Friday, December 19

Latest Articles

Beautiful: The Carole King Musical – Palace Theatre
North West

Beautiful: The Carole King Musical – Palace Theatre

Behind every record-breaking, chart-topping hit is a songwriter with poetical flair to spare. This jukebox musical pays homage to 60s icon Carole King, the multi-talented musician and composer of timeless classics from ‘The Loco-Motion’ to ‘(You Make Me Feel Like) A Natural Woman’. ‘Beautiful’ follows the musically-rich career of King (Molly-Grace Cutler) as she pursues a dream to enrich people’s lives with her original songs. As an autobiographical piece, Douglas McGrath’s book reveals how King’s life experiences are reflected in her far-reaching creations. The story itself may be thin, but the versatile cast proves that there is no need to overembellish a straightforward narrative when it’s the soundtrack that takes centre stage. Carole’s pop tunes are interspersed with soul and so...
Michael Ball to star in Andrew Lloyd Webber’s Aspects of Love, reimagined for the 21st century
NEWS

Michael Ball to star in Andrew Lloyd Webber’s Aspects of Love, reimagined for the 21st century

Michael Ball to star in Andrew Lloyd Webber's Aspects of Love, reimagined for the 21st century and directed by Jonathan Kent. Michael Ball said: "Aspects of Love holds a very special place in my heart.  I am absolutely delighted to revisit Andrew Lloyd Webber's glorious score in a re-imagined chamber production in the West End from May next year.  I am so happy to be collaborating again with the brilliant director Jonathan Kent who was so inspiring when we worked together on Sweeney Todd. We are just at the start of our journey so the big question is will I be singing my favourite song Love Changes Everything – what do you think? All will be revealed soon..." With lyrics by Don Black and Charles Hart, and produced by Nica Burns, Aspects of Love will play at the Lyric...
Sparkling casting announced for The Snow Queen at Storyhouse Chester this Christmas
NEWS

Sparkling casting announced for The Snow Queen at Storyhouse Chester this Christmas

Storyhouse is delighted to announce casting for its magical seasonal show The Snow Queen which will cast a spell over audiences this Christmas. The bewitching Hans Christian Anderson fairytale comes to the Storyhouse stage from 10th December to 15th January 2023 in an enchanting adaptation by Charles Way. When shards of an enchanted mirror fly into Cei's eye, he falls under its spell. He becomes cold-hearted and the Snow Queen steals him away to her far-off land where, with Cei as her helper, she has a chilling plan – to freeze the hearts of all living things and rule supreme over a world of ice and snow. Only little Gerda, Cei's childhood friend, believes he can still be rescued, and sets out on a thrilling immersive journey – for Gerda and the audience - through the changing sea...
The Importance of Being Earnest – Liverpool Playhouse
North West

The Importance of Being Earnest – Liverpool Playhouse

Avant-garde, adventurous, audacious – and yes, artificial, but brilliantly witty, Oscar Wilde lives on in this hugely entertaining production. The cast introduce themselves by waltzing on, immediately conveying the merry-go-round of their lives with ever changing tableaux of laughter and posturing, voguing almost, and dance, like a visual representation of those many scintillating one liners which accurately skewer so much of Society - then and now. Its trivialities and shallowness are wonderfully exposed. This takes place chez Algernon, walls garnished with portraits, as well as frames which serve as portals and hatches, although strangely sparse when it comes to furniture, but for one elegant chaise longue (of course). We then move outside, into the garden of Ernest's country pile, an...
Les Ballets Trockadero de Monte Carlo – Hull New Theatre
Yorkshire & Humber

Les Ballets Trockadero de Monte Carlo – Hull New Theatre

With names such as Helen Highwaters (aka Duane Gosa), Vavara Laptopova (Takaomi Yoshino), Maria Clubfoot (Alejandro Gonzalez) and Olga Supphozova (Robert Carter), in the programme, it was going to be difficult to take anything seriously at the Hull New Theatre on Tuesday evening, when Les Ballets Trockadero de Monte Carlo brought their male-only troupe to the city. But we in the decent-sized audience soon realised this extremely talented bunch were deadly serious when it comes to their art - ballet dancing, with a difference. Men in tutus may not sound appealing, but I can promise you there wasn’t a hairy chest, no huge biceps or a five o’clock shadow to be seen - these “ballerinas” were graceful, toned, ultra-fit and had the best legs in the business. And they danced en pointe fo...
Rapper Testament is back in the record shop at Leeds
Interviews

Rapper Testament is back in the record shop at Leeds

World record-breaking beatboxer Testament is again joining forces with Opera North as they collaborate on his genre busting piece Orpheus in the Record Shop at Leeds Playhouse. The show was first seen during a short socially distanced run at the height of the pandemic that was  filmed for BBC Four’s Lights Up series. Testament will be front of stage working with members of the Chorus and Orchestra of Opera North, including soloist Helen Evora. Why is it important that audiences get a chance to see this show again in the Playhouse’s biggest theatre space?  Performing this show live is bananas! A classical ensemble live on stage, with beatboxing, spoken word and comedy – it’s a unique thing to be part of. I’ve been telling all my friends and family to come along because it...
The Proclaimers – Liverpool Philharmonic
North West

The Proclaimers – Liverpool Philharmonic

Identical twin brothers, Craig and Charlie Reid are strikingly individual in the flesh.  Born in Leith in 1962, they list their influences as being early rock ‘n’ roll and country artists.  After playing in punk bands they formed The Proclaimers in 1983; their first big break came in 1986 when they were invited to tour with The Housemartins. In January 1987 they appeared on Channel 4’s The Tube, singing in regional accents about Scotland, its emigration and its politics, they became a phenomenon almost overnight and the rest is history. They walked onto the stage without fuss or ceremony, both dressed similarly in black tops and jeans with the audience giving them a welcome cheer and launch into their first song, ‘Dentures Out’. Immediately that unmistakable, instantly recogni...
Daniel Sloss: Can’t – Liverpool Philharmonic
North West

Daniel Sloss: Can’t – Liverpool Philharmonic

Daniel Sloss is a man on a mission. Dubbing himself the ‘Steve Irwin of comedy’ he’s on the lookout for the ‘Stingray’ joke that is going to end his career. It won’t be the one we’d expect he says, it will be something innocuous, that starts off about wallpaper. Nevertheless, he’s clearly relishes the opportunity in front of him to test the audience’s limit. In Sloss’ firing line are the death of the Queen, progressive liberals, magicians, and people who get travel sick. He loves the idea of us discovering that our fellow audience members absolutely hate him; that their discomfort will only serve to make the experience even funnier. Two Netflix specials have help Sloss hone his act, but he remains a man of two sides; one minute perching on a bar stool like he’s about to break into a ...
Ruckus – Southwark Playhouse
London

Ruckus – Southwark Playhouse

Written and performed by Jenna Fincken, Ruckus is a single-act, one-woman performance that narrates the aging of a toxic relationship. The play brings to life the experience of being with a coercive partner and interrogates the subjectivity of consent in a relationship. There are many parallels between ‘Ruckus’ and the iconic ‘A Doll’s House’ by Henrik Ibsen. Just as Torvald creates a Doll house for Nora Helmer, in Ruckus the protagonist moves in with her partner in a beachouse that she had always dreamt of. Just as A doll’s House contemplates the fracture of this house by Nora’s departure, Ruckus explores the fracture in the architecture of a house built on shallow foundations. The protagonist continues to pity and continues to live through the thicks of her relationship. But...
So You’ve Found Me – Lion & Unicorn
London

So You’ve Found Me – Lion & Unicorn

‘So You’ve found me’ did not start on the right note. When a guy comes on stage, it feels as if he is playing with pretence, not honesty, and that such energy is not sustainable. The narrative starts with a story about a Tinder date, and one felt that this experience is merely trying to be relatable and won't feature anything profound about our collective subjective human experience. Sam Moore, the playwright, and Moah Alfred Pantano, the director, proved this early assessment wrong in every possible way. Luis Donegan Brown is incredible in the show. Solo shows have a high risk of going wrong in a beat, so the performance, script, and tempo must work together to keep the audience engaged and all of the artists seemed to be sensitive and aware of this. ‘So You’ve…’ celebrates the life of...