Friday, December 5

Tag: C Arts

Black to My Roots: African American Tales from the Head and the Heart – C ARTS
Scotland

Black to My Roots: African American Tales from the Head and the Heart – C ARTS

Black to my Roots is an exploration and celebration of African American hair, looking at the stigma, the joys and the tribulations that come with it.  The Seattle based company returns to the Edinburgh Fringe after winning a Fringe First award in 2002, this time also bringing their sister show, Hair’s Breath to the stage.  Using a series of monologues, poems, and songs written by Kathya Alexander and Renescia Brown, we are transported to the salon, to school, and to our mother’s house, experiencing all the huge ways in which hair impacts African American women in every context of life.  Brown and Alexander’s work includes a number of humorous monologues, with moments that are all too relatable, yet are carrying a heaviness beneath the surface.  We have multiple monologues set from ...
AI: The Waiting Room – C Arts
Scotland

AI: The Waiting Room – C Arts

Fringe marketing copy loves to promise “something you have never experienced before.” Most of the time that means you will get another monologue about someone’s bad break up or a quirky sketch with a ukulele. But AI: The Waiting Room genuinely delivers something unique, a personalised theatrical encounter where the story is built for you, in real time, by an AI. I did not do it in the show’s advertised venue at C Arts. Instead, I was set up at theSpace by the two co-creators themselves, who very kindly let me take part using my own phone. It is not a performance in the usual sense. You start by answering a handful of questions, some of them surprisingly personal. My advice, be honest. You will get more out of it if you drop the polite small talk and actually reveal something about y...
Oh Plagues – C ARTS
Scotland

Oh Plagues – C ARTS

Oh Plagues, performing at the Edinburgh Fringe, produced by Mebe Productions, sees a group of young aristocratic women attending a soirée when they suddenly learn that they have been locked in to prevent contamination as the smallpox epidemic of 1810 rages on.  This isn’t any ordinary period piece however, as the ladies are given a modern twist - swearing, taking drugs, partaking in lesbianism and the like.  There’s even a baroque-ified dance breakdown featuring Chappel Roan’s hit song “HOT TO GO!” at one point with the help of Yohana Bayekula’s movement direction.  Making up the group are a bundle of East 15 Acting School students and graduates who implement both scripted and improvised dialogue throughout the show to provide an all round good time for us.  Writ...
Echoes – C ARTS
Scotland

Echoes – C ARTS

Founded in 1947, China Coal Mine Art Troupe is a national arts group which combines a range of artistic modes, from rap to physical theatre.  At this year's Fringe, CCMAT brings their multi-medium show Echoes to Edinburgh audiences.  Echoes tells the tale of the Seven Sages of the Bamboo Forest - a group of scholars who fled to the mountains due to the suppressive political climate of the time, instead following the beliefs of Daoism.  The group’s leader, Ji Kang has disappeared from the lives of the sages after being executed.  Echoes explores the sage's search for fulfilment now that Ji Kang is gone, through dance, poetry, wine and music.  Music plays a large, symbolic role in Echoes, with Ji Kang being known as a master of the guqin, a traditional Chinese...
Cold, Dark, Matters – C ARTS | C venues | C aurora
Scotland

Cold, Dark, Matters – C ARTS | C venues | C aurora

Jack Brownridge-Kelly’s one-man thriller, Cold, Dark, Matters finishes its run at the Edinburgh Fringe this week.  Brownridge-Kelly has produced a masterclass in storytelling as he shares the tale of the mysterious events our main character Colin undergoes after he moves to Cornwall.  The more this piece progresses, the more peculiar twists and turns we uncover.  Brownridge-Kelly plays all the characters he meets in the close-knit, cult-like village, from the nosy and haughty community busybody to the gruff and cryptic neighbour - transitioning from each with clarity and fluidity - each completely distinctive from one another.  Narrating the piece as himself, with a conversational and interactive note, he too seems just as shocked by the contents revealed in the mysteri...
8-Bit Dream – C ARTS | C venues | C aquila
Scotland

8-Bit Dream – C ARTS | C venues | C aquila

Warwickshire-based Youth Theatre group, Square Pegs brings Ben Grant’s new, original writing, 8-Bit Dream to the Edinburgh Fringe this year.  With this being Square Pegs’ 12th year at the Fringe, the company are well versed in the logistical restraints of the Fringe, utilising mixed media to create this absurdist play.  Considering the tight turn-around given for get-ins and outs during the Fringe, it’s a wonder that Square Pegs have managed to incorporate such a sheer number of technical elements into 8-bit Dream in this short timeframe.  Set in a 90s-esque ensemble style daytime television show, the show is broadcast by live camera feed (operated by the cast) onto a projection screen with multiple angles which we cut between throughout.  A keyboard is played live to a...
Diary of a Magician – C Arts, C Aquila
North West

Diary of a Magician – C Arts, C Aquila

In my years on this planet, I have discovered people fall into two categories - those who love magic and those who loathe it. Magic at the Edinburgh festival falls into two categories - vibrant, exciting and interesting and pretty poor. I was delighted to find out this production at C Arts Aquila falls into the former category. It is an intriguing, exciting mix of magic some parts have never been seen before. I've been watching magic for a long time now and I continue to be beguiled and enchanted but there were tricks and turns in this piece, which I've never encountered before, which I'd never known of so was delighted to see. It’s certainly not the best venue at Edinburgh. It’s a rather damp, dark day, but the sun shines as soon as our magician comes onto stage and intrigues us...
Antonio’s Revenge – C ARTS, C-Alto studio
Scotland

Antonio’s Revenge – C ARTS, C-Alto studio

Antonio’s revenge starts as it means to end with plenty of bloodshed and murder. Bad guy Piero Sforza has murdered Andrugio and Feliche junior with plans to marry Andrugio’s wife and gain more power in the process but first he must take care of Andrugio’s son/ his soon to be son in law Antonio. In this Elizabethan play written by John Marston one can expect:  violence, sex, revenge and some very impressive acting. The text as one can expect is like Shakespeare’s: hard to follow through word alone but the performance is so well acted and directed that these actors could be merely speaking the language of the Swedish Chef, and we would still have a clear idea as to what is going on. It’s fast paced and within the first few moments of the play we have our first death by poison and...
100% My Type On Paper – C Alto Studio, C Arts
Scotland

100% My Type On Paper – C Alto Studio, C Arts

A Simple Look at Being Yourself in a Judgmental Society An excellent eye-opener, this show brilliantly dissects the pressures society imposes on individuals to conform, especially in the context of relationships. The narrative, driven by Benjamin as Clyde and Evie Meadows as Sammy, captures the essence of two people on their first date, struggling to hide their true selves in order to fit societal expectations. As they put on these artificial facades, it's impossible not to see yourself in their shoes—it's a mirror reflecting the sad truth that vulnerability is often misunderstood as weakness or foolishness. The show boldly challenges the stereotype that men are only after sex and are attracted to "naughty" girls, while women are solely interested in tall, handsome, and wealthy p...
Coleridge -Taylor of Freetown – C Arts
Scotland

Coleridge -Taylor of Freetown – C Arts

Taylor Aluko, a former Liverpool architect, is originally from Nigeria. He is an intelligent, politically and socially conscious individual. He also has a good voice. His morning show at The Quaker House, Coleridge-Taylor of Freetown, is a bid to bring to the light the recent history of Sierra Leone’s oppressive regime. He depicts the former cowardly diplomat, George Coleridge-Taylor, whose uncle was the renowned early twentieth century composer who lived in Croydon, Samuel Coleridge-Taylor. In so doing, he uses some of the latter’s music, played live by Kristin Wong and he sings powerfully to the room. The pianist is part of the staging and therefore part of the visual landscape which tells the story. Because of the technical requirements of reading music, Wong’s intense concent...