Camden Fringe Archives - Page 3 of 7

Medea the Musical – Upstairs at The Gatehouse

31Jul

By Stewart Who?No Comments

London

Medea the Musical – Upstairs at The Gatehouse

If the Camden Fringe summons visions of damp carpets and edgy comics managing onstage meltdowns, ‘cause it’s easier than getting therapy on the NHS, then The Musical Medea added another dimension entirely. Upstairs at the Gatehouse is an award-winning Off West End theatre in leafy Highgate Village. The hilly avenues feel painfully civilised after the grunge and crackpipe vibes of Camden. It’s a refurbished 1895 auditorium, which sits above the Gatehouse pub and has the distinction of being London’s ‘top’ theatre (at 446ft above sea level). Historically, the venue has been a music hall, cinema, Masonic lodge, and a jazz and folk music club that once hosted Paul Simon. The ‘60s spirit of that iconic singer/songwriter greeted the audience of The Musical Medea as they wandered into the...

29Jul

By Ben PearsonNo Comments

London

People – Etcetera Theatre

Anna Manuelli’s People explores existential questions about the nature, purpose and meaning of life through an intriguing device; the use of doppelgängers. Manuelli plays four characters from different timelines, far removed from one another, who nonetheless share the same face. She uses this premise to demonstrate that the answers a person seeks, and indeed the questions they ask, can vary hugely depending on their context. Is it retribution and revenge that gives life meaning? Is it power? Is it happiness? The design of People is minimal, with limited use of lighting, sound and blocking. Thus, the show relies on Manuelli’s performance to keep the audience engaged. Luckily, her turn as the four characters is inspired, embodying each individual with unique physicality’s and expressi...

A Lady Does Not Scratch Her Crotch – Hen and Chickens Theatre

15Aug

By Kira DanielsNo Comments

London

A Lady Does Not Scratch Her Crotch – Hen and Chickens Theatre

It’s a tale as old as time and a song as old as rhyme. Beauty is painful and beastliness is punishable. For a young girl trying to break the glass ceiling of her blossoming rose’s bell jar there’s just no wiggle room. Written and performed by Celeste Cahn, A Lady Does Not Scratch Her Crotch is permeated with plenty of (a little too) personal details but carries a near universal appeal. Partially thanks to the ubiquity of Disney but in greater part due to the depressing universality of coming-of-age angst and female sexual frustration, A Lady Does Not Scratch Her Crotch hits right in the soft spots of its audience. Cahn is in turns pathetic and poised, cringe-inducing and awe-inspiring. Her generosity with the audience is palpable (really, you can touch, and we’re not playing by P...

Nick Everritt: The Quiet Man – Aces & Eights

26Aug

By Caroline WorswickNo Comments

London

Nick Everritt: The Quiet Man – Aces & Eights

Time for some comedy down at Aces & Eights, and from Nick Everritt who calls himself, The Quiet Man. Not an ideal trait in a comedian I hear you say, but Everitt has his quiet man routine down to a fine art. This is routine with a defined structure, and at the outset, we are introduced to this shy man persona, with a couple of impersonations, and jokes, which are ‘joke-splained’. Getting the crowd involved is a big part of Everritt’s act, which is reliant upon being able to pull in a reasonable size audience, or the audience may feel that they are too large a part of the routine. Luckily, our small audience is willing to participate, and offers up the repartee that a comedian depends upon. Everritt’s Quiet Man persona is purposefully creepy, a weird, sociall...

26Aug

By Caroline WorswickNo Comments

London

The Two Horsemen – Aces & Eights

Whenever I am ‘fringing’ (yes, let’s make it a verb), I like to go along to see some improv. The quick-witted repartee, the verbal jousting is exciting, and watching The Two Horsemen saddle up, mount, and strap on their jousts, I know that we are in for a helluva ride. Liam Brennan and Tom Jacob-Ewles are the two riders that make up The Two Horsemen, and these two fablers tour, playing the medieval tavern circuit, with the aim of making it big in showbiz weaving fantasy tales assisted by suggestions from the audience. Below is a selection of the happenings that went on:- The intro came from Bubonic Bobby who oozes infection from every pore, and then duo begin with a suggestion of a fable about The Ugly Duckling who is secretly Macbeth, Brennan relished the role of the ugl...

23Aug

By Caroline WorswickNo Comments

London

Body 115 – The Hope Theatre

In an extremely warm theatre, I watched poet and writer Jan Noble, create imagery with verse, a necromancer of inventive poetic speech, searingly powerful, and infinitely watchable. Body 115 is a homage to Dante’s Divine Comedy, delving into the underworld with its decay and death. Jan Noble’s one-man show sees Body 115, who is one of the long unidentified victims of the King’s Cross fire in 1987, the 31st victim, who lies in the earth, has memories of fire, and an horrific death. Following the dramatic nature of The Divine Comedy, body 115 becomes Virgil, who guided Dante, and represents human reason. For those unaware of Dante’s Divine Comedy, it is a poem written by Dante Alighieri, during the 14th century, which is divided into three parts, the Inferno, Purgatorio,...

Remember The Before – Hen & Chickens Theatre

23Aug

By Caroline WorswickNo Comments

London

Remember The Before – Hen & Chickens Theatre

An unnamed couple try to pick over their relationship memories, but why do their memories differ? An intriguing peek into this couple’s relationship history, who have been given numbers and not names (one is played by Sarah Pearcey and two by Jed McLoughlin). Written by Jed McLoughlin and directed by Pippa Dykes, the story arc gives plenty in terms of intrigue. Jed’s character (One) buzzes, as his extrovert nature wins over his partner when they first meet, he is funny, lovable, and larger than life, whereas Sarah (Two) is more reserved, but loves his outgoing nature. The couple clearly care about each other, but it is unclear whether they have a future together, as their shared experiences don’t appear to have evolved into shared memories. It asks the ...

23Aug

By Anisha PucadyilNo Comments

Scotland

Algo-Rhythm – The Bill Murray

Algo- Rhythm by the ‘Useless group’ is a dynamic trio with memorable and relatable Musical comedy. They serve it with a twist as fresh and delicious as mint chocolate chip gelato. They burst with enthusiasm on stage. Leoni Amandin, Sinead Hegarty and Rebeka Dio have wicked sorcery under their wings. They dig deep into their experiences of being queer, creative and navigating the world around us. With some adorable use of sock puppets and cardboard cutouts, their audience interaction game is strong, confident and sassy! It is delightful to hear the clarinet, piano and ukulele being played through the show by the talented performers, seamlessly changing roles and pitches. They combine the whimsical of ‘where do eels come from?’ with matter-of-fact sharing of trade secrets that they...

20Aug

By Anisha PucadyilNo Comments

London

Wife Material – Camden People’s Theatre

Sophia and Heleana Blackwell are a married stand-up comedy and poetry duo. Two lesbians tell us about the trials, tribulations and satisfactions of marriage. There is poetry, improvised songs and duets. Sophia and Heleana share a vibrant chemistry of opposites attracting. They intersperse one another’s stories recollecting how they met, got married and tug of disagreements solely about duvet covers. The show, first performed at the RVT, returns to the Camden Fringe and is the love story we yearn for and deserve. In the onslaught of heteronormativity slapped at us across all media, the piece holds the quiet comfort of a warm cup of coffee with a friend. Sophia is a performance poet with three published poetry collections and one novel. For two years, she hosted the LGBT+ radio sho...

17Aug

By Anisha PucadyilNo Comments

London

The Vagina Monologues – Canal Cafe

Aurore Padenou's first production pulled together Director Lorna Dempsey, joined by Juliet Prew, Cara Kiri. Each of the actors gives an astounding performance. They carve out the diverse characters they alternatively play with conviction and tenderness. The Vagina Monologues was written twenty-seven years ago by Artist and activist V, formerly Eve Ensler. Based on interviews with more than 200 women, the play summarises different aspects of the participant's relationship with the vagina- the hair, the smell, the shame, the pleasure and the hate. An Obie Award-winning play has enjoyed a sold-out run on Broadway. V also initiated V-Day, a global movement to stop violence against women. The vagina monologues have been rewritten, translated and adapted by various grassroots organi...