Charlie Drummond Archives - North West End UK

16Nov

By Mark DavorenNo Comments

North West

Opera North: The Magic Flute – Lowry

Opera North’s English Version of Mozart’s two-act opera hints at the fantasy but lacks the magic necessary for the classic fairy tale rescue of a princess by a handsome prince. Tamino (Egor Zhuravskii), a young prince, is being pursued by a terrible dragon and in his attempt to escape he passes out and is unknowingly saved by three mysterious Ladies (Charlie Drummond; Katie Sharpe; Hazel Croft). As they depart to alert the Queen of the Night (Naomi Quant) to his presence, Tamino regains consciousness only to meet another strange figure, that of Papageno (Emyr Wyn Jones), the bird catcher, who also works for the Queen, and deceitfully claims to have defeated the monster. He is punished when the three Ladies return by having his tongue sealed with a magic spell. Tamino is presented with a...

Scottish Opera presents a filmed performance of Humperdinck’s Hansel and Gretel

Scottish Opera premieres Humperdinck’s enchanting Hansel and Gretel in the latest Scottish Opera: On Screen, filmed at Glasgow’s Theatre Royal on 19th December. The whole family can immerse themselves in this modern adaptation of the classic fairy tale from Wednesday 10th February at 6pm, via the Scottish Opera website. Sung in English, with staging by Daisy Evans, this vivid and joyful reimagining of Humperdinck’s opera tells the heart-warming story of two children and their journey from an impoverished home, into the mystery and danger of the woods. Brought to life by Daisy’s unique staging, with a Christmas-crazed witch and a shopping trolley full of sugary sweets and garish goodies, Hansel and Gretel seem a long way from their simple family life. Packed full of charm and sparkle thi...

Cosi fan Tutte – Scottish Opera

Mozart’s Cosi fan Tutte is an ideal opera to be performed in today’s climate. A small leading cast, and a relatively light-hearted plot, Scottish Opera’s production, directed by Roxana Haines with musical direction by Stuart Stratford, brings the comedy into the modern world in a socially distanced performance exploiting the world of reality TV. The piece opens with exuberant music played by a masked orchestra behind screens, as the Chorus sit in the theatre’s boxes, making up the various audience members of the reality show which our couples find themselves competing in. The Chorus revel in their roles throughout the piece, creating some excellent emotional reactions from wistfulness, to excitement, to boredom, creating a real sense of a live studio audience to the television show we a...