Saturday, December 6

Latest Articles

Pitlochry Festival Theatre launch four months of online premières
NEWS

Pitlochry Festival Theatre launch four months of online premières

As part of their response to lockdown Pitlochry Festival Theatre is launching four months of online premieres as part of its three-year Shades of Tay project, The series of new digitals works under the banner of A Love Letter to Scotland launch on August 7th and are written by an exciting line-up of British playwrights and poets including Timberlake Wertenbaker, Jo Clifford, Hannah Khalil, Peter Arnott, Abi Zakarian and Chinonyerem Odimba. They are being brought to life by the theatre’s 2020 Summer Season ensemble and form a vital part of the theatre’s tri-daily, digital series #PFTLightHopeJoy, which launched just before lockdown began. Inspired by the River Tay and its surrounding landscape the works will be performed as audio dramas, podcasts, short films. The cast will also pe...
BAFTA-nominated Ruth Madeley leads cast for new season of monologues from Bolton Octagon
NEWS

BAFTA-nominated Ruth Madeley leads cast for new season of monologues from Bolton Octagon

This summer Bolton Octagon are producing a season of 10 new audio recordings of monologues written by local writers. The monologues were penned by winners of the ‘One Night In Bolton’ writing competition inspired by the play which was due to be the opening performance at the theatre as it reopened after 2 years of construction. Due to the impact of COVID-19 the reopening of the theatre has been delayed, and instead the Octagon decided to inspire creativity in lockdown by running a creative writing competition. The monologues will be released online over the summer and a selection broadcast on BBC Radio Manchester. Bolton actor and BAFTA nominee Ruth Madeley, known for her role in the BBC’s critically acclaimed drama Years and Years, who will be performing The Queen of Bolton Baths...
Mikron Theatre Company smash fundraising target in less than three weeks
NEWS

Mikron Theatre Company smash fundraising target in less than three weeks

Mikron Theatre have smashed through their fundraising target of £48,337.49 in only three weeks which means they can stage their 50th year of touring in 2021.  That very specific target was the shortfall they calculated cancelling their entire 2020 season had cost the Yorkshire based company, but their incredibly loyal band of fans built up over the last 48 years rallied round to keep them afloat. The company have been touring the UK’s canals, rivers and roads onboard a vintage narrowboat putting on their shows in places that other theatre companies wouldn't even think about from a play about growing-your-own shown in allotments to a work about chips to audiences in a fish and chips restaurant. The runaway success of this appeal means Mikron can tour two brand new shows in...
Carousel – Lincoln Centre
REVIEWS

Carousel – Lincoln Centre

One of the joys of lockdown has been the opportunity to see shows that were missed due to timing or location.  The enjoyment of these productions has been slightly bittersweet as theatres have remained dark and the industry has faced incredible hardship.  However, the latest government announcement provides some hope for the future as audiences accustom themselves to social distancing, and producers figure out how to make it financially viable.  The Lincoln Centre’s 2013 production of the Rodgers and Hammerstein classic Carousel seems appropriate in tone for the new normal with its hopeful rather than happy ending.  The show is not without its issues for a contemporary audience, particularly in its handling of domestic violence, but the Lincoln Centre production cele...
Faust – Royal Opera House
London

Faust – Royal Opera House

Everybody knows the tale of Faust although Gounod’s popular five-act, Parisian grand opera from 1859 is in fact adapted from Michel Carré’s play ‘Faust et Marguerite’ which was itself based on Part I of Goethe’s epic poem Faust. Very much reflective of the nature of Second-Empire Paris at that time, the obvious question is whether its themes remain relevant and recognisable to a 21st C audience. Director David McVicar wisely recognised that human nature doesn’t really change and the issues of sensuality and hedonism, religion and morality, bourgeois consumption versus socialist redistribution, to name but a few at the heart of this opera, continue to go hand in hand, and his richly layered 2004 production for Royal Opera House brilliantly captured these through the artificial edifices o...
Goodbye The (After) Life of Cook and Moore – Museum of Comedy, London
London

Goodbye The (After) Life of Cook and Moore – Museum of Comedy, London

This reviewer will start this review by admitting that she is old enough to remember Pete and Dud in later episodes of Not Only But Also so it was with both trepidation and anticipation that this production was watched. Produced at London's Museum of Comedy in February 2015 to coincide with the 20th anniversary of Peter Cook's death, the play takes an irreverent and rather surreal look at what might have happened to Pete and Dud in the afterlife. Peter Cook died aged 57, on the 9th January 1995 from a gastrointestinal haemorrhage, most likely due to his years of excessive drinking. Some seven years later on the 27th March 2002, Dudley Moore followed his one time comedy partner to the afterlife after spending fourteen years battling the effects of progressive supranuclear palsy. He was 6...
Newsies: The Broadway Musical – Disney+
REVIEWS

Newsies: The Broadway Musical – Disney+

It was with some trepidation that I sat down to watch Newsies, from the comfort of my own couch. I wasn’t sure this was going to be for me. Surely a show that belongs on the stage should only be seen from a seat in the theatre, right? Wrong. This film of the 2017 Broadway production now on Disney+ shows just how easily you can watch a stage show without even leaving the house. Perfect in the current circumstances. The first thing that struck me was the enormity of the scaffolding set. This provided many interesting visual aspects throughout and was a fantastic way to represent the environment of the ‘Newsies’. At the end of the first number we see pairs of ‘Newsies’ in different sections of the set, all standing as one and the impact of that image was a clever inkling to the rest of the...
Double Bill: The Masks of Aphra Behn and Oranges and Ink
REVIEWS

Double Bill: The Masks of Aphra Behn and Oranges and Ink

Claire Louise Amias’s pair of plays resurrect Aphra Behn from a place of relative obscurity into sharp relief as a chatty, warm, and witty raconteur. Directed by Pradeep Jey and Alex Pearson, they were originally presented at the Tristan Bates Theatre as part of the Women and War Festival and were streamed together as part of the Online Fringe Festival this spring. Behn is a complex and fascinating character from the Stuart era. Born in Kent, she worked as a spy in Antwerp, had a brief marriage to a Dutch merchant, and was the first female playwright to make a living from her work. Played by Amias, she is presented as a historical gossip, a pragmatic conversationalist, and a feminist ground-breaker. In The Masks of Aphra Behn, we hear a fraction of her life story, yet I wanted to get...
Amadeus – National Theatre
London

Amadeus – National Theatre

Director Michael Longhurst’s 2016 production of Peter Shaffer’s iconic play is a stunning piece of theatre starring Lucian Msamati as Salieri alongside Adam Gillen as Mozart with the musicians of Southbank Sinfonia cleverly weaved into the action providing live accompaniment to the story. We begin at Salieri’s end as he recalls the almost Faustian bargain he made with God at the age of sixteen: to become a fêted and famous composer in exchange for living a virtuous life and honouring God at every turn. Fast forward to 1881 Vienna and all Salieri’s dreams have come true in the court of Emperor Joseph II (Tom Edden). But nobody expected Mozart. Wolfgang Amadeus Mozart. A rowdy young prodigy who arrives with his wife to be, Constanze (Karla Crome), determined to leave his mark  Whi...