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Theatr Clwyd Announces World Premiere of New Musical – The Famous Five

4Mar

By Paul DownhamNo Comments

NEWS

Theatr Clwyd Announces World Premiere of New Musical – The Famous Five

Artistic Director of Theatr Clwyd, Tamara Harvey and Executive Director, Liam Evans-Ford announce the world première production of brand-new musical The Famous Five in a co-production with Chichester Festival Theatre will open at Theatr Clwyd on 29th September with previews from 23rd September. Photo: Johan Persson Based on Enid Blyton’s multi-million-selling novels, Tamara Harvey directs this brand-new musical written by Elinor Cook, with music and lyrics by Theo Jamieson. Lucy Osborne designs with choreography by Annie-Lunnette Deakin-Foster, musical supervision by David White and Benjamin Holder, musical direction by Katherine Rockhill, orchestrations by Theo Jamieson, lighting by Johanna Town and video design by Ash Woodward. Tamara Harvey said today “I loved Enid Blyton’s sto...

My Favourite Place in the Whole Wide World – Hope Mill Theatre

3Mar

By Lou SteggalsNo Comments

North West

My Favourite Place in the Whole Wide World – Hope Mill Theatre

Trauma can have impact people in many different ways – some people grow and flourish from the ashes, some people can see their life, and the things that bring them comfort, cruelly collapse and leave them shattered. Award-winning playwright Ian Townsend explores this journey along with themes of sexual identity, self-esteem and the very human craving of connection with others in his newest work, “My favourite place…”, directed by James Schofield. In and amongst a simple set of stacked black and orange-striped boxes, we meet J and Ruth, two people who have endured their own childhood traumas, and who, through a cleverly executed moment of serendipity, are thrust into a most unlikely friendship. The script is very much a tale of two halves. In part one, we watch each character lay o...

3Mar

By Alice RoseNo Comments

London

Work.txt – Soho Theatre

An audience, mostly of whom are 9 to 5, maybe some are freelance, of mothers and fathers, of Pisces and Gemini’s, of people who hate their bosses and those who earn more than 30,000 a year have all bought tickets to an immersive show. There are no actors, just a stage manager but they are just clicking a button. We decide if we speak and we listen to those who do, we talk what is written and together we build a city. I was unsure where this play might take me. It’s a Wednesday night and I’m not that up to getting involved so I sit down on the front row with slight anxiety and my mask pulled up very high. I notice the subtle sound of ‘The Sims’ theme music playing, a horrible memory of my Covid pass-time activities. At this point, I’m flustered. As the lights dim, the projector ...

Hedwig brings angry inch to Leeds Playhouse and HOME Manchester

3Mar

By Paul ClarkeNo Comments

NEWS

Hedwig brings angry inch to Leeds Playhouse and HOME Manchester

Cult musical Hedwig and the Angry Inch comes to Leeds Playhouse and HOME Manchester starring RuPaul’s Drag Race UK icon Divina De Campo De Campo plays the hedonistic genderqueer anti-heroine seemingly hellbent on destruction who embarks on a journey of self-discovery with her husband and roadie Yitzhak, played by Elijah Ferreira. They are joined on stage by their live rock band ‘The Angry Inch’ led by Music Supervisor and Musical Director Alex Beetschen on keys with Frances Bolley on lead guitar, Isis Dunthorne on drums and Jess Williams on bass. This production explores the origin of love, gender identity, resilience, and the freedom to be whoever you want to be. “As a queer and trans director I’ve been wanting to pu...

The Merchant of Venice – Shakespeare’s Globe

3Mar

By Carole GordonNo Comments

London

The Merchant of Venice – Shakespeare’s Globe

The current rise of antisemitism around the world gives extra resonance and relevance to Shakespeare's 16th Century play on usury, religious conflict, revenge and the manipulation of justice. Abigail Graham's direction packs a serious punch, with a stellar cast who draw out every nuance of the text. The claustrophobic atmosphere of the Sam Wanamaker Playhouse is brilliantly heightened in this beautiful candlelit production set in the present day, but which could relate to any era. Young Bassanio is a spendthrift and hedonist, partying with his buddies and going through money as though there's no tomorrow. Needing cash to pursue his wooing of the rich heiress, Portia, he turns to his friend, the merchant, Antonio, who has bailed him out previously. Antonio agrees and asks Shylock, ...

After The End – Theatre Royal Stratford East

3Mar

By Riana HowarthNo Comments

London

After The End – Theatre Royal Stratford East

Dark, disturbing and incisive, Kelly’s apocalyptic play examines human nature and hostility like a thought experiment. Louise and Mark are the lab rats in this harrowing social commentary. Louise finds herself in Mark’s bunker as they shield themselves from a nuclear attack outside. With limited supplies and suffocating, rising tension, anything could happen. The two work colleagues, make for an unlikely pairing with Louise’s feisty, uncompromising strength and Mark’s dorky enthusiasm and rigidity. As a result, it is fascinating to watch their sharp back and forth dialogue. Nick Blood is particularly skilful at bringing Kelly’s idiosyncratic style of writing to life, catching its jerky rhythm. He is perfect as Mark, balancing his comical strangeness with his darker aspects which seep ou...

Made in Dagenham – Riley Smith Theatre, Leeds

3Mar

By Paul WilcoxNo Comments

Yorkshire & Humber

Made in Dagenham – Riley Smith Theatre, Leeds

A successful west end musical can have the most unlikely source material. Who would have thought that the story of 19th Century French politics (Les Misérables) or a book of T.S. Eliot poems (Cats) would be in the top ten list of most successful shows ever? Given this, it is less than surprising that a musical based on the seemingly dry subject of equal pay in a car factory in grey, late 1960's industrial Britain, became a surprise hit back in 2014. Now LUU Music Theatre Society brings their considerable talent and energy to this revival at Leeds University for the next four nights. The story follows Rita O'Grady (Ellen Corbett) and her rise from a modest sewing machine operator at the Ford factory in Dagenham, to spokeswoman for her gender, striking when asked to do the equivalent job ...

3Mar

By Katie LeicesterNo Comments

North West

Footloose – Manchester Opera House

Hooray theatre land is beginning to get back to some normality after being hit hard by the pandemic, for the first time there was no need for Covid passes or compulsory wearing of masks. For that alone there was a heightened sense of excitement, and it was clear theatre goers are feeling more confident to mix as the Opera House in Manchester was packed to the rafters with barely one seat empty. Footloose the musical is the brainchild of Dean Pitchford and Walter Bobby with Music from Tom Snow it’s based on the 1984 film which starred Kevin Bacon as city boy Ren McCormack (played by Joshua Hawkins), who arrives with his mother Ethel (Geri Allen) in Beaumont from Chicago in a rebellious mood after learning of the town’s dancing ban. The ban came following an incident five years prior a...

But I’m A Cheerleader: The Musical – Turbine Theatre

3Mar

By Gemma PrinceNo Comments

London

But I’m A Cheerleader: The Musical – Turbine Theatre

Based on the 1999 cult comedy film starring Natasha Lyonne and drag icon Ru Paul which has become a queer classic, But I’m A Cheerleader: The Musical, written by Bill Augustin and Andrew Abrams, has been a decade in the making. The show marks the first brand-new musical to be staged at The Turbine Theatre in London. Directed by Tania Azevedo, the show tells the story of Megan (Alice Croft), the all-American high school cheerleader who seemingly has the perfect life with her jock boyfriend and loving parents until she is shipped off to True Directions, a gay conversion camp after they suspect she is a lesbian. Spearheaded by the strict camp leader Mary Brown (Tiffany Graves), Megan undergoes a five-step programme with the hope that it’ll banish her sexual urges when she unexpectedly meet...

3Mar

By Aditi DalalNo Comments

London

Boot – Lion & Unicorn

A bright red sofa, comfy carpet and warm amber lighting welcome the audience into Karen’s intimate living room. The first and only guest here is a visibly anxious Emma (Kate O'Rourke), touching up her dress and make-up to possibly hide her internal distress. Enter Karen (Eliza Williams). One nervous energy is met with another awkward one. As the story unfolds, the reason for this tension gets clearer (rather, more complex). The two old friends are (seemingly) meeting each other after a long time but as the story unfolds, we see how intertwined their lives have actually been and how much more consciously connected they are about to be. Dramaturgically, Jen Wooster plays with the different levels of awareness in the room. Karen has information that she is desperate to reveal; Emma knows n...