Alex Marker Archives - North West End UK

17Jan

By Tracey BellNo Comments

Yorkshire & Humber

Bull – Playhouse Sheffield

A disturbing yet utterly compelling play with microscopic intensity that doesn’t allow you to look away. A decade after Mike Bartlett’s Olivier - Awarding winning production Bull departed Sheffield for its transfer to the Young Vic in London, Mesh Theatre co. brings it charging back to its homeland. Mike Bartlett initially penned this play after watching a Bullfight in Mexico City ‘It elicited something disturbing in the audience and yet thrilling… I am asking why we enjoy cruelty’. This quotation sums up this razor-sharp one act play, intended to be witnessed from ringside seats, close to the action, the fear and the brutality. It is shocking and so very familiar - Bullying, we witness this behaviour from cradle to grave, in school, in the workplace, in every interaction with oth...

The Silver Cord – Finborough Theatre

"A boy is never a grown man to his mother." A mother's love - from the self-sacrificing kind to the utterly toxic - has been the subject of many plays, books and films. Sidney Howard's 1926 comedy-drama explores the latter type, his tale of maternal desperation a hit in the West End and on Broadway. The Finborough have now revived the play for its first London production since 1927. And it's a zinger. Set in a middle-class New England suburb in 1926, Mrs Phelps is a morass of emotional manipulation and gaslighting who wants her two grown-up sons to remain with her forever and to be the only important woman in their lives. She has crafted detailed plans for their futures and expects to have complete control over everything, including who they marry. David and Robert have o...

The London Improvathon – Wilton’s Music Hall

After taking time to catch up on sleep and sustenance, it is comforting to reflect on what a special event the London Improvathon is. I covered the whole show but had breaks to grab a couple of hours sleep and to eat, so you could consider me to be a lightweight in comparison with these improvathoners. For cast and audience, there is an invisible bond that forms over the fifty hours, the commitment to perform, or to watch the equivalent of twenty-five shows back-to-back, binds the two together, and the final bows are met with celebration. For those who do not wish to commit to fifty hours, there was an option to buy a two-hour episode ticket. The history of the Improvathon goes back to 1993, when the first Canadian Improvathon took place, and then some years later Ken ...