Sunday, April 12

Tag: Grant Kilburn

2:22 A Ghost Story – Liverpool Empire   
North West

2:22 A Ghost Story – Liverpool Empire   

“Do you believe in ghosts?” A question guaranteed to liven up any flagging dinner party. Social convention, in polite society, dictates that one should never discuss politics or religion—but this seemingly innocuous conversation starter can prove just as revealing and polarising. Views on the occult can offer insights into social status, educational attainment, upbringing, belief systems, and even morality. 2:22 A Ghost Story is the tale of a dinner party with a difference. New parents Jenny (Shvorne Marks) and Sam (James Bye) invite their longtime friend Lauren (Natalie Casey) and her latest squeeze, Ben (Grant Kilburn), to spend an evening in their new home. However, it soon becomes clear that Jenny’s motives run deeper than simply showcasing her asparagus risotto in their new open-pl...
2:22 A Ghost Story – Regent Theatre
North West

2:22 A Ghost Story – Regent Theatre

Danny Robins’ 2:22 A Ghost Story is a contemporary stage thriller built around one simple question: do ghosts exist? The story follows Jenny (Stacey Dooley), a new mother who becomes convinced that something unsettling happens in her home at exactly 2:22am. Her husband Sam (Kevin Clifton) is an outspoken sceptic, quick to dismiss her fears as irrational. Determined to prove her point, Jenny insists they stay awake with friends Lauren (Shvorne Marks) and Ben (Grant Kilburn) to see what occurs when the clock strikes. The staging sets the tone well: a stylish yet slightly oppressive kitchen-living area in a renovated London house, with French windows opening onto a garden glimpsed only when a motion-activated light clicks on. A digital clock is constantly visible, counting down the minu...
2:22 A Ghost Story – Opera House, Manchester
North West

2:22 A Ghost Story – Opera House, Manchester

Everyone loves a ghost story. Whether it is by M R James, Edgar Allen Poe or Stephen King, we all love stories that make us jump out of our seats and scare the bejesus out of us. This show certainly did that and more! At base, this is a tremendously well-structured play which brilliantly ratchets up the tension and keeps everyone on the edge of those seats they will certainly be jumping out of. There is more, though, to this play than being a simple ghost story. It also explores ideas of rationalism, belief, control and identity whilst also being a supremely entertaining romp. It has been a phenomenally successful show, having been three years in the West End, and has been seen by over one million people in 17 different countries. I can understand why, as the play zips along faster t...