Latest Articles - Page 62 of 645

1Aug

By Michelle KnightNo Comments

London

A Role to Die for – Marylebone Theatre

How do you cast the next James Bond? pick a random actor, man or choose to embark on a journey of stereotypical negotiation, whilst battling egos and judgemental decision making you might say no easy task. Come in A Role to Die for the Marylebone Theatre ‘has been expecting you’. Don your black dinner attire and join HQ and become an insider to the best kept secret ever, who will be the next Bond. Jordan Waller’s play written five years ago was based on his personal experience of having casting difficulties, “when a famous actor and Knight of the realm pulled out last minute and ruined everything “. From a flippant remark of thank God they weren’t casting James Bond! A Role to Die For was created a perfect subject for a play. Waller’s exploratory process of Bond was one of traditi...

1Aug

By Harry AltyNo Comments

North West

A Manchester Anthem – Hope Mill Theatre

For a city steeped in music history, it is no wonder those who grew up in and around Manchester see it as an accompaniment to life. That is evident in A Manchester Anthem, a story that sees our protagonist at a crossroads in life where he must decide either to evolve into someone new or continue being the person he is. Written as a birthday gift to our solo performer Tom Claxton, playwright Nick Dawkins creates a comedic and poignant piece on that nervous period in the build-up to leaving for university. What shines in the writing is the authenticity and relatability, especially when it comes to the many characters we meet within this one-act play. Nick Dawkins creates a character that quickly gets the audience on his side, bringing them along for a night into the buzzing heart of Manch...

Midnight at the Palace – Guilded Balloon, Patter House

31Jul

By Greg HolsteadNo Comments

Scotland

Midnight at the Palace – Guilded Balloon, Patter House

My first show of the gauntlet, the scrum, the gladiatorial fight to the death that is the Edinburgh Fringe, kicks off with a world Premier, Midnight at the Palace. An energetic and at times engaging musical, a reimagining of the true story of The Cockettes, a posse of counter-culture glitter-bearded drag queens who took San Francisco by storm in the sixties. Rallying against discrimination at home and unwanted wars overseas, writers Brandon James Gwinnett and Rae Binstock set words to the flower power revolution powered by drugs and free love that drove The Cockettes all the way to the big apple where it all came to a messy end in the early seventies. The talented 8-strong cast from across the pond provide plenty to see and hear, with excellent live keyboard accompaniment, and some ...

Medea the Musical – Upstairs at The Gatehouse

31Jul

By Stewart Who?No Comments

London

Medea the Musical – Upstairs at The Gatehouse

If the Camden Fringe summons visions of damp carpets and edgy comics managing onstage meltdowns, ‘cause it’s easier than getting therapy on the NHS, then The Musical Medea added another dimension entirely. Upstairs at the Gatehouse is an award-winning Off West End theatre in leafy Highgate Village. The hilly avenues feel painfully civilised after the grunge and crackpipe vibes of Camden. It’s a refurbished 1895 auditorium, which sits above the Gatehouse pub and has the distinction of being London’s ‘top’ theatre (at 446ft above sea level). Historically, the venue has been a music hall, cinema, Masonic lodge, and a jazz and folk music club that once hosted Paul Simon. The ‘60s spirit of that iconic singer/songwriter greeted the audience of The Musical Medea as they wandered into the...

31Jul

By Olivia CoxNo Comments

London

Second Class Queer – Theatro Technis

Opening with a beautiful dance sequence that takes a ghastly turn to reveal the news of a horrifying homophobic attack, Kumar Muniandy’s solo play Second Class Queer is a raw exploration of identity through the lens of race, sexuality, and post-colonialism. Muniandy portrays Krishna, a queer Indian Malaysian man who is living in Berlin, where he attends a gay speed dating event. This event provides the framework for the majority of the 60-minute play as we watch Krishna chat with five different men, each conversation slowly revealing Krishna’s buried trauma and guilt over his role in his mother’s death. It’s a clever structural device that lends itself to some interesting dialogue and light humour — delivered with plenty of charm by Muniandy — but many of the conversations feel m...

31Jul

By Paul DownhamNo Comments

London

Macbeth – Royal Botanic Gardens, Kew

Arriving in London from a sold-out season in Melbourne, The Australian Shakespeare Company brings Macbeth to the beautiful Royal Botanic Gardens in Kew. Played outdoors, the sun sets, and darkness encroaches as much as it does within Macbeth providing a haunting atmosphere. Hugh Sexton and Nicole Nabout as Macbeth and Lady Macbeth have strong chemistry and a magnetism between them, helping the relationship feel absolutely real. Sexton shines in the big moments, his ‘and tomorrow’ soliloquy is a highlight. Nabout really sells Lady Macbeth's journey into madness. Both excel as the story goes on and they move from their shared ambition into isolation and guilt. While the grief of Macduff is well presented by Jackson McGovern, a little more time would have been appreciated in particular ...

The Lion, the Witch and the Wardrobe – Winter Gardens, Blackpool

30Jul

By Rebecca CaseyNo Comments

North West

The Lion, the Witch and the Wardrobe – Winter Gardens, Blackpool

The show is based on the classic 1950s novel by C.S. Lewis telling the tale of four siblings evacuated during the war who go on an adventure through the wardrobe and discover the magical land of Narnia. All the classic characters are there but this is a visual masterpiece, a cleverly put together evening of escapism captivating the elements of magic, imagination, nostalgia and a very talented team of creatives and performers. I am not familiar with this show, however I have seen the Narnia movies and so I knew somewhat what to expect. At the centre of the story the four siblings Joanna Adaran as a gentle, thoughtful Susan, Kudzai Mangombe as the cheerful loveable Lucy, Jesse Dunbar as a courageous Peter and Bunmi Osadolor as a mischievous Edmond. I’m going to be candid, at the ...

30Jul

By Philip EdwardsNo Comments

North West

The Last Laugh – Manchester Opera House

It is a well-known fact that most comedians have an insecurity caused by and driven by the need to get the next laugh. Tony Hancock for example paid the ultimate price in his strive to stay funny. It is fuelled by the need to build on the success they have already built. It is an anxiety shared by the three comic greats we see presented on stage in Paul Hendy’s touching script though how they deal with it is very different. All three come from the first generation of comedians to transition from the age of music hall to the age of television. In music hall, comics often toured the same material for years, but once seen on television, that material becomes yesterday’s chip paper and the need to create new, funnier comedy drives the insecurity to get the next laugh. There can ...

Rabbie Burns’ Bottom Drawers – Barons Court Theatre

30Jul

By Louise PennNo Comments

London

Rabbie Burns’ Bottom Drawers – Barons Court Theatre

Entering the space at Barons Court Theatre for this “hands on exploration” of the bawdy works of Robert Burns, we find Christine Weir and Jeremy Claydon already in character, welcoming us into this celebration. Framed as a chatty piece between Weir (vocals, keyboard) and Claydon (vocals, percussion), we open with “My Love Is Like A Red Red Rose”, that showcases the purity of the Sckts ballad. “Charlie Is My Darling” includes us in the chorus while allowing Weir and Claydon to prove their worth as musicians working seamlessly together. It also allows a bit of discussion about Burns’s reappropriation of material for nationalistic ends. It's a cautious step to the poems and songs of sexual explitiness, but when we get there, Weir’s outwardly staid Scots housekeeper runs with it w...

30Jul

By Samantha CollettNo Comments

South East

God of Carnage – Frinton Summer Theatre

We probably all know how thin the veneer of civility is, but when you put two sets of parents together to work out what to do about a child’s wayward behaviour, the gloves really come off. In Yasmina Rema’s award-winning ‘God of Carnage’ – which has been a commercial triumph in both the West End and Broadway, this is really tested to the limits. If you’ve ever watched ‘White Lotus’ (or a programme of such ilk), you’ll understand the concept: all characters are awful, and you hate everyone. However, the point of enduring such unpleasant characters, is that they can be toyed with and held up to satire and mocking for their views and ways of being. The story is this: 11-year-old Ferdinand has knocked out 11-year-old Bruno’s two front teeth in a fight at a posh school in France. T...