Friday, December 19

Latest Articles

Transistor – Hope Street Theatre
North West

Transistor – Hope Street Theatre

Dark Horse Theatre Chiang Mai’s Transistor is an exploration of gender and sexuality and its effects on family life. Written and directed by Kelly Holliday this is a very funny and dramatic piece of theatre which takes an issue which is currently causing a lot of controversy and arguments, particularly online, and makes it something which can be talked about albeit without minimising the strength of emotions people feel about it. The set is overwhelmed with busyness, with clutter and cardboard boxes littering most of the stage. The chaos contrasts well with a peaceful looking bench on a patch of grass. Empty picture frames hang over the stage and the boxes are labelled to illustrate that their contents are the result of an ongoing clear out. The play opens with Vivian (Judy Mandel) c...
Same, Same, But Different – Brixton House
London

Same, Same, But Different – Brixton House

‘Same, same, but different’ is a rocking blockbuster. It packs the romance, the relationship's transformation and deepening, and almost a decade of the queer couple in an hour-long play! With its keen perception of the lived realities of mixed-race couples, heteronormative families, and insensitive work environments, it is crafted with finesse to hit a nerve across broader demographics. This play must be seen, celebrated, talked about and seen again. We meet the endearing characters of Cam and Jesse at the age-old queer meet cute outside the dance hall. Though one is familiar with all the beats of romance, it is refreshing to see a queer and non-binary couple express their love, friendship, commitment and decision-making on stage. The agony and ecstasy of romance is scene painted with t...
Cruise – HOME Mcr
North West

Cruise – HOME Mcr

After two crowd-pleasing West End runs, this vibrant, gritty HIV-based drama journeys outside London for its first time. Through a tell-all phone call to Switchboard answered by the young and inexperienced Jack, Michael recounts his supposed final years in London following a HIV diagnosis that gave him 4 years left to live. Jack Holden imbues the piece with wholehearted zest as he bounces, climbs and dances around Nik Corrall’s versatile industrial set. Capably taking on all roles- that’s some thirty characters, though a few may be surplus to requirement- Holden never wavers, captivating the audience with his energy alone. This is by no means a one-show, though: on-stage music producer John Patrick Elliott supplies an intense electronic score, the beats, tunes and synth of which t...
Folk – Frinton Summer Theatre
South East

Folk – Frinton Summer Theatre

At first glance, ‘Folk’ is a charming, uplifting play with plenty of folk music that will have you smiling and maybe even tapping a toe, but beneath the sweet Somerset lilt, is a dark story. Set in 1903 in the Somerset Levels we meet two sisters, Louie Hooper (Hannah Traylen) and Lucy White (Gemma Sutton) who have just buried their mother. Life is hard. The machines are coming and they cannot sew gloves fast enough to keep their heads above water. The work songs passed down from their mother keep them working, the melodies express their love for the local environment and appreciation of nature. Enter Cecil Sharp (William Oxborrow), a wannabe English composer from London. He wants to collect local folk songs to preserve them for history – and for the national good. He convinces Louie ...
Matthew Bourne’s Romeo & Juliet – Hull New Theatre
Yorkshire & Humber

Matthew Bourne’s Romeo & Juliet – Hull New Theatre

Whenever a ballet comes to town, Hull’s theatregoers go to town, ensuring full venues without fail. And Tuesday evening at the Hull New Theatre was no exception when Matthew Bourne’s Romeo + Juliet performed to a decent-sized crowd. I must have watched dozens of ballets during my reviewing career, yet I still can’t put a name to any of the dance steps. It’s the sheer spectacle of the genre that appeals to me - the costumes, music, make-up, stage settings and, of course, the dancers, all combine to create the perfect form … of entertainment. Luckily for me - and sparing my reviewing blushes - this very different production had none of the steps usually performed in a ballet. Also, away from the ballet norm, there wasn’t a whisper of a tutu or pink satin ballet pump. And, apart f...
Frank Sinatra’s Songs for Swingin’ Lovers! – Cadagon Hall
London

Frank Sinatra’s Songs for Swingin’ Lovers! – Cadagon Hall

A one night only extravaganza of songs from the Frank Sinatra’S iconic album; ‘Songs for Swingin Lovers!’ released in 1956, performed by Stephen Triffitt and supported by the amazing Manhattan Swing Orchestra, a full big band with strings. Stephen performed classic favourites such as ‘You Make Me Feel So Young’, ‘Old Devil Moon’ and ‘Come Fly with Me’ and with extra songs such as ‘Witchcraft’ and ending in a rapturous rendition of ‘My Way’ and ‘New York New York’. Stephen included facts and narrative surrounding Franks’ songs, his collaborations with Capital records until he left in 1960 and his lyricist Nelson Riddle. It is an evening of celebration of the magnitude of the Frank Sinatra songbook, Stephen Triffitt undoubtedly is a master of his craft he is very comfortable with the song...
What Happened to Connie Converse? – King’s Arms, Salford
North West

What Happened to Connie Converse? – King’s Arms, Salford

In the 50s and 60s Greenwich Village, New York, was at the centre of the American Folk Music revival which gave the world performers such as Woody Guthrie, Pete Seeger and, of course, Bob Dylan. There were also female singers and writers performing there such as Joan Baez, Joni Mitchell, Judy Collins and also, on the periphery of this scene, there was an unknown singer-songwriter called Connie Converse. Even though these days she is largely a forgotten figure, her only public performance was on one TV show, there is an intriguing mystery about her as one day she just disappeared and was never seen again. Elizabeth Converse, Connie was a nickname she picked up when she lived in New York, was brought up by an extremely conventional religious family. She decided to rebel against them by...
Lucifer Speaks -The Fitzgerald
North West

Lucifer Speaks -The Fitzgerald

In the 1920s speakeasy-style Fitzgerald bar, Lucifer gives his own side of the story. This short play explores Lucifer as a witty, cynical jilted lover, unfairly victimised at the hand of God, a former lover. It has a distinctly northern rhythm and flair in the back-and-forth banter between Pegeen Murphy and Mike Cunningham who deliver their lines with conviction and total commitment to the bit. Lucifer Speaks describes itself as a ‘comedic take on an emotional […] story’, touching on ‘sexuality, gender and love’. However, the writing falls short of hitting the emotional and comedic beats needed to make this concept fly. The jokes are not brought to a satisfying punchline and therefore fall flat, or never materialise, and chances to fully explore audience participation are lost. ...
Titanic The Musical – Liverpool Empire
North West

Titanic The Musical – Liverpool Empire

Titanic The Musical is based on the original Broadway production which won five Tony Awards including Best Musical, Best Score and Best Book, as such, there's no Jack and Rose in this story as in the film of the same name. This stage production is based on real-life stories which include romance and heartbreak and are told mainly through song. Based on the book, by Peter Stone with music and lyrics by Maury Yeston the tale is portrayed with precision and composure; Thom Southerland’s direction ensures that the production is played to maximum effect whilst the Production team and the band are to be commended. The distressing tale of the Titanic tragedy is known world-wide and is not one which springs readily to mind to be portrayed in a musical production but despite being such a dist...
Ride – Southwark Playhouse Elephant
London

Ride – Southwark Playhouse Elephant

Ride is a British musical that Returns to London after a period at the Charing Cross Theatre last year. This show is back and even better than before. Presented as a pitch for her very own newspaper column we see Annie Londonderry commandeer office assistant Martha and together the two of them narrate Annie’s journey in 1894 to be the first woman to circumnavigate the globe via bicycle. The performers speak directly to the audience as though we are the panel they are pitching to. Which is great for this story especially given the double act cast and small intimate set. The transition between relaying the story to the board vs Annie disappearing into her reality was profound and the shift was palpable via the energy in the audience. All the book, music and lyrics are by Freya Cat...