Anatomy Lecture Theatre Archives

Sisters Three – Summerhall Anatomy Lecture Theatre

18Aug

By Ben PearsonNo Comments

Scotland

Sisters Three – Summerhall Anatomy Lecture Theatre

TheatreGoose’s Sisters Three is a highly accomplished piece of theatre that takes the audience on an enchanting, funny and often moving journey. The premise is relatively simple; the titular sisters from Chekov’s masterpiece, Irina, Masha and Olaga, are aware that they are in a play (don’t worry you don’t need to have read it). But when Irina wishes for the lives of any other sisters, in any other medium, the three are taken on a whirlwind journey ranging from Greek tragedy and Shakespeare to historical figures and the Sugababes. Writer and director Emma Howlett’s script manages to discuss a range of philosophical and academic questions, including the nature of happiness and freedom, and the place of women within literature, whilst remaining endlessly entertaining. Frequent movement...

Failure Project – Summerhall, Anatomy Lecture Theatre

A new play by BAFTA nominee Yolanda Mercy (Quarter Life Crisis), in which Mercy plays Ade Adeyami, a young British-Nigerian playwright and actor who is still riding the wave of her first play, which has become an unexpected Fringe hit. With this success, and the realisation that she might even be able to make a living from her dream, comes an unexpected problem - a hierarchy of editors, agents and publicists who are there to help, nay manipulate, her. Ade’s second play, Day Girl, about a working-class black kid at a private school, has been commissioned, and paid for, and Ade finds she must now dance to her new masters’ tune. Before she knows it a B-list, minor celebrity influencer with no acting experience is cast in the lead instead of Ade, worst still she want to be ‘collabora...

Age is a Feeling – Anatomy Lecture Theatre Summerhall Festival

A gem of storytelling and insight. Haley McGee, writer and performer, delivers tenderness, wit and sensitivity to a captivated audience in the Anatomy Lecture Room at Summerhall. It is an apt setting, since she is dissecting our stages of life. The semi-circular auditorium cradles the simple set which is carefully lit (Don Carter-Brennan) to cast soft shadows as you exit pondering the imprint our lives do or do not leave behind us. Age is a Feeling questions the veracity of Time and how our internal clock fights with chronology. Directed by Adam Brace this very personal piece invites the audience to choose which episodes of life to recount, leaving out others, as happens in life. Nobody really knows us is the premise which the set (Zoë Hurwitz) creatively and cleverly represents. The no...