Tuesday, November 5

Tag: Birmingham Rep

Withnail and I – Birmingham Rep
West Midlands

Withnail and I – Birmingham Rep

“We want the finest wines available to humanity, we want them here and we want them now!” You either know this cult film tottering on the brink of its fortieth anniversary or, like me, you’ve remained blissfully unaware of its merits over that period. But as the big 40 approaches perhaps it’s time to acquaint myself with it, doff my cap and say hi. It seems this version, ably helmed by Sean Foley, embellishes and only slightly strays off the beaten path of the film, but this is not a bad thing. In 1987 Richard E. Grant and Paul McGann, both unknowns tottering on the brink of stardom, undertook the roles of two unemployed actors in a tale loosely adapted from the life of writer/director Bruce Robinson. The film found a following which soon coalesced into a cult and has remained so ever s...
The Promise – Lyric Hammersmith Studio
London

The Promise – Lyric Hammersmith Studio

This is Deafinitely’s first co-production between Birmingham Rep and Lyric Hammersmith Theatre. It is a new play exploring a variety of themes including inaccessible healthcare for the deaf community and how families navigate a diagnosis of dementia. This show is presented with a combination of British sign language, spoken English and captions. The promise is the story of a family that has grown apart. We start with Rita (Anna Seymour) a teacher and champion of education in the deaf community who is retired and struggling with her memory. Her husband (Louis Neethling) recently passed away and her son Jake (James Boyle) has returned home for the funeral after years of estrangement. The reasons for his absence are unravelled throughout the dual timeline plotline of the play. This play...
Bhangra Nation: A New Musical – Birmingham Rep
West Midlands

Bhangra Nation: A New Musical – Birmingham Rep

2024 starts with a bhang! Dancing just got serious! The Birmingham Rep presents the UK Premiere of Bhangra Nation. This is a sensational new show about finding your true self and explores the thrilling world of competitive Bhangra dancing.  The story follows a university Bhangra dance team. When teammates Mary and Preeti's Bhangra team qualifies for Nationals, they set off on opposing quests to dance to their own beat. Preeti believes that the team needs to stick to tradition, but Mary is passionate about shaking things up to belong to today. Drawing from competitive Bhangra and mixing it with other Indian and Western dance forms, Bhangra Nation – A New Musical is a brash, intoxicating, and joyous musical comedy for today. Photo: Craig-Sugden We are instantly transporte...
The Lion, The Witch and the Wardrobe – Birmingham Rep
West Midlands

The Lion, The Witch and the Wardrobe – Birmingham Rep

This latest reincarnation of The Lion, The Witch and the Wardrobe explodes with delight, wonder and some truly breathtaking magic which holds its cross-generational audience enrapt for its entire course. From the first moment of a single pianist playing songs from the war through to the final thrilling anthemic chorus (via a plethora of engaging compositions variously described as “crisp beats” or “thrumming cello” by the ever attentive surtitles) Beni Bower and Barnaby Race’s music provides the aural glue holding together this magnificent edifice of a show. A packed theatre was held spellbound throughout.Various previous iterations for stage, television and film of CS Lewis’s iconic children’s book have struggled which it’s Church of England subtext but here we see a more secular and clea...
Happy Days – Birmingham Rep
West Midlands

Happy Days – Birmingham Rep

Only on leaving the theatre are you struck by what a phenomenal feat of memory you’ve just witnessed. That alone justified Siobhan McSweeney’s standing ovation from a grateful, and perhaps slightly bemused audience, last night at the Birmingham Rep. Grateful because it is a stunning achievement. Dame Peggy Ashcroft, who had a fair crack at the part herself, describes the leading role, Winnie, as “one of those parts, I believe, that actresses will want to play in the way that actors aim at Hamlet - a summit part.” And bemused, because unlike Van Gogh whose work was misunderstand in his lifetime, but in time came to be embraced, Beckett’s work continues to be defiantly cryptic, mercurial and inaccessible in any conventional sense. We are met with mounds of sands. Location and time unspeci...
I, Daniel Blake – Birmingham Rep
West Midlands

I, Daniel Blake – Birmingham Rep

There’s a palpable, visceral fury coursing through the core of “I, Daniel Blake” which makes for compelling drama and infuriating truth. For those of us who first came across the story in its cinematic incarnation it’s good to see it has lost none of its bite, bile and bitterness. And, though the theatre version loses some of the reportage and cinéma vérité authenticity in its imagery, it more than makes up for it in heart and soul driven home by some startling and sincere performances. It’s the story of a good, honest man. Not a hero, not special. Just straight and centred ensnared in the obscene and labyrinthine benefits system inflicted on this country by Tory administrations. The tweets and voice grabs of living, breathing politicians expounding the virtues of their cruel system whi...
Tony: The Tony Blair Rock Opera – Birmingham Rep
West Midlands

Tony: The Tony Blair Rock Opera – Birmingham Rep

It’s not that long ago “Spitting Image” spat their saucy and sinister satire across the stage of the Birmingham Rep and seeing “Tony! The Tony Blair Rock Opera” has a slight whiff of deja vu - all over again. Where once well-crafted and designed puppets grotesquely caricatured well-known faces now we have real humans in a plethora of wigs (I believe that’s the correct collective noun for wigs) and a gamut of ‘tashes (same note) enacting a biog of the most polarising premier we’ve had for many a day. But unlike “Spitting Image”, which spoofed the news right up the opening night and revised the show thereafter, “Tony” seems to dwell on yesterday’s headlines and, despite occasional nudges towards the contemporary impact of his decisions, all seems a few years too late. Nonetheless it’s a v...
Spitting Image Saves The World – Birmingham Rep
West Midlands

Spitting Image Saves The World – Birmingham Rep

A healthy dose of dissent blended with bucket fulls Hogarthian vulgarity has provided the basis of British satire for many a year and there is nothing more vulgar and satirical and, indeed, British than “Spitting Image” which has been speaking the truth to power without remorse, consideration and, as times, tact since its inception in 1984. Produced at Central TV Studios which used to exist almost exactly opposite the theatre which houses its current incarnation. In its time it was subversive, naughty and very, very controversial these days every other TV show seems to aim and achieve that - so reviving it on stage may seem a bit of a risk. And it is one which Sean Foley as director together with co-writers Al Murray and Matt Forde take to with elan. Photo: Mark Senior Twelve buoyant...
<strong>Voice over artists announced for Idiots Assemble – Spitting Image Saves the World at Birmingham Rep</strong>
NEWS

Voice over artists announced for Idiots Assemble – Spitting Image Saves the World at Birmingham Rep

Twelve voice-over artists, a mix of actors, impressionists and comedians have just started work on recording voices for over one hundred Spitting Image characters for the World Premiere of the stage show, Idiots Assemble: Spitting Image Saves the World which previews at Birmingham Rep from 1st February. They are:  Al Murray (The Royal Variety Performance, Al Murray’s Happy Hour, Why Does Everyone Hate the English? We Have Ways of Making You Talk), Debra Stephenson (The Impressions Show, Dead Ringers, Rich Hall’s Election Breakdown, Newzoids, Coronation Street and Bad Girls), Jess Robinson (Spitting Image, The Last Leg, Stars in Their Ears, and The Rise and Fall of Little Voice and Britain’s Got Talent, Jojo Lin (Spitting Image Puppeteer), Jason Forbes (The Tracy Ullman Show, The Ma...
Much Ado About Nothing – Birmingham Rep
West Midlands

Much Ado About Nothing – Birmingham Rep

I always approach Shakespeare tentatively. Not that he’s not good. In fact, I’ve heard many reports that’s he’s one of the best, but I just don’t have the ear for his words. I have trouble keeping up. So, being a thoroughly professional reporter and not wanting to lose the thread or the point or the plot, I chose to bone up prior and read up in the plot. I needed have bothered. Robert Hastie’s production made the entire plot easily and clearly accessible with a proliferation of signing, signage and surtitles designed to include just about everyone in this all-inclusive, highly-accessible, disability-friendly production. Despite some of the bard’s more esoteric images and clunky metaphors the notions, ideas and thoughts came over crystal clear easily vaulting the Shakespearean language b...