Friday, November 22

Tag: Edinburgh Festival Fringe

For Better For Worse – C ARTS
Scotland

For Better For Worse – C ARTS

This thought-provoking new drama by Edinburgh playwright Jill Franklin was inspired by the Independence Referendum of 2014. But although set in the heady days of that September nine years ago, it is not really about Scottish Independence which is a peripheral issue here. Diane, movingly played by Sheila Duncan, became a widow six months ago when her husband died. Now it’s her birthday and her son, Mark, arranges a surprise visit with her daughter, Natalie, to celebrate the occasion. Although Diane is pleased to see them, she gently castigates them for assuming she hadn’t made other arrangements.  During the next few days there ensues a struggle by Diane to find her own voice. Her husband had made all the decisions in their marriage, and now her children seem to be trying to tell...
What Goes On Without Me – the Space On the Mile 2
Scotland

What Goes On Without Me – the Space On the Mile 2

Nottingham New Theatre are an English student-run theatre producing over thirty shows a year, ranging from Elizabethan classics to contemporaries plays and original student-written pieces. Their Fringe show this year, What Goes On Without Me, is in the latter category and asks the question “what would you do if, after you died, you could have 10 extra minutes of life that had no impact on anything other than you?” That is the question facing Jude. She has woken up dead, in a waiting room located on the upper east side of the afterlife, and in the company of a slightly dotty omniscient being offering cups of tea, biscuits, some celebrity gossip and the above dilemma (with caveats). Interspersed with vox pops of interviewees trying to answer the same question, this is comedic yet s...
Macbeth – Greenside @ Infirmary Street
Scotland

Macbeth – Greenside @ Infirmary Street

Gosh! Where to start on this highly unpleasant Macbeth mash-up. This is my 3rd instalment of my Macbeth marathon of the Fringe and an undoubted low point. Comparison is a wonderful tool! But at least you got one star! That’s for your Macbeth, the undoubted star of this particular show, who shone with hope and ambition in a sea of troubles. Unfortunately, there is no possibility to name-check said star because you didn’t care enough to provide that information! A show which shows no hand of a director, and the barest story and which has actors crossing each other, talking in unintelligible whispers with their back to the audience, and generally running around like headless chickens. A show which shows scant respect for their paying audience or for the craft of acting. Adding to...
Hive – Assembly Roxy
Scotland

Hive – Assembly Roxy

Hive is show that feels like it has big things to say. It wants to talk about corporations building monolithic skyscrapers and the consequences of that , how people can be displaced and forced to move out of their homes, the way grief can impact our lives and relationships. Hive tries very hard to communicate these things, but unfortunately it does not communicate them well enough. The setting is an abandoned housing building with Mother Ria (Elin Doyle) being brought in to investigate a “hive” of some description along with her child, Salve (Emily Millwood), after they where expelled from school and there’s no one Salve can stay with while Ria works. The play also features a third character, Craig, the site manager who joins Ria on her journey to the hive while Salve makes their ow...
Crash and Burn – theSpace @ Niddry Street
Scotland

Crash and Burn – theSpace @ Niddry Street

Set on a private jet, heading to the climate conference COP26 in Glasgow: Oil Baron James Johnson with his employee and daughter are forced to share the plane with eccentric actor and activist Amodius Vassano and his personal manager. After take-off, they find out that this and other planes have been hijacked by a group of radical environmental activists and they are being held hostage, only to survive if Johnson confesses to his crimes. ‘Crash and Burn’, a new play written by Will Leckie, who also plays Amodius Vassano, aims to be a political comedy that wants to ask the question of how far activism can or should go. Whilst this is a great premise, although an unoriginal idea, the execution of it was rather poor. The play lacks structure, trying to tackle too many topics at once...
Anna Vanosi Jazz Trio – The Jazz Bar
Scotland

Anna Vanosi Jazz Trio – The Jazz Bar

Escaping the bagpipes, the ticket pushers, the crowds and the traffic, to rest at peace for a quick hour and bathe in a little pool of jazz bliss with the Italian Diva herself, Anna Vanosi is just about perfect. Set below ground in the subterranean bunker that is The Jazz Bar, near the Museum, in Central Edinburgh’s melee, Vanosi ushered us through quite a quick catalogue of songs, mostly above love or lost love in the language of love, Italian. And some in the much less romantic English. Either language was fine with me, Vanosi’s voice was nectar in both. This is Vanosi’s second show at the Fringe this year, at the same venue, having completed a run of shows last week entitled, Late Bloomers Tales, which I also thoroughly enjoyed, but in a different way. The previous show is ...
Cola Boy – The Space @ Symposium Hall
Scotland

Cola Boy – The Space @ Symposium Hall

This show kicked off on Monday (13th) with a full house and Thursday & Friday are already sold out. It’s in of those infamously ‘intimate’ Fringe venues so move fast if you want the experience; for that primarily is what this is, rather a fleeting one at that. How many times have you heard the cliché ‘The book’s much better’? Author Ryan Battles did actually live and work in Dubai, his book an enjoyable, adventurous tome pulling few punches about a place he has ‘no desire to ever travel to again.’ However, squeezed into 40 minutes it ends up highlighting just two themes; the death (and ghostly return) of Jimmy’s bezzy mate Andy, and the nerve-shredding trip back to London to traffic 70 grammes of coke back into Dubai. We’re welcomed in from a drenched Hill Square by a groovy ...
The Magic of Terry Pratchett – Gilded Balloon Teviot
Scotland

The Magic of Terry Pratchett – Gilded Balloon Teviot

The show unfolded with a mix of anecdotes, on-screen jokes, and AI-created images, painting a picture of Pratchett's life that left me intrigued. From his school days to his status as the most shoplifted author in Britain, the show offered a glimpse into his world. The AI-generated images and sound effects added a unique touch, immersing us in Discworld's eccentricity. The heart of the show was his own voice and insights. His words, accompanied by shown illustrations, brought depth to the experience, evoking both laughter and reflection. While I might not be well-versed in Pratchett's novels, the comedy show piqued my curiosity. It struck a balance between humour and emotion, presenting an enjoyable evening that left me with a newfound appreciation for his work. If you're a fan o...
Letter To Boddah – The Space @ Surgeons Hall
Scotland

Letter To Boddah – The Space @ Surgeons Hall

Taking inspiration from Kurt Kurbain’s suicide note to his imaginary friend Boddah, characters Billy (Kyle Fisher) and Tink (Jordan Reece) must decide whether to continue with their ill-conceived plan to explode a bomb in Tescos, killing themselves and countless other shoppers, or man -up and return to the reality of their dull and pointless existence. Kurbain finished his famous final note with the mantra that it is Better to Burn out than fade away, and that’s the big question at the heart of this explosive piece by writer, Sarah Nelson for Watershed Productions. Can Tink really blow up the nice lady on the hot food counter, who gave him an extra chicken drumstick, and does he really want to blow himself up on the day that his mum is cooking steak and kidney pudding, his favourite?...
Ophelia – Greenside @ Riddles Court
Scotland

Ophelia – Greenside @ Riddles Court

Do women still need to fight for space simply to be? As uncomfortable as it is to watch a woman always holding back, are we willing to see her rage? I recommend watching Bristol University Spotlights’ ‘Ophelia’ to help answer such questions with their play based on Shakespeare’s ‘Hamlet’ but very much set in the world of a modern Ophelia. This is a world where we don’t quite learn how Hamlet would come to kill Ophelia’s father, but that is actually in keeping with it being Ophelia’s story and with the narrowness of the space within which she is confined. The play is particularly strong at the start, revealing the young protagonist’s mind: very real, very relatable. Her meeting with Hamlet beautifully demonstrates why she is attracted to him and why he can take such possession of ...