Thursday, November 14

Tag: Gary McNair

Dear Billy – Assembly Rooms
Scotland

Dear Billy – Assembly Rooms

Partick, birthplace of comedian, Billy Connelly, back when it was a small countryside village on the outskirts of Glasgow, on the banks of The Clyde, famous for fish and hunting, Aye, it had a hundred chippies and you had to watch out for people with knives! The world and the words of National Treasure, Billy, are brought gloriously to life by multiple Fringe-First winner, Gary McNair, accompanied by the musical talents of Simon Liddell and Jill O’Sullivan. But this is no tribute act, despite the obvious visual similarity between McNair and a young Billy. Instead, it is an array of stories and recollections, of the big man, hilariously voiced and acted by McNair, collected across the length and breadth of Scotland, most humorous, but some surprisingly deeply moving. From his childho...
VL – Roundabout @ Summerhall
Scotland

VL – Roundabout @ Summerhall

Hilariously parochial! VL stands for Virgin Lips, a label that no teenager wants to be saddled with. When Max and Stevie, two wee Scottish F…., oops lads, miss the bus to the end of year 2 school disco at the local ice rink, they are in two minds to just go home to watch telly instead. After all, Robin Hood Prince Of Thievesis on! But no, they have to go, because at least one of them is a VL and this might just be his last chance to pop that cherry. And if your still a VL after tonight, before you go into 3rd year, you just might be a VL forever! Seasoned comedy writers and performers, Kieran Hurley and Gary McNair play it just about perfect as the day-glow-clad youngsters trying to navigate romance in the hormonal pressure cooker of Hammersten High School. Stevie has, tech...
Jekyll and Hyde – Royal Lyceum Theatre
Scotland

Jekyll and Hyde – Royal Lyceum Theatre

This adaptation by Gary McNair of Robert Louis Stevenson's novel, is keen to point to its source's Edinburgh roots, though mostly through the programme and the lead (and only) actor's Scottish accent. Unlike some recent productions of Great Expectations or Dracula however, it stops short of relocating the story to Scotland. But even the medium of a play represents a coming home of sorts: this story began with the true tale of furniture-maker and lock-breaker Deacon Brodie, about whom Louis Stevenson first co-wrote a play entitled Deacon Brodie, or The Double Life, though it was his later retooling of the idea of duality into the novella Strange Case of Dr. Jekyll and Mr. Hyde which would find lasting success. The story is well-known (spoilers) for its crucial dual role, which lead at...
Nae Expectations – Tron Theatre
Scotland

Nae Expectations – Tron Theatre

As the title suggests, this is a version of Charles Dickens's Great Expectations, relocated North of the English border. Young Pip (Gavin Jon Wright) is now a young Scottish lad encountering Scottish versions of Magwitch (Gerry Mulgrew), Miss Havisham (Karen Dunbar) and, unexpectedly, judgemental cows, on a journey from the Scottish countryside to Glasgow. It's a journey of great, and sometimes nae, expectations as he meets and helps an escaped convict and a twisted lady & young girl in a decrepit house, three people who will have far-reaching, and often sinister, consequences in his ongoing journey for personal betterment. Director Andy Arnold, for whom this is the 40th and final directing turn at the Tron called this story "a wonderful mix of dry and caustic wit combined with ...
Dear Billy – Traverse Theatre, Edinburgh
Scotland

Dear Billy – Traverse Theatre, Edinburgh

Why is Gary McNair’s ode to master comedian, Billy Connoly, Dear Billy, excellent? It is the authentic voice of Scotland. It has perfect comic timing. Every man and woman portayed is distinct in characterisation. The words are all true - not a single piece of fiction. The idea is brilliantly simple while the execution looks simple, but is, in fact, brilliantly compiled, composed and performed - not simple at all. He makes it funny. I take my hat off to you, Mr McNair, and your team of story-gatherers. This is a fabulously funny, tender, and varied piece of theatre which had me in stitches, and I’m not a die-hard Billy Connolly fan, like some of the audience in this full-house. It is the breadth of commentary/recollections that makes this piece sparkle - stories of...