Crossing The Void – theSpace on the Mile
Ghost stories are never what they seem, or at least they should not be. As Henry James taught us with his The Turn of the Screw, any self-respecting ghost story should know how to play with the appearance of things, with the ambiguity underlying reality itself, with the perception of the reader or, in our case, of the spectator, and create, through allusions and linguistic traps, a labyrinthine reality, phantasmagorical in fact, a game of reflexes where everything can be the opposite of everything.
This is what Crossing the Void succeeds in achieving, to the viewer's great satisfaction, as a result of young scriptwriter Sally MacAlister's collaboration with queer actresses’ koi collective in their debut as a theatre company. A student of Drama Writing at the University of Manchester, M...