Latest Articles - Page 5 of 660

17Feb

By Jessie MartinNo Comments

Scotland

The Flames – Traverse Theatre

The much loved over 50s ensemble group, The Flames return to the Traverse theatre with another verbatim-style, mixed medium show. Produced by Tricky Hat Productions, The Flames uses each ensemble member’s personal memoirs to collate together a story. In this case, the connecting theme of all these individual memoirs was jealousy. Alongside the candid monologues, video and text was projected onto the back wall of the stage. Quotes, presumably taken from the ensemble, were projected - each providing a different outlook on how they define jealousy. As well as this, black and white video of the ensemble was also projected. From raw close-ups that captured a wide-range of expression and emotional depth, to wide shots that artfully superimposed its subjects as...

16Feb

By Greg HolsteadNo Comments

Scotland

(UN)LOVABLE – Traverse Theatre

Scratch nights are, by their very nature, uneven affairs, messy blue prints or gluey models rather than finished buildings. And [UN]LOVABLE at the Traverse Theatre embraced that spirit fully, five short pieces circling the theme of love’s absence, distortion, or bureaucratic assessment. Some were works in progress in the truest sense, one felt ready to walk straight back onstage tomorrow. Clown Divorce Written by Russ Russell and directed by Sarah Docherty, this dark comedy about a clown navigating marital breakdown opened the evening with energy and a knowing wink. Performed solo by Chris Viteri, the piece invited us into a surreal domestic world where divorce proceedings involve greasepaint and emotional pratfalls, and where the profession runs in the family, mother a...

16Feb

By Holly SewellNo Comments

London

Sweetmeats – Bush Theatre

In the aftermath of grief, it’s a long and difficult lesson to re-learn: we’re better off with people than without them. Relationships are tedious, those we love exasperating; loss deepens with age, caution grows. It takes courage to start again when experience tells you the best days are past. Sweetmeats’ Hema and Liaquat, a widow and widower who become unlikely friends when they are forced to pair up as the ‘scary Indian woman’ and ‘irritating Pakistani man’ at their diabetes support group, are no strangers to the pain of love. Character-wise, they complete each other. Shobu Kapoor’s Hema is anxious, health-conscious, self-sufficient; as Liaquat, Rehan Sheikh is a joker, childish, indulgent despite his diagnosis. Playwright Kharim Khan makes fun of them with a brilliant, musical wit; ...

16Feb

By Codie WrightNo Comments

North West

Slamchester – 53two

If there’s one thing I’ve learnt in the past 24 hours, it’s that Manchester has an absolutely electric slam poetry scene - not only Slamchester where I was lucky enough to be a guest last night, but also through the many, many, many dates of events that charismatic host, Kieren King peppered through the night. Slamchester itself is a passionate evening of competitive poetry, where 8 incredible poets have 2 rounds of 3 minutes each to show off their spoken-word work to a raucous crowd and 5 judges. It was amazing to see how full the venue was on a rainy Sunday in February, and the atmosphere was really supportive. The night kicked off with Kieren King explaining the rules and warming up the mic with one of his own poems about his wife. Kieren was a warm host, who clearly cares a l...

16Feb

By Alice RoseNo Comments

London

Josh Sharp’s: Ta-Da – Soho Theatre

On a late evening at the Soho Theatre, I quite simply have no idea what to expect. I know this show includes 2000 slideshow pages and our comedian/magician is finally ready to come out. This simple and witty bio could not prepare me for such an incredibly moving, hilarious and slam-dunk performance that was received. Sharp must have a brain of a genius, well he does actually in learning he has a masters in Quantum Physics, he brings us back to the beginning of his life and his dreams of becoming a magician. Moving onto his pact with God and a promise to not practice ‘confirming’ his true sexuality and a deeply moving and beautiful time shared with his late mother who gently bullied him to finally come out. After its run on OffBroadway, London has been gifted the opportunity...

Buddy! The Buddy Holly Story – Hull New Theatre

16Feb

By Jackie FoottitNo Comments

Yorkshire & Humber

Buddy! The Buddy Holly Story – Hull New Theatre

So engrossed was I while watching Buddy - The Buddy Holly Story at the Hull New Theatre on Thursday evening, that for a fleeting moment I really felt I was watching the man himself. Ridiculous, of course, as the real Buddy died in a plane crash on February 3rd, 1959. But so impressive was AJ Jenks as the spectacle-wearing rock ’n’ roller, it was difficult not to be transported back to a time when, not only was the music groundbreaking and fantastic, but, hallelujah, every word was clearly audible, meaning the songs were ripe to sing along to. And, over 60 years later, that’s exactly what we in the audience did from the very first note Buddy and his backing group, The Crickets, struck up. Buddy (Jenks) on his guitar and The Crickets - bassist Joe B Mauldin (Melker Nilsson), ...

16Feb

By Klervi GavetNo Comments

London

After Miss Julie – Park Theatre

What I find most unsettling about Strindberg’s Miss Julie these days is no longer the play itself, but that it remains one of the most frequently produced plays in the Western canon, a status that feels increasingly difficult to justify. Especially when, in the preface, Strindberg a well-documented misogynist openly articulates his hostility toward women, and feminists in particular, describing Julie as a degenerate product of emancipation, bound to self-destruct. Knowing this, one is left wondering why theatres keep returning to this text, and what is still being sought or defended in bringing it back to the stage. Knowing that, I had hoped Patrick Marber’s After Miss Julie might reframe or redeem the problematic source or do for Strindberg what Lucas Hnath’s A Doll’s House, Part...

12Feb

By Michelle KnightNo Comments

London

Dear Liar – Jermyn Street Theatre

Dear Liar, is a play adapted by Jerome Kilty from the correspondence of Bernard Shaw and Mrs Patrick Cambell. It portrays the communication between the writer George Bernard Shaw and actress Mrs Patrick Campbell. A relationship of expression; love, frustration and conflict between the artists. An affair of the heart, battling egos and a collective passion for performance. Their affair captured in a series of personal letters that survived World War two. The prose and context of the play centred around the letters creates a voyeuristic view of how their relationship brought about some of Shaw’s best theatrical work. Pygmalion written in early 1912 was read to actress Mrs Patrick Campbell first in June. Written with Campbell in mind Shaw “this is for you; I wrote it just for you “. Keen t...

The Lightning Thief: The Percy Jackson Musical – HOME Mcr

12Feb

By Coral MourantNo Comments

North West

The Lightning Thief: The Percy Jackson Musical – HOME Mcr

You’ve heard of Hercules, you may have heard of Perseus, but do you know Percy Jackson, the demigod of the new world? A best selling book series, two movie adaptations and, most recently, a multi series Disney television show. And it’s a musical. “The gods are real, and they have kids. And those kids have issues”. Sixteen-year-old Percy Jackson is expelled from yet another school. Just when he thinks there’s no hope for a kid like him, he finds out that he is a half-blood. The future of the world hangs in the balance, as Percy and his friends embark on a difficult quest encountering monsters, gods and all sorts of chaos. The stage show takes Rick Riordan’s first novel, “The Lightning Thief”, and adds an electrifying soundtrack to engage all audiences, whether child, adult, or dem...

12Feb

By NewsdeskNo Comments

Yorkshire & Humber

The Bodyguard – Sheffield Lyceum

The Bodyguard has become a staple of the West End since its debut in 2013. It has resonated with and entertained audiences internationally. This particular production, however, sadly gives pause. There are some impressive design features throughout this show, more so in Tim Hatley’s set design and in particular the thriller aspects are particularly strong and excitingly creative. James-Lee Harris’ character of the stalker, for example, appears in a flash of lightning at a door we have stared at continuously, never once recognising their presence until that jump-scare moment. It’s exhilarating. Protagonist Rachel Marron’s residence feels swanky and full of scope, choosing to obscure part of the stage with long, impressive curtains. It’s visually interesting and simultaneously pragm...