Saturday, November 16

Tag: Jerry Mitchell

Becoming Nancy – The Rep, Birmingham
West Midlands

Becoming Nancy – The Rep, Birmingham

This musical is staging it’s UK premiere at The Rep in Birmingham. Becoming Nancy is based on the novel of the same name by Terry Ronald. With choreography and direction by Jerry Mitchell (Legally Blonde, Kinky Boots, Pretty Woman: The Musical and many more) and music and Lyrics by Geroge Stiles and Anthony Drewe you can be assured you are in safe hands for a great evening of entertainment. Set in 1979, Becoming Nancy tells the tale of schoolboy David Starr. In his room decorated with posters of 70’s icons, he dreams of being a star. He has a talent that is spotted by his drama teacher who casts him as a surprising role in the school play. What will happen if he takes the role? How will his family and the kids at school react? His decision will start a chain reaction that ensures nothin...
Pretty Woman – Sheffield Lyceum
Yorkshire & Humber

Pretty Woman – Sheffield Lyceum

With a £450 Million box office success, turning the blockbusting 1980’s film into a touring theatrical production was always going to attract curious followers and Sheffield Lyceum was no exception. I mean ‘Come on, who didn’t love the Cinderella–esque story! Pretty Woman is very much in the Pygmalion vein of down on their luck girl means the wealthy and dashing man of her dreams, this time set in Hollywood, A little old fashioned kind of theory by today’s standards?? But hey, it’s still a closeted nostalgic winner! With, to be honest, forgettable Music and Lyrics by Brian Adams and Jim Vallance and the book; which stays very close to the film; by Garry Marshall and J.F. Lawton, Director and Choreographer Jerry Mitchell works hard and does a great job of bringing the magic of the film back...
Pretty Woman – Edinburgh Playhouse
Scotland

Pretty Woman – Edinburgh Playhouse

Most of us are familiar with the 1989 film of Pretty Woman, starring Richard Gere and Julia Roberts, directed by Garry Marshall.  For those that aren’t, the narrative is a simple fairy story – millionaire tycoon Edward, visiting Los Angeles on a business trip, stops in Hollywood Boulevard to ask street walker Vivian for directions to the prestigious Beverly Wilshire hotel.  She ends up staying the night.  The following day she is told to kit herself out with some high-end fashion using Edward’s credit card and asked to remain for the rest of the week and accompany him on his various social enterprises.  So far, so Cinderf***ingrella. Pretty Woman the musical, book by Garry Marshall and J.F. Lawton and music and lyrics by Bryan Adams and Jim Vallance, is a joyous romp which is about as f...
Pretty Woman – Palace Theatre Manchester
North West

Pretty Woman – Palace Theatre Manchester

The Palace Theatre Manchester opened its doors to ‘Pretty Woman the Musical’ as a part of its UK tour, derived from the book by Garry Marshall and J.F. Lawton with Music and Lyrics from Bryan Adams and Jim Vallance. The 1990 romantic comedy was a huge success on screen starring Richard Gere and Julia Roberts and was directed by Garry Marshall which received several awards during its time, so I was intrigued to see how it would transfer onto a musical theatre stage. The storyline is based on a billionaire corporate raider businessman Edward Lewis (Ben Darcy) who finds himself in Hollywood whilst working on his latest deal, when lost in the city he meets Vivian Ward (Paige Fenlon) a street worker, the confident prostitute manages to win his attention with her cheeky charm and her knowl...
Hairspray – London Coliseum
London

Hairspray – London Coliseum

Re-opening at one of London’s biggest theatres, the Coliseum, the West End revival of multi-award-winning musical Hairspray, set in the 1960s, tells the story of young girl Tracy Turnblad who strives to challenge racial discrimination on her favourite TV show. Following theatre’s highly anticipated return to full capacity after over a year of struggles, from the opening number “Good Morning Baltimore” this talented cast truly delivered an exceptional fun-filled evening as if nothing had changed. Jerry Mitchell’s high-energy choreography, David Rockwell’s eye-catching set and William Ivey Long’s colourful costumes offered a warm welcome back to live performance that the industry truly deserved. By the end of the final number “You Can’t Stop The Beat” everyone was dancing and singing i...