Chicago – Bradford Alhambra
There is no better opening in musical theatre than Chicago as a troupe of ripped and toned dancers shimmy, strut and shoulder roll their way round the stage in perfect unison as vaudeville performer turned murderess Velma belts out All That Jazz.
Originally choreographed by the great Bob Fosse this is a show full of ‘jazz hands’, which is a concept that many people sneer at, but as Craig Revel Harwood constantly points out on Strictly strong hands make for great dancing. There is something really elemental about a simple move like a hand roll, and the dancers in this cast nail some of the toughest and naughtiest routines in any show.
At heart Fosse’s wonderfully cynical book is both a tribute to the exuberance of vaudeville and to the nature of fame, aided by the med...
