of this show at the King’s Head Theatre was well done, the small space was made to look like a living/dining room through furniture and through characters being off stage when they were in bedrooms or the kitchen. This made the production feel so intimate, like we were spectators sitting inside their living room. Both actresses multi role in this show and they do it fantastically....

<strong>And Then The Rodeo Burned Down – King’s Head Theatre</strong>

21Jan

By Caroline WorswickNo Comments

London

And Then The Rodeo Burned Down – King’s Head Theatre

Coming direct from New York City in association with theSpaceUK, following a successful week-long debut run in Edinburgh and winning the coveted Fringe First Award; Chloe Rice and Natasha Roland have been collaborating for nearly ten years, writing, and performing their own material. Ye hawing their way into the King’s Head Theatre, their rodeo clown show packs a lot into the hour. With country and western music piped into the theatre, the clown puts on her make up ready for the show. Star of the show is the lassoing cowboy, and oh boy, does Dale the clown want to be a cowboy, but our clown has a shadow, someone who wants to be a clown. Dressed in cowboy clothes, the pecking order of life is dissected, with the cowboy representing the top of the food chain and the ...

<strong>Harry’s Christmas – King’s Head Theatre</strong>

11Dec

By Caroline WorswickNo Comments

London

Harry’s Christmas – King’s Head Theatre

One could say that it is a brave choice to put on a play about mental health at Christmas whilst the populous spreads festive cheer, and shops, bars and restaurants play Christmas music on a loop. But I guess this IS the time to put on such a play, as many people struggle with loneliness and isolation, feelings that are magnified at Christmas. Threedumb Theatre offer their second Steven Berkoff play of the year, having performed Dog/Actor at Edinburgh Fringe Festival in August. When Berkoff wrote this play which was first performed at the Donmar in 1985, he received responses from many people who felt similarly, that this time of year overwhelmed them and exaggerated feelings that during the rest of the year, they could just about cope with. Harry (Stephen Smith) lives a...

13Oct

By Alan Stuart MalinNo Comments

London

Fame Whore – King’s Head Theatre

‘Fame Whore’, written and directed by Tom Ratcliffe holds up a morality mirror (and light ring) to modern societies desperate desire for attention, relevance, and the ultimate goal, “followers”. It highlights the lengths that people will go to achieve fame, and the pitfalls for some once they achieve this, as well as the ever-evolving cancel (or call-out) culture that is growing within many online communities, that can leave some entirely ostracised from their friends and fans. Part one-man play, part cabaret and part social narrative, ‘Fame Whore’ introduces the world to Becky Biro (Gigi Zahir), a hard-working drag performer, with a modest social media following, but a wild desire to be the next Drag Factor contestant. Beck feels she “deserves” fame, and having been rejected from Drag...

19Aug

By Stewart Who?No Comments

London

Brawn – King’s Head Theatre

As someone who’s been diagnosed as bulimic, it’s safe to say that negative body image is an issue that has personal resonance. Body dysmorphic disorder (BDD) is a condition characterised by a preoccupation or obsession with perceived flaws in one’s appearance. BDD is usually associated with girls and women, but recent studies have found that nearly as many men as women are unhappy with how they look. A third of young British men say they need to alter their appearance because of the "picture perfect culture" on social media. The Mental Health Foundation and YouGov recently released a Body Image report. The results found that a third of LGBTQ people (33%) have experienced suicidal thoughts because of poor body image. This is more than double the number for heterosexual respondents who f...

Quentin Crisp: Naked Hope – King’s Head Theatre

13Aug

By Alan Stuart MalinNo Comments

London

Quentin Crisp: Naked Hope – King’s Head Theatre

“Never keep up with the Joneses. Drag them down to your level. It's cheaper”. ‘Quentin Crisp: Naked Hope’ by Writer/Performer/Producer Mark Farrelly debuted at the Edinburgh Festival in 2014 and has toured constantly ever since, recently reaching its 150th performance. Directed by Linda Marlow, it offers a brief 70-minute snapshot into the extraordinary life of the legendary Quentin Crisp and is currently being performed as a unique double bill with ‘Jarman’. Split into two distinct parts, the play opens in the late 1960s in a grubby Chelsea flat. The audience is introduced to Quentin who suggests that “If at first you don't succeed, failure may be your style”. This is a clear indication of the rules and values that served as an undertone to Quentin’s early life of beatings and reje...

4Aug

By Alan Stuart MalinNo Comments

London

Jarman – King’s Head Theatre

A mighty spirit is about to reawaken. Yours! Over 80 intense minutes, Writer/Performer/Producer Mark Farrelly embarks on a journey to map out the life of Queer filmmaker, painter, gay rights activist, writer, and gardener Derek Jarman, from troubled childhood, through career achievements, illness, and death in his highly acclaimed solo play ‘Jarman’, which is being shown as a unique double bill as part of the Camden Fringe Festival. Jarman was an icon in the gay community, a trail blazer politically, socially, and creatively. One of the first public figures to announce his HIV status to the world, he called for us all to “be astonishing” and that is exactly what Farrelly achieves with this highly thought provoking and beautifully written piece of theatre. Farrelly’s writing is incre...