Customize Consent Preferences

We use cookies to help you navigate efficiently and perform certain functions. You will find detailed information about all cookies under each consent category below.

The cookies that are categorized as "Necessary" are stored on your browser as they are essential for enabling the basic functionalities of the site. ... 

Always Active

Necessary cookies are required to enable the basic features of this site, such as providing secure log-in or adjusting your consent preferences. These cookies do not store any personally identifiable data.

No cookies to display.

Functional cookies help perform certain functionalities like sharing the content of the website on social media platforms, collecting feedback, and other third-party features.

No cookies to display.

Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics such as the number of visitors, bounce rate, traffic source, etc.

No cookies to display.

Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.

No cookies to display.

Advertisement cookies are used to provide visitors with customized advertisements based on the pages you visited previously and to analyze the effectiveness of the ad campaigns.

No cookies to display.

Sunday, March 16

Tag: Alix Dunmore

The Silver Cord – Finborough Theatre
London

The Silver Cord – Finborough Theatre

"A boy is never a grown man to his mother." A mother's love - from the self-sacrificing kind to the utterly toxic - has been the subject of many plays, books and films. Sidney Howard's 1926 comedy-drama explores the latter type, his tale of maternal desperation a hit in the West End and on Broadway.  The Finborough have now revived the play for its first London production since 1927. And it's a zinger.  Set in a middle-class New England suburb in 1926, Mrs Phelps is a morass of emotional manipulation and gaslighting who wants her two grown-up sons to remain with her forever and to be the only important woman in their lives. She has crafted detailed plans for their futures and expects to have complete control over everything, including who they marry. David and Robert have o...
Jane Clegg – The Finborough Theatre
London

Jane Clegg – The Finborough Theatre

This revival of a 1913 play was written at the time of the Suffragette Movement, which writer St John Ervine (an Ulster dramatist), had an interest in, as he supported the Suffragette’s.   It is rumoured that Ervine was standing close to Emily Davison on Derby Day 1913 when she threw herself under the King’s horse. Dr Andrew Maunder from the University of Herefordshire was working on a project about performance of ‘World War I Theatre’ and the focus is to help to revive World War I plays. In this connection, Dr Maunder worked with Neil McPherson at the Finborough Theatre to stage this revival which had previously been performed at the Gaiety Theatre in Manchester (now demolished) and transferred to the Royal Court Theatre, London. Dame Sybil Thorndike took on the original role...