Latest Articles - Page 55 of 645

8Aug

By Ben PearsonNo Comments

London

Hamlet & Co – Barons Court Theatre

Anais Marchand’s, Hamlet & Co. is a modern, interactive retelling of Hamlet, which imagines Shakespeare’s tragedy in the ruthless world of modern business. We, the audience, have been invited to the wedding of Gertrude, widow of Hamlet Senior, the founder of Elsinore Tower, and Claude, Hamlet Senior’s brother and acting CEO. But when Amel, Hamlet Jr, crashes the memorial in frenzied grief over his father’s mysterious death, tensions run high, loyalties are tested, and all is to play for in the corporate ‘game’. It's certainly an interesting, ambitious, and topical idea. A modern retelling of Hamlet exploring the morality of big business, and the devastating consequences of viewing people as numbers, could have been fascinating. Unfortunately, the script falls far short. Marchand...

8Aug

By Maani WayNo Comments

London

War Horse – New Wimbledon Theatre

Based on the acclaimed novel by Michael Morpurgo, War Horse is the enchanting tale of Albert and his extraordinary horse, Joey, who, at the outbreak of the First World War is shipped to France, sold to the Cavalry, and finds himself fighting for both sides. Albert, from rural Devon whose life is his beloved horse, though not old enough to enlist, embarks on a treacherous journey to find and save Joey and bring him home. The most notable aspect of this show is the puppetry and the effortless artistry that goes into directing the animals. Joey and Topthorn are the two stars of the show, puppeteered by Rianna Ash, Chris Milford and Samuel Parker and Tom Quinn, Michael Jean-Marain and Michael Larcombe respectively. The transitions are smooth, and the horses’ movements are detailed so that e...

8Aug

By Greg HolsteadNo Comments

Scotland

LPO: Holst The Planets – Usher Hall

Edinburgh’s stately Usher Hall, hosts a stirring evening with the London Philharmonic Orchestra under Edward Gardner. The programme offers up some delicious delights, a Rachmaninoff favourite and Holst’s undisputed masterpiece.The concert opens though with Judith Weir’s Forest, a brief, fairytale‑tinged overture. But it’s the second work - Rachmaninoff’s 24‑variation Rhapsody on a Theme of Paganini - featuring pianist Beatrice Rana, that deeply moves me. From her first notes, Rana brings thoughtful nuance to each variation—gracefully shifting between melancholy and exuberance, tenderness and tempest. Key moments, like the haunting counterpoint of Variation XVIII and the sweeping climax at XIX, resonate with crystalline control and deep emotional weight. Her playing is both virtuosic and vu...

8Aug

By Michelle KnightNo Comments

London

Saving Mozart – The Other Palace

Do we really know the story of Mozart, or his genre of music from symphonies, opera. concertos to chamber music. Through his classical period from (1756-1791) his body of work continues to enchant generations, and audiences today. Twenty-Five-year-old Charli Eglinton has been moved by Mozart as a composer and has brought to the stage Saving Mozart a musicaldepicting the life span of Mozart’s, gruelling childhood rituals to his breakthrough and recognition of being an esteemed composer, to his untimely death at the age of 35yrs. What strikes you from the beginning, the stage is small, the set is carved out as a letter M, with reflecting mirrors positioned to enhance the illusion of optimal space for all the characters to dance, act creating movement from a horse’s carriage to a boarding ...

100% Scouse Comedy – Laughing Horse@West Nic Records

8Aug

By Roger JacobsNo Comments

Scotland

100% Scouse Comedy – Laughing Horse@West Nic Records

For something so foul-mouthed and filthy, this has to be described as a breath of fresh air. Not for the faint-hearted, it’s unhinged, off the hook, unmanaged and uncensored. Never the same two nights running. And just the right side of offensive. Depending on one’s perspective, obvs. Probably the only show to survive a wrong - Hitler-related - turn. It’s a bit like stumbling into the Late & Live of yesteryear, except it’s only 8.30pm. Kyle Legacy and Dean Coughlin are our hosts and anyone who’s followed the goings-on at Liverpool’s Hot Water Club these last few years will be familiar with these two already. From the get-in to some jumping hip-hop, feelgood reigns supreme and these lads don’t allow things to flag. The language is industrial but with a scouse accent it’s almos...

8Aug

By Greg HolsteadNo Comments

Scotland

Troubled – Summerhall

Troubled unfolds in the Anatomy Lecture Theatre, a space that retains its old-world charm with curved tiers and a sense of stillness that feels well-suited to intimate solo work. The architecture holds the performer in an elegant kind of embrace, lending a solemn dignity to a story that’s both fragile and fragmented. Suzy Crothers brings us into the inner world of Alice – a woman navigating a complex relationship with her past, her mental health, and the ghosts of Belfast’s troubles, whilst seeking love in the debris. What elevates the piece is Crothers’ vocal dexterity. She moves fluidly between characters, especially the internal voices of Big Red and Little Red - echoes of Ian Paisley and Gerry Adams - whose interventions veer from humorous to unsettling. Various other demons voi...

8Aug

By Greg HolsteadNo Comments

Scotland

Painkillers – Summerhall

Mamoru Iriguchi has long been a curious fixture of the Edinburgh Fringe — a darling of those who admire eccentricity for its own sake. Their latest work, PAINKILLERS, billed as a playfully profound meditation on identity, gender, and perception, might well leave audiences wondering whether they've missed something — or if indeed, there's anything to miss at all.Clad in a thick, full-body knitted woman’s suit — presumably both metaphor and misdirection — Iriguchi emerges as Anastasia, a magician’s assistant who might also be Mari, or Alessandro, or Mamoru, or all of them at once. These blurred lines between character and creator are supposedly the crux of the piece, but in practice, they feel like a muddle rather than a mirror.Despite flashes of visual interest and the occasional flicker of...

8Aug

By Jessie MartinNo Comments

Scotland

Inertia – Dovecot Studios

Ragana Productions paints us a picture of one woman’s post-Soviet life in Inertia at the Edinburgh Fringe. Having lived her life under the thumb of male domination, we see the ways in which Frida (played by Ola Olsinova) is haunted by her traumas, and how they reflect on those around her following the suicide of her abusive husband. Written and directed by Trudy Kalvynaité, this is a dreamy and wistful play filled with generational rage and sadness. Olsinova delivers a strong and complex character, showing us both the gentle, caring side of Frida, but also the unpredictable, wounded woman who is stuck in her past. Supporting Frida is Marta (played by Daiva Malina) — Frida’s best friend and confidante, who stays by her side even in Frida’s most vicious moments. Malina’s performance is an...

0% Beer Loves Me, Women Fear Me, Sheep Were Unavailable For Comment (Dan Boerman) – Beehive Inn (Lounge)

8Aug

By Roger JacobsNo Comments

Scotland

0% Beer Loves Me, Women Fear Me, Sheep Were Unavailable For Comment (Dan Boerman) – Beehive Inn (Lounge)

‘2pm, upstairs in a pub, there are worse places on a Wednesday afternoon!’ And we’re off for an hour in the company of amiable, amenable Kiwi Dan Boerman, lately of this Midlothian parish if the dispensed information is correct. Though not offered up is anything about 0% Beer, scared women or sheep. Little matter, he has another show on across the Grassmarket, ‘Dan Boerman Folds A Fitted Sheet’, so why not pop across there later to avoid anything about sheets, fitted or otherwise. Though he did actually perform said manoeuvre on Calton Hill recently, attracting sizeable hordes of observers, which was, to coin his bon mot, ‘unreal’. And looked like a damn funny diversion. This afternoon’s fare, he explains, is ‘work-in-progress’ so if you attend, prepare to be involved, but it’s f...

8Aug

By Greg HolsteadNo Comments

Scotland

Baby In The Mirror – Summerhall

Baby in the Mirror is one of those rare Fringe shows that lands with total emotional clarity. Presented by the new company Second Adolescence, from Stella Marie Sophie (also acting the part of Lena) and Sammy J Glover (writer/director), this is a visceral, intelligent, and deeply personal piece of theatre that explores queer parenthood, gender, sexuality, and the complexity of forming a family outside the traditional mould.Set in an intimate black-box space at Summerhall, the production follows three characters—Lena, Joey, and Ollie—each caught in the messy, beautiful and often contradictory realities of trying to build a life and family together. It opens amid a mess of boxes, Len and Jo have moved in together, their identities carefully packaged and labelled like the boxes that surround ...