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7Aug

By Paul WilcoxNo Comments

North West

By Royal Appointment – The Lowry

The month of August in the world of theatre traditionally tends to be quiet, with eyes turned towards Edinburgh and the delights of the Festival and Fringe. It was therefore a surprise to see ‘By Royal Appointment’ drop into my inbox for review this month; a show with a stellar cast; fantastic director and written by a prominent television writer making her first foray into work on the stage. Unfortunately, the combined efforts of such talent merely result in a pedestrian, obvious and lacklustre production which reminded me of the description of the camel as ‘a horse designed by a committee’. Daisy Goodwin is no stranger to writing about the private lives of the Royal family, her ITV series ‘Victoria’ was a huge worldwide success, and she has chosen familiar ground with her first produc...

6Aug

By Greg HolsteadNo Comments

Scotland

Waxen Figures – Summerhall

Muto Major are described as an Audio-visual duo but there are a quartet of performers here, who provide a powerful and contemplative feast for the senses in this primal view through the lens of Scottish folklore. Their show features electronic trance music intermixed with some very beautiful live Gaelic singing, contemporary dance, laser projection bringing Pictish carvings to life and micro-filming of wax and clay figures. In truth it is not clear what messages are being conveyed, and the slow rhythmic vibe, incense filled atmosphere does have a soporific effect, on me at least. It’s reminiscent of a Body Balance routine. As if to wake us from our 21st Century sleepwalk, a dancer stops and shouts; You’ve forgotten your mother tongue You’ve forgotten your stories You’ve ...

Twonkey’s Zipwire to Zanzibar – Laughing Horse @ Dragonfly

6Aug

By Roger JacobsNo Comments

Scotland

Twonkey’s Zipwire to Zanzibar – Laughing Horse @ Dragonfly

Whether it’s a night train to Liechtenstein or basket weaving in Peru, you can guarantee a Twonkey show will have little or nothing to do with the topic in the title. So, this proceeds with scant reference to Zipwires or Zanzibar and tonight doesn’t even feature Twonkey – he’s dead! A tin of contaminated condensed milk… no struggle… probably in the library, without Colonel Mustard as a witness. Fear not, his widow, Twonketta—replete with hair-bows, heels, painted nails and pop socks—is here to guide us through the labyrinthine ‘structure’ of the annual experience. Google synonyms for ‘strange’, ‘surreal’, or ‘weird’ and you still won’t find words to describe this. Upon departure, one’s head is full of ‘incidents’, just not necessarily in the right order. There was a song containing ...

Strange Young Girls – Camden People’s Theatre

6Aug

By Gemma PrinceNo Comments

London

Strange Young Girls – Camden People’s Theatre

Written by Abby Greenhalgh and co-directed with Megan Dunlop, Bossy Boot Productions presents Strange Young Girls, a bold new play inspired by the real-life friendship between Michelle Phillips (The Mamas & The Papas) and Sue Lyon (Lolita). Winner of Best Play, Best Writing, Best Direction, and Best Actor at the Durham Drama Festival, it is a coming-of-age tale as these two characters come to terms with their changing identities, the uncertainty of their futures, and whether their friendship will last. Set in Los Angeles during the swinging sixties, the play focuses on 17-year-old Michelle (played by Grace Graham) as she prepares for her new life in San Francisco. While packing, Michelle is suddenly interrupted by the return of her 14-year-old best friend, Sue (played by ...

Present Laughter – Frinton Summer Theatre

6Aug

By Samantha CollettNo Comments

South East

Present Laughter – Frinton Summer Theatre

Life can be impossibly challenging, especially when one is a celebrity. With adoring fans who know no boundaries, and friends and staff who make up their own, life is never dull. Welcome to the chaotic comedic world of Garry Essendine, an actor at the top of his game – who everyone wants a piece of! ‘Present Laughter’ by Noel Coward is a masterpiece in scripts that have stood the test of time. First staged in 1942, this production is as charming as it is action-paced and witty. Set in the week before Garry (Nicholas Murchie) is off on tour in Africa, his world collides into what can only be described as a farcical, very funny mess. The number of people, plots, subterfugical shenanigans and ironic intrigues is genius, but then this is a play celebrating Coward’s sparkling wit. W...

6Aug

By Roger JacobsNo Comments

Scotland

Miles – Summerhall TechCube

Recorded in March 1959 and released in August the same year, Kind of Blue consists of five tracks, totaling 45 minutes and 45 seconds of what is often considered the most important jazz ever recorded. It fuelled the progression not just of jazz, but also of soul, funk, hip-hop, and even mainstream popular music—impacting the likes of James Brown, Stevie Wonder, Prince, and beyond. And yet, Miles Davis himself dismissed the label “jazz,” remarking that “it’s just what white folks call our music.” How did he create, orchestrate, and supervise the album Kind of Blue? While no one would accuse Miles of false modesty, his explanation was disarmingly simple: they assembled the best—or most appropriate—musicians for the task. The album marked a leap from the Bebop structures of the time in...

6Aug

By Greg HolsteadNo Comments

Scotland

Chopin’s Nocturne – Summerhall

“10:15am — WTF?!” is Aidan Jones’s opening exclamation, and a fair one. It’s not often you’re asked to laugh — and think — before your second coffee. But by the end of his 50-minute set, this Australian comedian and pianist has the audience fully on board, combining comedy and classical music with irreverence, warmth, and surprising emotional depth.Chopin’s Nocturne is built around Frédéric Chopin’s much-loved Nocturne in E-flat major, Op. 9, No. 2 — a piece that, for many in the audience, will stir up memories. For me, it resonated deeply. My late father used to play the Nocturne when I was very young, and hearing it live again, laced with Jones’s affection and analysis, was unexpectedly moving. While the show is pitched as comedy, for me it was not funny in the conventional sense — or ra...

A Women of No Importance – Theatre at St Ninian’s Hall

6Aug

By Marcelina KruczyńskaNo Comments

Scotland

A Women of No Importance – Theatre at St Ninian’s Hall

A Women of No Importance by Oscar Wilde, is brought to the Edinburgh Fringe by Edinburgh Theatre Acts. The play is incredibly witty and morally relevant and can be enjoyed and understood by modern audiences despite being set in 1893. The play tackles many social and moral problems that are just as much of a hot topic in today’s day and age as they were when the play first premiered in 1893. The play’s main point of discussion is the often-tender relationship between man and woman, and the large cast of thirteen managed to show this in various ways. The play commences on The Terrace at Hunstanton Chase. One noteworthy factor before the actors even grace the stage, is the beautifully designed set. Finley Black’s great attention to detail in combination with the lighting and soun...

When We Were Young – theSpace on the Mile

6Aug

By Jessie MartinNo Comments

Scotland

When We Were Young – theSpace on the Mile

When We Were Young performs for the first time at the Edinburgh Fringe this month, produced and written by Liam Lambie of Glasgow-based company, Geez a Break Productions. This play looks at the lives of one of Glasgow’s ‘Young Teams’ in the 90s—gangs made up of teenagers who grouped together based on the area they lived in. We explore the teenagers' relationships with each other, gang culture, their community, and the societal constraints they live under. The play begins in the future, with the young team’s leader, Mooney (played by Lambie), reflecting on his time as a teenager. We are then taken back in time to witness the fatal consequences that the young team brought into the characters' lives. Lambie’s writing is brilliant, with brazen and vulgar dialogue that encapsulates both ...

6Aug

By Stewart Who?No Comments

London

Echoes of Empire – Courtyard Theatre

When it comes to post-colonial mood music, Britain is in a league of its own. The symphonic sound of English Empire is often ugly tunes, tone-deaf lyrics and long broken instruments. Fellow colonial contenders such as the Dutch, Spanish or Portuguese tend to be guiltily mute about their marauding past or attempt to address their empirical history with glacial pace and limited scope. The United Kingdom can boast the biggest Empire, and possibly, the most monstrous legacy. British Empire has a habit of being viewed with a gobby pride which shouts down evidence of the brutal costs for former and current colonies. Britain continues to swerve a hard reckoning and often seeks to silence nuanced perspectives of Empire and many of the basic, but awkward facts. If the education system, media...