An Officer and a Gentlemen – Alexandra Birmingham
Like “Dirty Dancing” before it, yet another of the screen to stage transmutations which seem to proliferate currently, “An Officer and a Gentlemen” has a single, vibrant choreographic image around which all else might be considered mere dressing. He lifts her up (presumably where she belongs) and carries her from the factory surrounded by applauding workers and colleagues. So ingrained is that image in my mind I can recall it without any research 42 years after its release! Such is the power of screen, but what of stage?
In the highest grossing movies of 1982 only ET and Tootsie* elbowed “An Officer and a Gentleman” into third place just above Rocky III - which, I’m sure, would make an excellent ballet - proving itself a huge success for Richard Gere, Debra Winger and the very shouty Lo...