Edinburgh International Festival Archives

17Aug

By Kathleen MansfieldNo Comments

Scotland

Hamlet – Royal Lyceum Theatre

An international festival ought to end in carnival fashion, and this blended version of Hamlet did just that. It was an explosion of success, rejoicing, a knees-up and warm audience participation. Teatro La Plaza from Lima, Peru, has created a feast of a show using back projection (Lucho Soldevilla), music, thoughtful lighting (Jesūs Reyes), a simple set and a fabulous cast of Downs Syndrome adults. This adaptation of Hamlet is both funny in itself and wonderful as a piece of art for showcasing the unquestionable talents of a marginalised sector of society. Written and directed by Chela De Farrari, a founder of the company, the intention is to entertain as you ask questions which help us better understand the contemporary world and, in this instance, the world of the Downs person in...

16Aug

By Kathleen MansfieldNo Comments

Scotland

The Outrun – Church Hill Theatre

Amy Liptrot's 2015 memoir of a generation lost to trivia and over-consumption certainly struck a chord. A film of the book is released this year plus this co-production between Edinburgh International Festival and Royal Lyceum Theatre Edinburgh. The Outrun is beautifully staged. Milla Clarke works some artistic magic, along with a collection of talented creatives from Lewis den Hertog on video (superb), Lizzie Powell on lighting, Michael Henry and Kev Murray on music and sound. The piece is cleanly directed by Vicky Featherstone. Vicki Manderson’s chorus opening as waves is very atmospheric and intriguing. Set partially in Orkney, waves are relevant. Additionally, a wave can knock us off our feet and fighting a wave can prove fruitless. Metaphorically, the waves work for this pie...

Edinburgh International Festival Opening Concert – Usher Hall, Edinburgh

5Aug

By Greg HolsteadNo Comments

Scotland

Edinburgh International Festival Opening Concert – Usher Hall, Edinburgh

The opening of the 2024 Edinburgh International Festival by Nicola Benedetti marks the beginning of an exhilarating 24 day, 160 event celebration of opera, dance, music and theatre in the Scottish Capital. Following last years’ tentative, ‘Where do we go from here?’, we start this year with the more upbeat, ‘Rituals that unite us. And the opening concert tonight could hardly be a better example of the statement. Spaniard, Osvaldo Gilijov’s extraordinary reinterpretation of Bach’s St. Matthew’s Passion was commissioned in 2000 to mark the composer’s 250th anniversary. Now, almost a quarter of a Century old and having been performed around the globe, it (finally!) has its first Scottish outing. But this is no Solemn biblical narrative, no, this is a shock of rhythm and colour, in mult...

4Aug

By Caroline WorswickNo Comments

Scotland

Penthesilea – The Royal Lyceum Theatre

This passionate fictional play set at the gates of Troy, was written in 1807 by Heinrich Von Kleist, who four years later would commit suicide with his married lover aged only thirty-four. This may be an indication of his passionate nature, and why at age thirty, he could write such a romantic, but also violent play. Part of the Edinburgh International Festival, the ITA Ensemble who are the in-house team at the Internationaal Theater Amsterdam, are behind this bold production which is part rock concert, and part classical play. The director Eline Arbo, who achieved great success with ‘Weg Met Eddy Bellegueule’ winning a director’s award in 2020, is working with Thijs Van Vuure who created the music which acts as the beat for the play. Staged at the wonderful Royal Lyce...

Alvin Ailey American Dance Theater – Festival Theatre

29Aug

By Kathleen MansfieldNo Comments

Scotland

Alvin Ailey American Dance Theater – Festival Theatre

Alvin Ailey American Dance Theater Programme 2 toilet talk: “It wouldn’t have been my choice, but it was good. I liked the last piece best.” For me, it was all an excellent choice. The dancing was supreme from this group of inclusive and artistic athletes. Their strength and supple limbs pleased me no end. Additionally, I really enjoyed the retro music. The beat and rhythm were retro because this programme hails from 1960 onwards. It was all choreographed by the company’s founder, Alvin Ailey and it still part of their international repertoire. This company is founded on the ethics of inclusivity, mutual support and opportunity for all. With this in their back pocket, the team at Alvin Ailey routinely invite local aspiring dancers to be part of their performances. The youngsters (...

29Aug

By Kathleen MansfieldNo Comments

Scotland

Life is a Dream – Lyceum Theatre

Co-produced by Cheek by Jowl, Compañía Nacional de Teatro Clásico (CNTC Madrid) and LAZONA; in collaboration with the Barbican, London and Scène Nationale d’ALBI-Tarn, France The only time I saw a production by Cheek by Jowl was in 1981, when the company was an infant. I don’t remember the play I saw, but I remember the company because the production was jaw-droppingly good. For this reason, I chose to review, decades later, Life is a Dream. In this classic Spanish tale, a prince is released from imprisonment to test whether the prophesy that he will be a tyrant, will, in fact, come true. The play is listed as one of the forty greatest plays of all time. It was performed in Spanish with English surtitles. First published in 1636, you could be forgiven for wondering if it might...

Tannhäuser: Deutsche Oper Berlin – Usher Hall

29Aug

By Kathleen MansfieldNo Comments

Scotland

Tannhäuser: Deutsche Oper Berlin – Usher Hall

Sitting from 6 pm - 10 pm is a big ask for an audience. It’s an even bigger ask for an orchestra and singers. Below me, from my balcony, I could see a sea of white heads. I think it takes maturity to know this will be worth it. The majority down there are probably Munro climbers - folk who know it is worth the trek. Sitting through a Wagner opera (on stage or in concert) is a statement of love. Wagner is bold. He’s brassy. He’s massively dramatic - employing harps and I’m a bit of a lover of those things. I am a novice to Tannhäuser, and it did not disappoint. I was truly impressed with all the performers. Together, they comprised: chorus and orchestra of the Deutch Oper Berlin and musicians from the Royal Scottish National Orchestra. Sir Donald Runnicles conducted while Jeremy Bines...

24Aug

By Greg HolsteadNo Comments

Scotland

Jake Bugg – Edinburgh Playhouse

Bringing my Edinburgh Fringe reviewing to an end for another year (with review number 63!), an absolute belter, five-star performance by Nottingham lad, singer-songwriter and supreme musician, Jake Bugg, at the Edinburgh Playhouse. An artist that I have known of and heard snippets of over the last ten years, this concert came as a very pleasant surprise, and reminded me that I actually do know loads of his songs, albeit not the names of them! Luckily, I was sitting next to fellow reviewer and big Bugg fan, Eilidh Tuckett from Artmag, who was able to lean over and tell me the names of the songs as they came thick and fast. Thanks Eilidh! From the very Oasis sounding, Kingpin, from Bugg’s second album to the much softer and more lyrical Hold Tight, his favourite from his fifth album, y...

Julia Bullock & Bretton Brown – The Queens Hall

17Aug

By Greg HolsteadNo Comments

Scotland

Julia Bullock & Bretton Brown – The Queens Hall

Julia Bullock is an American Soprano, from Missouri, the New York Times have described as, ‘An impressive, fast-rising soprano…poised for a significant career’. This was a real concert of two halves, the first section being more classical and almost funereal in places, and the second after the interval, being much more lyrical and almost playful, albeit with a serious message. And perhaps pointing towards the dual personality of Bullock herself; extremely serious about her music, with many years of Classical training, on the one hand but clearly also very passionately involved with the plight of sisterhood and Black America. I particularly liked the tenderly sung, Billy Holliday number, ‘Our Love Is Different’, which also included some beautiful Jazz solos by pianist Bretto...

16Aug

By Greg HolsteadNo Comments

Scotland

Mariza – Festival Theatre

Despite the language barrier there is no doubt at all that this is a heck of a show, and a display of superlative singing power and grace, from the statuesque Portuguese star Mariza returning to the Edinburgh International Festival in style after a ten year hiatus. At times dropping the mic and singing without amplification in the vast hall, shows the immense power of her voice, and her confidence in it. Singing songs in Portuguese, in the Fado (translated as destiny or fate in Portuguese) tradition, a style thought to have originated in Lisbon in the 1820s, often associated with pubs and cafes, and renowned for its expressive and profoundly melancholic character. Launching into Loucura, the first song from her first album all of 24 years ago, she reminisces that at that time the...