Tuesday, December 17

Tag: Edinburgh

Treasure Island – The Lyceum, Edinburgh
Scotland

Treasure Island – The Lyceum, Edinburgh

The Lyceum Christmas show has landed! And in the tradition of Lyceum Christmas shows passed it (thankfully!) takes a wide berth around the ‘panto’ genre and serves up its own idiosyncratic recipe; take a classic tale, give it an Edinburgh flavour, a sprinkling of humour, a seasonal twist, a large dollop of live music and action, and serve it firmly tongue -in-cheek and aimed squarely at the family market. For the most part, Treasure Island, adapted by Orkney based writer, Duncan McLean, achieves its objectives, and the production is hilarious, fast-paced and always wonderfully musical.   In a clever plot twist, we start our tale in a rest home for reformed pirates, no beards, no swashbuckling and absolutely no treasure hunts… Awwww! But old habits are hard to break, timbers req...
Dementia The Musical – The Sudio, Edinburgh
Scotland

Dementia The Musical – The Sudio, Edinburgh

Written by Ron Coleman (aka The Demented Poet), himself a dementia sufferer, the inspiration for this thought-provoking musical was three people living with the diagnosis.  They are James McKillop, Nancy McAdam and Agnes Houston, dementia activists, who are portrayed on stage by three 30 somethings.  More of that later.   Having started life as a play, it soon turned into a musical, composed by Sophie Bancroft with additional music by Andrew Eaton-Lewis.  The narrative is based on the campaigning work of the three dementia activists and set in the near future when the fictitious British Bill of Rights allows the system to control individuals with dementia, deciding for them where they live and what they can do. Karen Tennent’s set design is simple and versatile,...
Love The Sinner – The Studio, Edinburgh
Scotland

Love The Sinner – The Studio, Edinburgh

Approaching the end of a one month tour of Scotland’s finest smaller theatres, this gem of the spoken word is certainly getting to the well-polished stage. Expertly, co-produced with Vanishing Point, writer and performer Imogen Stirling simply oozes confidence and assuredness as she births every beautifully crafted line. The shame is that they whizz by at such a rate they barely have time to flower into fully formed life. Like snow on the river, white for a moment, then gone forever. Through a series of flawed characters, representing the seven deadly sins, Stirling’s prose expertly coaxes and cajoles us through the drowned streets of the river city. It has rained for days. Our unlikely hero is Sloth, who reluctantly rises from her quilted fort of bedroom stagnation only when it gets to...
Verdi’s Requiem – Usher Hall, Edinburgh
Scotland

Verdi’s Requiem – Usher Hall, Edinburgh

The Philharmonia Orchestra, conducted by the youthful and energetic Santa-Matias Rouvali, accompanied by the massed ranks of the brilliant Edinburgh Festival Chorus, lit up the Usher Hall tonight with a powerful rendition of Giuseppe Verdi’s Requiem. The argument continues whether this is more of an an opera than an ecclesiastical work, but one thing all can agree on is that it is packed full of drama. The trumpet shall sound, through the places of the dead, and across the land The multiple drum-heralded Dies Irae (one of Verdi’s most recognisable ‘Bangers’) never fails to send a shiver down my spine, and it was a joy to hear it rebounding around the great space that is the Usher Hall, surely the finest classical music venue in Edinburgh. You will rarely see the string section...
The Fifth Step – The Lyceum, Edinburgh
Scotland

The Fifth Step – The Lyceum, Edinburgh

World Premier The fifth step of the AA 12 step recovery program states, Admit to God, to ourselves, and to another human being, the exact nature of our wrongs. This exercise begins to provide emotional, mental and spiritual relief. By sharing wrong with a trusted confidant, guilt and shame start to melt away. At least, that’s the theory. The Fifth Step, a play by David Ireland, received its World premier tonight. A dark comedy, directed by Finn den Hertog, stars a brilliantly watchable Jack Lowden as Luka, a recovering alcoholic searching for a sponsor in the Alcoholics Anonymous program. He meets James, a recovered alcoholic, played with assurance and sensitivity by Sean Gilder, an older man who, initially at least, seems ideal to guide him through the twelve steps. ...
The Music Man – Festival Theatre, Edinburgh
Scotland

The Music Man – Festival Theatre, Edinburgh

Watching Fraser Grant’s punchy Edinburgh revival of this lesser known gem one can begin to see why Meredith Willson’s musical easily won out over West Side Story at Broadway’s Tony awards in 1958. Underneath it’s folksy exterior this entertaining and inventive show with its lively toe-tapping score provides plenty of opportunities for the large cast of SLO to shine. The story is set in 1914 in the sleepy Iowa town of River City. Con man Harold Hill sets his sights on persuading the locals to set up a boys’ band, complete with expensive instruments and uniforms, pocket the money, then skip town before his tone-deaf ignorance is revealed. What the fast-talking spellbinder forgets to factor in is getting his foot stuck on haughty local librarian, Marian Paroo. The book, music and lyrics...
Introverts The Musical – Traverse Theatre, Edinburgh
Scotland

Introverts The Musical – Traverse Theatre, Edinburgh

Writer Amy Hawes, one third of Tandem Writing Collective, teams up with keyboard player Aaron McGregor to present a brand-new musical about Introverts. Still at workshop stage we are treated to a sneaky peek by a trio of fine actors: Kim Allen, Natalie Arle-Toyne and Betty Valencia, with scripts in hand. Toyne stands out as the neurotic, protective mother, trying to protect her anxiety filled, introvert daughter, Angela, played by Valencia, with Allen never far away as the side-kick imaginary friend. When Angela is given the chance of a free a course at the Introvert Conversion Centre (ICC) which has recently opened in Livingston, and her mum the commission to write about it, they both jump at the chance. It’s not long before Angela is transformed into an online celebrity with a host...
Blue Beard – The Lyceum, Edinburgh
Scotland

Blue Beard – The Lyceum, Edinburgh

In the early 1400s, a French nobleman, Gilles de Rais, was found guilty of kidnapping, raping, torturing and murdering children. He got away with his heinous crimes for longer than he should due to high birth rate and fear, amongst the lower classes, of retribution, should they speak up. This true story became the legend of Blue Beard and the children he murdered morphed into a series of murdered wives, whose mutilated bodies Blue Beard hid in the cellar. The fairy tale explores and warns of the perpetual fear, always in society, of abuse and cruelty forced upon the innocent and the weak. Emma Rice has reworked this famous Bartók opera into a modern-day musical, balancing fresh, boozy, party-loving female confidence against the scales of ongoing malevolence towards specific, known, w...
La Nina Barro (The Clay Girl) – Assembly Roxy, Edinburgh
Scotland

La Nina Barro (The Clay Girl) – Assembly Roxy, Edinburgh

Writer Marta Masse joined the audience at the Roxy tonight, to see her life-affirming poetry brought to life for the first time in almost ten years. It must have been an emotional reconnection with her prose and with the original all female cast on what was International Woman’s Day. Ten years on from its first performance during the Edinburgh Free Fringe in 2014, Elizabeth Sogord, returns as La Nina (the clay girl) and Alexandra Rodes as Woman / mbira player. Relying on very minimal set and costume, or in Sogord’s case no costume at all. From a winding sheet of clay-spattered plastic we see the clay girl squirming and wrestling and moaning, and eventually releasing herself into existence to the weirdly haunting (think ancient music box) sound of the mbira, a mini piano from Zimb...
Rob Brydon ‘A Night Of Songs & Laughter’ – Edinburgh Festival Theatre
Scotland

Rob Brydon ‘A Night Of Songs & Laughter’ – Edinburgh Festival Theatre

Once upon a time in the early noughties Rob Brydon was a cult figure, beloved by those-in-the-know for Marion & Geoff, Human Remains and The Keith Barret Show. Before bobbing up into the mainstream in 2007 via Gavin & Stacey he’d been the voice of countless adverts (following the Megan incident at BBC Radio Wales), the resilience, versatility and humour developed during what was a dark(-ish) period in his professional career and personal life providing ample material for tonight’s show. Of which we wish there’d been more, but… check the title. No-one’s used the words ‘national’ or ‘treasure’ yet but they must be imminent. Accumulated over the years Brydon can draw on such a deep well of honed wit, charm and skill it’s difficult to imagine anything he does failing. Both sure-...