Brigid Larmour Archives - North West End UK

26Feb

By Adam WilliamsNo Comments

North West

The Merchant of Venice 1936 – The Lowry

The timing of this production could not be better, setting as it does one of Shakespeare’s most problematic plays amid the rise and fall of Oswald Mosley’s British Union of Fascists in mid-thirties England. With certain tech giants performing “Roman salutes” and the frightening rise of fascist political parties taking place across Europe, we seem to be returning to the dark days of the 1930s. This adaptation of Shakespeare’s play powerfully brings to life the vicious remorselessness of bigotry and how it can be fought and defeated. Projected onto the back wall were the sensationalist antisemitic headlines of the day, newsreel clips of fascist marches and Mosley’s call for “Britain First.” The frightening echoes of what is happening now were stark but the play also reminded us that th...

The Merchant of Venice 1936 – Leeds Playhouse

There’s always a feeling of trepidation when creatives shift The Bard’s words into a more contemporary setting, but this production of an always controversial play completely resonates with the troubled times we live in This adaptation by former Eastender Tracy-Ann Oberman and director Brigid Larmour is set in 1936 around the Battle of Cable Street in London’s East End as working class Jews and their allies stood together to kick Oswald Mosley’s British Union of Fascists off their streets. Here the characters are on both sides of this bitter political battle. Sound familiar? Oberman is the first female Shylock becoming an East End money lender living off Cable Street who strikes a deal with Fascist noble Antonio, which has disastrous consequences for the single mum. This is a l...

The Merchant of Venice 1936 – HOME Mcr

Last weekend saw over 100,000 people attend a rally against antisemitism in central London that took place against reports of a steep rise in hate crime - mostly aimed at the UK Jewish population - and the backdrop of renewed hostilities in Gaza. When trying to understand antisemitism from a literary and historical perspective, it seemed aposite for Director Brigid Larmour and Tracy - Ann Oberman to reset Shakespeare's problematic text amidst the rise of fascism in the East End of London in the mid 1930's. The result allows us to view the actions of the protagonists through an entirely new lens, throwing light on their motives and attitudes and giving the play a fresh and exciting perspective for a modern audience. Oberman had long expressed a desire to portray Shylock as an East End Je...