Customize Consent Preferences

We use cookies to help you navigate efficiently and perform certain functions. You will find detailed information about all cookies under each consent category below.

The cookies that are categorized as "Necessary" are stored on your browser as they are essential for enabling the basic functionalities of the site. ... 

Always Active

Necessary cookies are required to enable the basic features of this site, such as providing secure log-in or adjusting your consent preferences. These cookies do not store any personally identifiable data.

No cookies to display.

Functional cookies help perform certain functionalities like sharing the content of the website on social media platforms, collecting feedback, and other third-party features.

No cookies to display.

Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics such as the number of visitors, bounce rate, traffic source, etc.

No cookies to display.

Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.

No cookies to display.

Advertisement cookies are used to provide visitors with customized advertisements based on the pages you visited previously and to analyze the effectiveness of the ad campaigns.

No cookies to display.

Sunday, March 23

Rita Lynn – Turbine Theatre

Louise Marwood’s one-woman performance is informed by her own lived experience, a dark tale of depression, drink, drugs and self-deprecation.  “Rita Lynn” lays bare the life of an addict who struggles to break free from the grip of cocaine after her dance career has failed. Imogen has lost everything; with her drug addiction enabled by her toxic boyfriend and dealer Dexter, and her drag queen pal Melian, also an addict. Imogen spirals from overdose to overdose between occasional unsuccessful trips to AA meetings. Then, purely by accident and in a moment of drug-induced delusion, she offers to counsel a wealthy woman as a life coach, adopting the name Rita Lynn. She sees this as an encouraging new start, a way forward out of her chaotic lifestyle and a release from the trauma of her past. She clearly wants to break free, but the addiction still controls her.

©Nicholas Laborie

This is not a show with any happy ending. There’s no redemption or recovery for Imogen, no bright future.  She remains an addict mired in her feelings of loss, grief and trauma. Although there are moments of humour, this is not a dark comedy. Rather, it whirls around Imogen’s chaotic life with the other characters appearing as recorded voices interacting with her. This aspect of the production is not entirely successful, with many of the interjections poorly timed and causing Marwood either having to wait for the recording to kick in or she is talking over the disembodied voice when it comes in too early.  The volume of the recorded voices is also too loud in comparison to Imogen’s voice, a jarring note that makes the characters more like interruptions than contributions to the narrative. It’s a shame, because this detracts from Marwood’s otherwise excellent performance and affects the overall pacing of the show.

Marwood is a brave writer and actor, not least because she’s laid her life bare with this depiction of addiction and loss. A hard-edged look into the dark side of the human condition.

Rita Lynn is at the Turbine Theatre until 27th January.  Tickets are available from: https://www.theturbinetheatre.com/whats-on/rita-lynn

Reviewer: Carole Gordon

Reviewed: 24th January 2024

North West End UK Rating:

Rating: 3 out of 5.
0Shares