Thursday, November 21

Tag: GM Fringe

Ahoy! Ballad of the Time Kraken – Salford Arts Theatre
North West

Ahoy! Ballad of the Time Kraken – Salford Arts Theatre

A confusion of school disco music, playground lyrics, art room props, nativity choreography and dress-up box costumes make this poorly performed, barely-plotted absurdity of a musical unfit for performance in front of a paying audience in its current state. You wouldn't swab the poop deck with this two-and-a-half-hour shamble. ‘Ahoy! Ballad of the Time Kraken’ continues at Salford Arts Centre until 29th July with tickets available from https://manchester.ssboxoffice.com/events/ahoy-ballad-of-the-time-kraken/ Reviewer: Scot Cunningham Reviewed: 28th July 2023 North West End UK Rating: ★
What Happened to Connie Converse? – King’s Arms, Salford
North West

What Happened to Connie Converse? – King’s Arms, Salford

In the 50s and 60s Greenwich Village, New York, was at the centre of the American Folk Music revival which gave the world performers such as Woody Guthrie, Pete Seeger and, of course, Bob Dylan. There were also female singers and writers performing there such as Joan Baez, Joni Mitchell, Judy Collins and also, on the periphery of this scene, there was an unknown singer-songwriter called Connie Converse. Even though these days she is largely a forgotten figure, her only public performance was on one TV show, there is an intriguing mystery about her as one day she just disappeared and was never seen again. Elizabeth Converse, Connie was a nickname she picked up when she lived in New York, was brought up by an extremely conventional religious family. She decided to rebel against them by...
Lucifer Speaks -The Fitzgerald
North West

Lucifer Speaks -The Fitzgerald

In the 1920s speakeasy-style Fitzgerald bar, Lucifer gives his own side of the story. This short play explores Lucifer as a witty, cynical jilted lover, unfairly victimised at the hand of God, a former lover. It has a distinctly northern rhythm and flair in the back-and-forth banter between Pegeen Murphy and Mike Cunningham who deliver their lines with conviction and total commitment to the bit. Lucifer Speaks describes itself as a ‘comedic take on an emotional […] story’, touching on ‘sexuality, gender and love’. However, the writing falls short of hitting the emotional and comedic beats needed to make this concept fly. The jokes are not brought to a satisfying punchline and therefore fall flat, or never materialise, and chances to fully explore audience participation are lost. ...
The Crisp Review: LIVE – King’s Arms
North West

The Crisp Review: LIVE – King’s Arms

Having tickled audiences’ palates at last year’s Fringe, Adam Evans takes to the stage once more with a presentation packed to the rafters with all things crisp-related. If the title doesn’t give his game away, Adam unapologetically spells it out: he reviews every variety of the potato snack imaginable with the aim of encouraging suppliers to send him free bags. A high-and low-light reel of his videos offers a hilarious insight into the review process. Adam gives honest verdicts on crisps’ names, texture, flavour, and value, regaling everyone in the room with observant critiques. In person, his nonchalance and cynicism allow him to deliver one satirical quip after another, but put-downs (almost entirely aimed at himself) tagged onto the end of them regularly get the biggest laughs...
SEVEN and a half YEARS – Salford Arts Theatre
North West

SEVEN and a half YEARS – Salford Arts Theatre

Mark Glentworth experienced incredible success as a composer, and then his life changed. But not in the way that you would expect. This autobiographical one-act musical tells the story of what came next: it is a journey that takes Glentworth from the heights of his success to the depths of his despair and isolation, ending with his first steps towards a new start. The production makes the most of the simple set and lighting designs, and Glentworth moves around the space well. It is his authenticity that is most striking; it cannot be easy for him to perform this material over and over and relive the best and worst moments of his life. Glentworth is clearly an outstanding musician, and the music in the show – which switches seamlessly from prerecorded tracks to live piano and back...
Bosie – The Fitzgerald, Manchester
North West

Bosie – The Fitzgerald, Manchester

Because of his historical significance we know much about Oscar Wilde, playwright, wit, man about town and sodomite. We know he was infatuated by his muse Lord Alfred Douglas, or “Bosie” to his friends, but perhaps we know a lot less about Bosie himself. Rik Barnett corrects that with this play. Not only writer, but Rik Barnett also has an outing as the subject of this short, but sharp piece of theatre being staged as part of the Manchester festival. First a mention of the venue. The Fitzgerald advertises itself as a “speakeasy” bar and with an entrance of Little Lever Street in the city northern quarter, the heavy dark doors set the scene well. The performance space on the first-floor suits this play very well but might be a bit limiting to other ventures. I look forward to seeing h...
Wasteman – King’s Arms, Salford
North West

Wasteman – King’s Arms, Salford

In a sequin-studded change in his career path, Joe Leather whimsically recounts how he traded hi-vis for high heels in this endearing one-hour play. Despite dabbling in drag in former times, regrettable events have led him to boxing up his dreams. However, a new opportunity tempts our refuse-collecting queen to rediscover their passion for performing. Leather embraces his ‘imaginary’ audience and entertains us with engrossing words, song and dance while jumping between a past and present narrative. His stage presence is cheeky and charming, and he capably juggles additional minor roles with expressive mannerisms and accents. While there are plenty of funnies laced throughout the script, a quantity over quality situation in terms of humour is sometimes apparent: where too many ...
The Pride of Pripyat: Tales from the Chernobyl Disaster – International Anthony Burgess Foundation
North West

The Pride of Pripyat: Tales from the Chernobyl Disaster – International Anthony Burgess Foundation

Some events are so burned into the general subconscious they can be immediately recollected with just one word. Chernobyl, for example. But how much do we really know about the life of the nearby town - Pripyat - beyond a vague image of an abandoned ferris wheel? American classical music ensemble the Perspective Collective set out to answer just that question in their operetta. Across a handful of vignettes, ‘The Pride of Pripyat’ explores the personal impact of the disaster on the lives of some of those living in the shadow of the doomed power plant. Beginning and ending with the perspective of the city’s chief architect, the show also explores the experience of a local school teacher with a husband at Chernobyl and a pair of nurses unsure how to approach a patient with radiation...
A Spoonful of Julie – The King’s Arms, Salford
North West

A Spoonful of Julie – The King’s Arms, Salford

Some shows need no explanation. The title does all the work. A Spoonful of Julie delivers exactly what it says on the tin. Morsels of goodness from the life and career of one of the greatest actors and singers of all time: Dame Julie Andrews. Opera singer Nicola Mills is the brave soul stepping into Andrews’ shoes. She’s accompanied on her whistle-stop tour of classics by musical director George Strickland on keyboard. Andrews’ repertoire is littered with collaborations with extraordinary lyricists and composers. From the Sherman Brothers and Lerner & Loewe to Sandy Wilson and Rodgers & Hammerstein. Yet their music was taken to another level courtesy of the voice of the young woman from Surrey. Mills can certainly belt out the operatic highs but her performance lacks some of ...
James Barr: Straight Jokes – Frog and Bucket Comedy Club
North West

James Barr: Straight Jokes – Frog and Bucket Comedy Club

In response to being told he’s “too gay” in the workplace, podcaster James Barr delivers an hour of flippant stand-up. There are few laughs to be enjoyed here regardless of your sexuality. Some of the jokes do land, but setbacks relating to delivery, stage presence and timing result in a lot of misses. The audience were supportive as Barr repeatedly forgot his place, resorting to notes on the floor to keep him on track, but this gig needs straightening out if it wants to thrive in the comedy circuit. It’s apparent that much of the material is borrowed: on the teaching of gay relationships in schools, Barr’s quip about him learning Geography but not becoming Sri-Lankan is an obvious recycling of journalist Benjamin Butterworth’s World War Two tweet that resurfaces every Pride month. &...