Latest Articles - Page 23 of 645

2Oct

By Greg HolsteadNo Comments

Scotland

Top Hat – Edinburgh Playhouse

Irving Berlin’s Top Hat taps into the Edinburgh Playhouse this week with more sparkle than a sequinned gin palace, and, in a rare feat, manages to float for two and a half hours without ever feeling heavy. Not just that, the sound is also extraordinary, and for a venue sometimes dogged by poor acoustics, this is a revelation: sound clear as a bell, band fizzing with verve, and an audience leaning in from overture to curtain. For context, Top Hat began life in 1935 as an RKO film directed by Mark Sandrich, a vehicle for Fred Astaire and Ginger Rogers, with Berlin supplying the evergreen numbers, “Cheek to Cheek,” “Top Hat, White Tie and Tails,” “Isn’t This a Lovely Day?”. The stage version we see tonight descends from the 2011 UK adaptation by Matthew White and Ho...

2Oct

By Sam JamesNo Comments

North West

Shake It Up Baby – Epstein Theatre

Have you ever wondered how The Beatles became THE BEATLES? If so, get yourself down to the Epstein Theatre for the fantastically toe-tapping 'Shake It Up Baby' written by Ian Salmon and directed by Stephen Fletcher. Dive into the 1960s on a musical journey which spans Liverpool, London and Hamburg. A multi-talented and creative cast take to the stage to delight and entertain you with outstanding vocals, a story of determination and energetic choreography (Carrie-Anne Ingrouille and WOW LIVERPOOL), making you feel that you want to get right up and dance with them. The characterisation of every character on stage was diverse and relatable, with many actors showing their wide range of skills by easily transitioning between multiple roles. Onto the main stars o...

Make England Great Again – Upstairs at the Gatehouse

2Oct

By Paul AckroydNo Comments

London

Make England Great Again – Upstairs at the Gatehouse

Francis Beckett's new play takes the very topical theme of a right-wing political party having assumed power in the United Kingdom and speculates on its possible consequences. There is certainly plenty in our present political discourse to provide the raw material for such a narrative. The play starts with a dialogue between King Charles III and Max Moore, the Prime Minister of Briton's First, a recently elected right-wing minority government. Max is seeking a dissolution of Parliament even though he has only been Prime Minister for six days. We also meet the leader of the opposition, Pam Jones, denied the premiership because of alleged fraudulent electoral activities in a key number of the constituencies that she won. The fourth member of the cast is Max Moore's political adviser and p...

2Oct

By Jenn McKeanNo Comments

North West

The Book of Mormon – Liverpool Empire

What really shouldn’t work as a concept for a musical, really does. A musical based on the book that Mormons use, or even Mormons in general? And it was written by the duo who created South Park? Everything just shouldn’t work about this show, yet it has a huge following and is so funny, that you ache from laughing. Trey Parker and Matt Stone’s musical follows Elder Price – the top missionary in his class and his missionary partner, Elder Cunnigham, who is the bottom of the class. It follows them as they begin their missionary journey and not in the place that Elder Price was praying for. Nothing seems to go right for the duo and they try to covert a local village to become Mormons themselves. As with their partnership, it has varying levels of success. As someone who saw the origina...

2Oct

By Charles PipeNo Comments

London

FIASCO – Vaulty Towers

FIASCO by Cryptids Improvisational Theatre is a longform improv show based on the tabletop roleplaying game of the same name. In the tabletop roleplaying game, players roll dice and consult tables to come up with a collection of storytelling prompts, linking characters together through “relationships”, “needs”, “locations”, and “objects”. This provides the framework upon which the players collaboratively tell a story, usually of normal people finding themselves drawn into increasingly violent situations the likes of which you might find in a Coen Brothers movie. Cryptids Improvisational Theatre have adapted and streamlined the general structure to suit a live improvised performance. The audience first votes – by cheering and general verbal consensus – on which of three general genre...

The Lion, The Witch and The Wardrobe – Hull New Theatre

2Oct

By Jackie FoottitNo Comments

Yorkshire & Humber

The Lion, The Witch and The Wardrobe – Hull New Theatre

When C S Lewis wrote The Chronicles of Narnia, he couldn’t have envisaged that the second in the series, The Lion, The Witch and The Wardrobe, would still be entertaining folk 75 years after it was first published. To celebrate the anniversary, this week Hull New Theatre plays host to the West End smash-hit production and, taking my seat on Tuesday night, I noticed theatregoers of all ages in attendance. Before curtain up we were entertained by a pianist, tinkling the ivories of an upright piano and dressed as a Second World War air raid warden, complete with steel helmet and overcoat. As the strains of We’ll Meet Again rang out, this first scene, on a darkened, misty stage, brought the Second World War years into focus. The story centres around the four Pevensie si...

1Oct

By Savitha VenugopalNo Comments

London

Foreign Girl – Bread & Roses Theatre

Ana is the foreign girl, a Belarusian living in the UK, attempting to get herself the Global Talent visa in the field of theatre. On realising that mere song and dance isn’t going to be enough, she calls her agent for help in deciding on what kind of professional theatre piece could make her eligible. They go through options – Marina Abramovic (too abstract), Chekhov (but he’s been cancelled), Shakespeare (Lady Macbeth with a Belarusian twist could work) – until they hit the right one. An autobiography. Written and performed by Anastasiya Ador and directed by Rachel D’Souza, this hour-long performance takes us through Ana’s life as she tries to set down roots in the West. Her attempts to assimilate are experiences that would resonate with many an immigrant, from mispronounced names ...

Sam Dodgshon Tries to Hold Your Attention for One Hour – Club Silly

1Oct

By Olivia CoxNo Comments

London

Sam Dodgshon Tries to Hold Your Attention for One Hour – Club Silly

Being a standup comedian already requires a certain level of bravery. In his latest comedy special at Lambeth Fringe, Sam Dodgshon takes this vulnerability to new extremes by giving the audience control over what happens in the show. The concept is simple but smart. We’re presented with a PowerPoint that resembles a flowchart, with slides prompting the audience to choose between various options that influence the direction of the show. These options range from the straightforward (“Can I speak?”) to the absurd (should he go to hell via purgatory), and each pathway ends the same: we’re asked if we’d like to “play again”. With the assistance of an on-stage technician who operates the laptop and encourages the audience to shout out our answers, Dodgshon throws his all into the piece...

1Oct

By Max EdenNo Comments

North West

One Man, Two Guvnors – Daneside Theatre

The Congleton Players’ first production of the 2025/26 season opened last night and it’s the hilarious One Man, Two Guvnors, directed by Louise Colohan, delivering a gloriously chaotic and endlessly entertaining evening at the theatre. Richard Bean’s modern adaptation of Carlo Goldini’s The Servant of Two Masters has been delighting audiences for years, but in the hands of the spirited Congleton Players company, it feels fresher and funnier than ever. Packed with more slapstick, silliness, and audience interaction, this is a show that thrives on its joyful energy and leaves you grinning from start to finish. At the heart of the production is Francis Henshall, played by Simeon Green, whose performance is nothing short of outstanding. Green delivers the perfect mix of cheekiness and ch...

13 Going on 30 The Musical – Opera House

1Oct

By Paul DownhamNo Comments

North West

13 Going on 30 The Musical – Opera House

Once more Manchester’s Opera House hosted another World Premiere last night in the latest show where Manchester gets it first! 13 Going on 30 is adapted from the 2004 romantic comedy about Jenna Rink, a 13-year-old girl who wishes to skip her awkward teenage years and be “thirty, flirty, and thriving.” After making her wish, she wakes up as her 30-year-old self, a successful magazine editor. At first thrilled, Jenna soon realizes adult life isn’t as perfect as she imagined—especially when she’s drifted from her childhood best friend, Matt. From the first beat of music until the last, the energy on stage was infectious with the younger part of the company shining bright, and by tonight’s showing confirming the future of musical theatre performers is in the safest of hands. Amelia M...