It’s pantomime season once again, that magical time of year when theatres fill with laughter, music, mischief, and festive cheer. Robin Hood is my second pantomime of the season, and it captures everything that makes panto such a cherished Christmas tradition for families. It remains the perfect introduction to musical theatre for children as it’s colourful, silly, interactive, and bursting with joy. But make no mistake, the adults were laughing just as much as the kids.
Jason Manford leads the show as Robin Hood, the familiar hero of Sherwood Forest who steals from the rich to give to the poor, all while hopelessly smitten with Maid Marion, played delightfully by Sarah Vaughan. Manford’s ease with an audience and natural stand-up rhythm makes his Robin warm, nimble, and consistently funny.
But it is his partnership with Ben Nickless, celebrating 25 years of entertaining audiences, that truly elevates the show. Nickless’ Will Scarlett (better known as “Silly Willy”) is a whirlwind of physical comedy, sharp improvisation, and boundless charisma. The chemistry between Manford and Nickless is electric. Their banter, riffs, and mischief echo the great double acts of old; at times they felt like a modern Cannon and Ball with their quick-fire timing and tightly tuned partnership.
Their musical numbers showcased this beautifully. Their duets on “Imagine” and “He Ain’t Heavy, He’s My Brother” weren’t heartstring-tuggers, they were comedy highlights, sprinkled with laughter, playful interruptions, and brilliant comic timing. Yet through all the jokes, both performers delivered genuinely strong vocals, proving they can land both the laughs and the musical moments. The running jokes about “The Gap” – a cheeky nod to previous pantos they’ve done together, had the audience roaring.
Landi Oshinowo added warmth and sparkle as the Spirit of Sherwood, giving children a magical figure to root for. Every panto needs a villain, and Adam Strong delivered a superb Sheriff of Nottingham. With his sleek stage presence, perfectly measured menace, and silky vocals (especially in “It’s Good to Be Bad”), he delivered a satisfying level of boo-worthy brilliance.
The production dazzled with vivid costumes, slick choreography, and visually rich scenery and lighting that kept little eyes glued to the stage.
The show excelled in audience interaction – a key ingredient of quality pantomime. “Oh yes he did!” / “Oh no he didn’t!” exchanges, ghost spotting, sudden surprises, and cheeky shout-outs kept the theatre buzzing with excitement. The cast played generously to the children throughout, making them feel part of the adventure.
A major highlight was the “12 Days of Christmas” routine, which brought the house down. Chaotic, silly, and perfectly timed, it was panto comedy at its best and a clear audience favourite.
One especially heartwarming touch was inviting two children on stage to sing, a magical moment they will no doubt remember for years.
The show was packed with recognisable songs like ‘Thriller’, ‘Let it Shine’ and ‘Ghostbusters’, encouraging younger audience members to sing along, dance, and become part of the fun.
Pantomime remains one of the most accessible and important forms of theatre for young audiences. It teaches children how to engage with live performance: to laugh openly, respond to performers, and feel the thrill of being part of something unfolding in real time. It combines storytelling, music, comedy, and participation in a way that holds their attention and builds positive early memories of theatre.
Robin Hood is a polished, high-energy, hilariously fun production. Even for someone who hasn’t always been a panto enthusiast, this show is irresistibly entertaining. Jason Manford and Ben Nickless anchor the evening with outstanding chemistry and brilliant comedy, delivering a performance that appeals to every age group.
The children loved every moment, the adults laughed just as hard, and the whole experience felt like a festive celebration of joy, silliness, and community. If you’re looking for a family treat this Christmas, Robin Hood is a panto well worth seeing.
Robin Hood runs until Sunday 4th January 2026, and it’s a festive treat you won’t want to miss. For families, first-time theatregoers, or anyone craving a night of pure fun, this is an irresistibly joyful pantomime bursting with laughter, music, and heart. Tickets can be purchased directly from the theatre’s official box office or the ATG Tickets website, and given the quality of this year’s production, they’re well worth snapping up quickly. If you’re looking for a guaranteed good time this Christmas season, Robin Hood fires straight and true, a laugh-a-minute panto triumph for all ages. https://www.atgtickets.com/venues/opera-house-manchester/
Reviewer: Katie Leicester
Reviewed: 9th December 2025
North West End UK Rating: