Sunday, December 21

Latest Articles

54.60 Africa – Arcola Theatre
London

54.60 Africa – Arcola Theatre

In 54.60 Africa, what begins as a funeral for a continent quickly turns into a breathless adventure as ten friends of different ages and backgrounds, all members of the diaspora in London, spurred on by their Mother Africa, seek to discover and document all those 54 countries, and all that one and a half billion people, have to offer. All in one week. All in time for Gambia’s 60th anniversary of independence. From South Africa to Tunisia, Cameroon to Seychelles, Kenya to the Republic of Congo, this show is nothing short of extraordinary. Written and directed by Femi Elufowoju jr and based on his own experiences visiting all 54 African nations before his 60th birthday, 54.60 Africa approaches the events on stage with a simultaneous vitality and thoughtfulness, deeply attentive to the hum...
Full Cast Announced for The Addams Family UK Tour
NEWS

Full Cast Announced for The Addams Family UK Tour

Katy Lipson for Aria Entertainment and John Stalker Productions with co-producers ADAMA Entertainment and Guy James are delighted to announce the full cast of THE ADDAMS FAMILY The Musical Comedy UK tour which will run at Birmingham Hippodrome from 10th – 12th July 2025, Curve, Leicester from 15th July – 10th August, Lowry, Salford from 12th – 16th August 2025, Marlowe Theatre, Canterbury from 19th – 23rd August and Blackpool Opera House from 26th – 30th August. Joining the company are Jak Allen-Anderson (Pippin, Theatre Royal; Kinky Boots, Adelphi Theatre) as ensemble and cover Lurch, Abigail Brodie (Guys and Dolls, Savoy Theatre, UK Tour; Hello Dolly!, Leicester) as ensemble and cover Morticia, JR Ballantyne (Joseph and the Amazing Technicolor Dreamcoat, West End) as ensemble and ...
Nick Costley-White Quartet – Traverse Theatre
Scotland

Nick Costley-White Quartet – Traverse Theatre

Although small in number, they certainly weren’t small in sound—Nick Costley-White and his band absolutely rocked the Traverse with their unique jazz sound. Pulling inspiration from Brazil, West Africa, Malta, and more, Costley-White has curated a full-on hubbub of sound with an inventive and experimental flair. Those pieces which used these multi-cultural influences all began with a distinctive fusion sound. However, as improvisations took over from the pre-written work, we lost those cultural distinctions, falling into patterns and conventions that are perhaps more stereotypical to the traditional western jazz sound. It would have been exciting to hear the themes and ideas presented at the beginning of each piece carry over into the solos. Nonetheless, the quality of the solos was unq...
Calamity Jane – Blackpool Opera House
North West

Calamity Jane – Blackpool Opera House

Based on the 1953 film, Calamity Jane is finally back on stage and whipping up great audiences all over the UK. This time starring multi award-winning theatre star Carrie Hope Fletcher (Les Misérables, Heathers) as the titular Wild West heroine, this touring revival is bound to have your feet a-stomping and your hands clapping. Fearless, gun-slinging Calamity is always telling tales of her adventures to her friends in Deadwood, but this time might be one lie too many. When she promises to bring back an adored actress to appease the obsessed men of the town, Calamity not only causes chaos amongst the people, but she may have instigated a love battle… and who will get her heart in the end? Alongside the classic tunes from Sammy Fain and Paul Francis, this new adaptation by Charles K. Free...
Dear Evan Hansen – Grand Opera House, York
Yorkshire & Humber

Dear Evan Hansen – Grand Opera House, York

An emotional and thought-provoking masterclass. Dear Evan Hansen at the Grand Opera House York, was one of the most emotionally resonant and beautifully staged productions I've ever seen. From the moment the lights dimmed and the opening chords of “Waving Through a Window” echoed through the theatre, it was clear we were in for something special. The cast delivered powerful, nuanced performances that held the audience in rapt attention from start to finish. Ryan Kopel’ portrayal of Evan brought a vulnerability and raw honesty to the role that made his journey incredibly moving as well as hugely relatable to most audiences. His vocal performance was both delicate and commanding, effortlessly navigating the show’s emotionally charged score, and the sensitivity of Evan trying to find hi...
RANT – Traverse Theatre
Scotland

RANT – Traverse Theatre

With yet another instalment of Scottish traditional music, RANT brought their lively fiddle quartet tunes to an even livelier audience at The Traverse. Comprised of Bethany Reid, Anna Massie, Lauren MacColl, and Gillian Frame, RANT are a powerhouse of a band, bringing an energy to their music that finds your toe tapping involuntarily. Having attended many a music night at The Traverse, never have I seen an audience in such high spirits as I did at RANT. Starting off as a rather coy but enamoured crowd, after Anna Massie came to introduce the next tune, the audience were soon whooping, clapping and stamping. It is quite a skill to evoke that kind of energy from an audience—especially given that the demographic of most of The Traverse’s music nights are of an older, very well-mannered gen...
Me, You and The Fit Bloke Next Door – King’s Arms, Salford
North West

Me, You and The Fit Bloke Next Door – King’s Arms, Salford

It’s not very often I leave a theatre and think “so what”, but I did on Sunday night as I left the Kings Arms Theatre. I suspect what caused me the problem was the play being written for a “fringe” performance. Pip Carew has written a piece which lasted 60 minutes but would perhaps benefit from lasting a bit longer and the time then used to develop the three characters who inhabit this play.  We are presented with a married couple of whom I know very little. That back story would tell us what lead to this point in their relationship.  As it is, we quickly discover they both fancy the bloke, Alex, from the next flat (of whom we are told a bit more). They proceed to seduce him but make clumsy efforts to engage his interest on their own.  The element of of “will they, wo...
Beautiful: The Carole King Musical – Altrincham Garrick Playhouse
North West

Beautiful: The Carole King Musical – Altrincham Garrick Playhouse

Taking on the life story and songbook of two-time Rock and Roll Hall of Fame inductee Carole King is no easy task - but this Altrincham Garrick Playhouse production, fronted by the incomparable Madeleine Healey, is a sure-fire hit. With high-production value, a top-tier company and imaginative staging, this feel-good jukebox musical is truly Some Kind of Wonderful. Director Joseph Meighan seamlessly moves through the nearly thirty musical numbers with simplicity and pace, whilst still managing to craft the emotional story beats between the numbers. Stage management ensures the scenes transition efficiently, as set pieces and decoration create the various environments for this biographical story. The live camera work during One Fine Day tapped into the Jamie Lloyd’s Andrew Lloyd Webber r...
The Stars and After – Traverse Theatre
Scotland

The Stars and After – Traverse Theatre

Ten actors stand silently with bowed heads as the audience enters the auditorium. In the dim blue lighting we can make out pieces of corrugated iron and large machine cogs. This is a gloomy dystopian land. In this world of the future, there are two classes of people: the citizens who live above ground and live a comfortable life; and the workers who live below ground, leading a miserable existence. The citizens’ light, power and their whole lifestyle depend on the efforts of the workers. It’s a hundred years since the city of Goliath was founded. Citizens live a good if unexciting life. They are largely unaware of how they are manipulated into docility by their Leader. Above ground there is no darkness and no natural light, but citizens have the benefit of powerful lights. However...
One Way Out – Brixton House
London

One Way Out – Brixton House

One Way Out is the kind of play that doesn’t just speak, it shouts. But in the same breath, it leaves you in silence, sitting with a truth you didn’t ask for but needed to hear. Montel Douglas’s coming-of-age story doesn’t try to be subtle. It’s loud, local, and full of heart. It asks what home really means when a window breaks and your whole life shatters with it. The show opens with a physical theatre sequence that, I wasn’t expecting to enjoy, but it was done incredibly well. Tense, explosive, choreographed with purpose. The fight unfolds like a dance, and it's this moment that sets everything in motion. A broken window leads to a suspension. That suspension alerts the police. The police alert the Home Office. And just like that, someone’s life is over. That some...