Customize Consent Preferences

We use cookies to help you navigate efficiently and perform certain functions. You will find detailed information about all cookies under each consent category below.

The cookies that are categorized as "Necessary" are stored on your browser as they are essential for enabling the basic functionalities of the site. ... 

Always Active

Necessary cookies are required to enable the basic features of this site, such as providing secure log-in or adjusting your consent preferences. These cookies do not store any personally identifiable data.

No cookies to display.

Functional cookies help perform certain functionalities like sharing the content of the website on social media platforms, collecting feedback, and other third-party features.

No cookies to display.

Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics such as the number of visitors, bounce rate, traffic source, etc.

No cookies to display.

Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.

No cookies to display.

Advertisement cookies are used to provide visitors with customized advertisements based on the pages you visited previously and to analyze the effectiveness of the ad campaigns.

No cookies to display.

Friday, April 4

Tag: Aaron Chilton-Kidd

PASS Double Bill – Traverse Theatre
Scotland

PASS Double Bill – Traverse Theatre

The BA Dance and Drama students from PASS showcase their artistry in two ensemble pieces, created in collaboration with Dance Base. First up, the cryptically titled YGNEREME. The blurb in the programme talks about grief, collective action and emergency. A single dancer, Clara Browning, moves playfully in a spotlight, but then something changes and she is swept away by the collective. Assimilated, if you like. There is a pulse-driven techno soundtrack which enhances the feeling of ritual, and of not being quite what one was before – the sounds being machine-like. The rituals we use to navigate grief have ancient roots, and their comfort comes from following a well-established path. The movements emphasise rhythm and are all about the collective: there are few moments where individu...