Friday, December 19

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We’re going on a Bear Hunt – The Lowry
North West

We’re going on a Bear Hunt – The Lowry

There are very few books as iconic as Michael Rosen’s classic tale of a family going on an ill-advised bear hunt in a questionable climate and so both myself and my toddler were excited to see it translated onto stage. We follow Tim Hibbered, as the lovable Dad, as he takes his creatively named children, Neha Eapen as Girl, and Benedict Hastings as Boy, on an adventure through a variety of terrains to find a bear hunt. Hibbered, Eapen and Hastings brought an energy to the stage that managed to be engaging to the children without being annoying to the adults - not an easy feat! The baby (aptly named Baby) was played (if that’s the right term) by an adorable puppet, and there were some really lovely moments with them. However, after a cute lullaby, the baby was put inside a cardboard b...
Little Red – Theatre Porto
North West

Little Red – Theatre Porto

Kevin Dyer’s delightful re-imagining of this tale as old as time is wonderfully brought to life under the direction of Nina Hajiyianni with memorable musical composition by Patrick Dineen to keep us on the right path as Little Red (Fatima Jahara) heads into the forest with the blessing of her mother (Anoush Kendrick) to visit her sickly Grandma (Francesca Anderson), but on the way she encounters a rather hungry Wolfie (Stephanie Greer) who has other plans for her. There is a surreal quality to this re-telling and the all-female cast deliver inspired performances with Anderson, Greer, and Kendrick also taking on ensemble roles as the journey unravels with lots of humour and the right amount of scare, wrapped up in song and some outstanding choreography. Anderson’s Grandma is instantly re...
Peter Pan – Rose Theatre
London

Peter Pan – Rose Theatre

Second star to the right, and straight on till morning. The classic tale, and a firm family favourite, is brought to life once again this Christmas in a new production at the Rose Theatre in Kingston. Following the mischievous boy Peter Pan who refuses to grow up, and happens to fly, the story begins when Peter crash lands into the bedroom of a strong-minded young girl and her brothers, who desperately seek adventure. With the help of a little fairy dust, and countless happy thoughts, they are whisked away into the land of never growing up, Neverland, where they encounter pirates, mermaids and much more. Bursting with magic from the get-go with the enchanting music and lighting, we are introduced to the story in the classic way in the Darling’s room, narrated by a Gran telling the st...
Northern Ballet release their first inclusive dance film
NEWS

Northern Ballet release their first inclusive dance film

In a first for Northern Ballet performers from the company and dancers from their Ability course for adults with additional learning support needs have joined forces in a pioneering dance film created by director and choreographer Ben Wright.   Every Little Thing is a Change was developed in a series of workshops at Northern Ballet’s headquarters in Leeds exploring how a touch, a look or a feeling can transport all of us into another world. The film premièred at Northern Ballet’s inclusive dance festival Expressions, which celebrated its 10th anniversary in July this year, and is now available online. An audio described version of the film will also be released.    The short film is Northern Ballet’s next step in exploring how inclusive dance can be more closely linked...
Dolly delights in Spring/Summer season at Leeds Playhouse
NEWS

Dolly delights in Spring/Summer season at Leeds Playhouse

For the first time ever all of Dolly Parton’s biggest hits can be heard together in a new musical comedy, Here You Come Again, which is then cornerstone of the Spring/Summer 2024 season at Leeds Playhouse before it heads off to the West End  After a successful US tour, the show is packed with the country legend’s iconic songs, including Jolene, 9 to 5, Islands in the Stream, I Will Always Love You and Here You Come Again. It’s the story of a diehard fan whose fantasy version of international icon Dolly Parton gets him through trying times, but the wit, humour and charm in her songs teaches him a whole lot about life, love and how to pull yourself up by your sequinned bootstraps. It was originally written by two-time Emmy award-winning comedy writer and songwr...
The Snow Queen – Royal Lyceum Theatre Edinburgh
Scotland

The Snow Queen – Royal Lyceum Theatre Edinburgh

The Royal Lyceum’s Christmas show is always something to be anticipated and relished. Navigating a careful course away from the ubiquitous seasonal ‘panto’, it aims for the high road, a more refined magical, mirth-filled, musical path, under the helm of Artistic director David Greig’s discerning eye. After the rather wonderful, An Edinburgh Christmas Carol, last year, which I loved, I was lucky enough to obtain a ticket for this year’s The Snow Queen, albeit a couple of weeks after the official press night. The opening scene, with a magical set and some nicely shadowy projections introduces, Hans Christian Anderson’s famous tale in a darkly Scottish setting, Edinburgh to be exact, complete with icy Edinburgh castle. So far so good. Two orphan children, Gerda, played by the rather won...
Fantastically Great Women Who Changed the World – The Lowry
North West

Fantastically Great Women Who Changed the World – The Lowry

"Fantastically Great Women Who Changed the World," playing at The Lowry, is a musical celebration of history's most influential women, set against an impressive and dynamic backdrop that blends traditional and modern theatrical elements. A standout aspect of the show is the music, which involves the talent of Miranda Cooper, known for penning hits for girl groups like Girls Aloud and Sugababes. Her influence is evident in the catchy, sassy songs that form the backbone of the musical. These numbers, characterised by a strong group dynamic, are one of the production's most significant strengths. The choruses, where the cast sings together, are particularly impactful, showcasing a harmonious and energetic unity that outshines the individual performances. Elena Breschi's roles as Marie C...
Mark Thomas In England & Son – Traverse Theatre
Scotland

Mark Thomas In England & Son – Traverse Theatre

Raw, brutal, honest, comic. Of the latter Mark Thomas is a master but so equally effective is he at the first three elements that the grim message of violence and trauma begetting more of the same, generation to generation, is diluted not one jot. This is heavy, intense, choreographed by Movement Director Simon Jones, its rhythm well-punctuated by sound designer MJ McCarthy and Lighting Designer Richard Williamson. Proceedings commence with an introduction from Mark describing how he met writer Ed Edwards several moons ago at the festival. Ed, serendipitously, was behind Mark as they left his show ‘The Political History Of Smack And Crack’, perfectly positioned to overhear the pronouncement; ‘That’s the best thing I’ve seen in fuckin’ ages.’ Five years later, beyond creating some incred...
The Woman in Black – Liverpool Playhouse
North West

The Woman in Black – Liverpool Playhouse

I never thought I would laugh so much at a ghost story. I am definitely a fully-fledged all-singing, all-dancing and everyone lives happily ever after type of person when it comes to theatre, fear and but there is something about The Woman in Black that has always intrigued me. I never got to see the run at the Fortune Theatre in London, so jumped at the chance to experience the story on my doorstep. The book was written by Susan Hill in 1983, and whilst it is set in the 1950s (and 1920s) it does feel like a timeless piece. It could be set any time if the dates weren’t mentioned. However, there is definitely something about a Victorian ghost, that gives it authenticity and makes it spookier. With two actors in the cast, they needed to be at the top of their game, as neither spent...
Aladdin – Theatre Royal, St Helens
North West

Aladdin – Theatre Royal, St Helens

Brilliantly Bonkers! This bumper packed panto doesn’t do things by halves with plenty of sparkles and pizzazz, in a value for money production for all the family.   The Theatre Royal knows a thing or two about putting on a decent pantomime with a large part of its annual schedule dedicated to its craft. This current offering from writer Liam Mellor serves up the traditional tale of Aladdin (portrayed by the likeable Alex Aram) topped with plenty of topical laughs with injections of silly slapstick and some leftfield gags which keeps the audience on their toes. Director Chantelle Nolan, and Assistant Director Kay Nicolson, have created a festive multimedia feast bringing together various artistic elements into a solid staple of traditional panto chaos to see us through the season. &...